When you are ready for such re-reading, then be as critical as you please,—which does not necessarily mean be condemnatory. It means rather take notice of all generals and particulars, and question them.
You will naturally pose yourself the question, Why is it that the bare sounds of these old stories are so much more vibrating, drum-like, shrilling, at times, than any modern song or poem? You will find that the mitigating influence of civilization,—knowledge, moderation,—creeping into expression, produces flat, neutral, diluted sounds,—watery words, so to speak, long-drawn out and glidingly inoffensive. In any modern writing remarkable for strength, will be found a preponderance of "barbaric yawp"—as Whitman called it.
Fear creates sharp cries; the rebound of Fear, which is Bravado, produces drum-tones, roars, and growls; unrestrained Passions howl in wind-notes, irregular, breaking short off. God carries a hammer, and Love a spear. The hymn clangs, and the love-song clashes. Through those fierce sounds one feels again hot hearts.
Those who perceive colors accompanying sounds, sense clean cut lights streaking the night-ground of these early word-pictures; sharp, hard, reds and yellows. It is our later world which has produced green tintings not to be told from gray, nor gray from blue, nor anything from anything. In our fondness for smoothness and gradation we have attained practical colorlessness.
If it appears to you that I am talking nonsense, permit me to tell you it is because you have dulled your own powers of perception; in seeking to become too intellectually appreciative, you have lost the power to feel primitive things. Try to recover it.
Another source of interesting observation, especially in English literature of early writing: this time the eye.
It is admitted by everybody that as a serviceable instrument for expressing definite sounds in an expeditious and comprehensible manner, English written language is a woeful failure. If any inventor of a theory of symbols should, would, or could have devised such a ridiculous conception of spelling, such a hodge-podge of contradictory jumbles, he would properly have been adjudged to an insane asylum; and that, every man who ever contrived an English spelling-book, and every teacher who is obliged to worry this incongruous mess through the steadily revolting reason-and-memory process of children, is ably convinced. But Man, English-speaking Man, has actually—executed such conception; (he probably executed it first and conceived it afterward, as most of our poor victims do when they start on that terrible blind road through the spelling-book). Whether or no, the thing is here, and we've all to accept it, and deal with it as best we may, sadly hoping that possibly the tenth generation from now may at least be rid of a few unnecessary "e's."
And since the thing is here, and is a mighty creation, and very indicative of how the human brain in large sections works; since we've got to put up with it anyway, we may as well, in revenge for its many inconveniences, get what little satisfaction we can out of it. And I find it one of the most delightful little side amusements of wandering through the field of old literature, while in the critical vein, to stray around among the old stumps and crooked cowpaths of English spelling. Much pleasure is to be derived from seeing what old words grew together and made new ones; what syllables or letters got lopped off or twisted, how silent letters became silent and why; from what older language planted, and what its relatives are. It is much the same pleasure that one gets from trailing around through the narrow crooked streets and senseless meanderings of London City. Everybody knows it's a foolish way to build a city; that all streets should be straight and wide and well-distributed. But since they are not, and London is too big for one's individual exertion to reform, one consents to take interest in explaining the crookedness—in mentally dissolving the great city into the hundred little villages which coalesced to make it; in marking this point as the place where St. Somebody-or-Other knelt and prayed once and therefore there had to be a cross-street here; and this other point as the place where the road swept round because martyrs were wont to be burnt there, etc., etc. The trouble is that after a while one gets to love all that quaint illogical tangle, seeing always the thousand years of history in it; and so one's senses actually become vitiated enough to permit him to love the outrages of English spelling, because of the features of men's souls that are imaged therein. When I look at the word "laugh," I fancy I hear the joyous deep guttural "gha-gha-gha" of the old Saxon who died long before the foreign graft on the English stock softened the "gh" to an "f"!
Really one must become more patient with the "un-system," knowing how it grew, and feeling that this is the way of Man,—the way he always grows,—not as he ought, but as he can.