And underneath the speculative philosopher who confused you with long words; underneath the cold logician who mercilessly scouted at sentiment; underneath the pessimistic poet that sent the mournful cry of the whip-poor-will echoing through the widowed chambers of the heart, that hung and sung over the festival walls of Life the wreaths and dirges of Death; underneath the gay joker who delighted to play tricks on politicians, police and detectives; was the man who took the children on his knees and told them stories while the night was falling, the man who gave up a share of his own meagre meals to save five blind kittens from drowning; the man who lent his arm to a drunken washerwoman whom he did not know, and carried her basket for her, that she might not be arrested and locked up; the man who gathered four-leafed clovers and sent them to his friends, wishing them "all the luck which superstition attached to them"; the man whose heart was beating with the great common heart, who was one with the simplest and the poorest.

Lum held that evolutional ethics, or Anarchist ethics, in fact, must take account of both the altruistic and egoistic impulses; that while determining causes will ever lie in the mysterious realm of the unconscious life, consciousness may discern the trend of development and throw in its quota of influence for or against. That in its endeavor to comprehend the trend of development, it should take fair account of ancient truths, however enveloped in superstitious husks; should aim to extract the virtue even in the much mistaken altruistic doctrines of vicarious atonement and personal abasement; and while emphasizing the negation of human rulership as destructive of the possibilities of true growth, at the same time to acknowledge the vain conceit of self as anything more than a temporary grouping of instinct developed in beast, in plant, in man; to acknowledge the individual creature as a sort of mirrored reflection of the cosmos, constantly shifting, now scintillant, now vague and evanescent, now gone forever as Death breaks the mirror.

The notion of immortality which grows from such a conception of self is purged of the old vain conceit. It has been most beautifully voiced in George Eliot's "Choir Invisible," Mr. Lum's favorite poem; and in the lines is expressed the last great limitless shadow which engulfs even this immortality, the blind, tremendous darkness which lies at the end of all, the sense of the invincibility of which must have lain upon our teacher's soul when after the last searching, inexplicable, farewell look into a friend's eyes he went out into the April night and took his last walk in the roar of the great city—he who should soon be so silent!

Most of his comrades were surprised. They said: "I never thought Dyer D. Lum would go alone." But I who know how often and how wearily he said "What's the use," am sure that that mocking question lay at his heart, and paralyzed the will to do.

Like Olive Schreiner's stars in the African Farm, the soul about to depart sees the earth so coldly—all the ages are as one night—and like them he watches little helpless creatures of the earth come out and crawl awhile upon its skin, then go back beneath it, and it does not matter—nothing matters.


[Francisco Ferrer]

In all unsuccessful social upheavals there are two terrors: the Red—that is, the people, the mob; the White—that is, the reprisal.

When a year ago to-day the lightning of the White Terror shot out of that netherest blackness of Social Depth, the Spanish Torture House, and laid in the ditch of Montjuich a human being who but a moment before had been the personification of manhood, in the flower of life, in the strength and pride of a balanced intellect, full of the purpose of a great and growing undertaking,—that of the Modern Schools,—humanity at large received a blow in the face which it could not understand.