In the tempest worship the echo.—In times of public trouble retire to the country.
Do not write on the snow.—Do not teach feeble and sluggish minds.
Do not eat either your heart or your brain.—Do not give yourself up to either grief or to too difficult enterprises, etc.
Such are the maxims of Pythagoras, the sense of which is not hard to understand.
The most beautiful of all the emblems is that of God, whom Timæus of Locres represents by this idea: A circle the centre of which is everywhere and the circumference nowhere. Plato adopted this emblem; Pascal had inserted it among the material which he intended using, and which has been called his "Thoughts."
In metaphysics, in moral philosophy, the ancients have said everything. We coincide with them, or we repeat them. All modern books of this kind are only repetitions.
It is above all among the Indians, the Egyptians, the Syrians, that these emblems, which to us appear most strange, were consecrated. It is there that the two organs of generation, the two symbols of life, were carried in procession with the greatest respect. We laugh at it, we dare treat these peoples as barbarous idiots, because they innocently thanked God for having given them existence. What would they have said if they had seen us enter our temples with the instrument of destruction at our side?
At Thebes the sins of the people were represented by a goat. On the coast of Phœnicia a naked woman, with a fish's tail, was the emblem of nature.
One must not be astonished, therefore, if this use of symbols reached the Hebrews when they had formed a body of people near the Syrian desert.
One of the most beautiful emblems of the Judaic books is this passage of Ecclesiastes: "... when the grinders cease because they are few, and those that look out of the windows be darkened, when the almond-tree shall flourish and the grasshopper shall be a burden: or ever the silver cord be loosed, or the golden bowl be broken, or the pitcher be broken at the fountain...."