Behind the wainscot of the dining-room of a house situate a little below the Institute in Dogpole, now the property and residence of Dr. Henry Johnson, Senior Physician to the Salop Infirmary, and known in ancient documents by the name of
“THE OLDE HOUSE,”
was recently discovered an ancient painting, on canvas, fixed upon a board forming the mantelpiece over the fire-place of the room. In the centre is a shield of arms, France and England quarterly, surmounted by a royal crown, and on either side a pomegranate and Tudor rose (white and red conjoined), twice repeated. The ground of the whole dark-maroon, ornamented or damasked with white wavy feathery embellishments. Above, on the plaster of the wall, is a rude painting of heavy scroll-work ornaments; and it is thought that the rest of the walls, if the wainscot were removed, would be found covered with similar paintings.
In the absence of all positive evidence, conjectures can only be hazarded as to the cause of these arms, &c. having been placed here.
One thing, however, is certain that they are connected, in some way with Queen Mary, daughter of Henry VIII. and Queen Katherine of Arragon, inasmuch as the pomegranate was first introduced as a royal badge of England, upon Katherine’s marriage with prince Arthur, son of Henry VII. Now if we consider this painting contemporary with an inscription on the wainscot of the adjoining drawing-room, “PETRVS ROBERTS M M SECO 1553,” and interpret it thus, “PETRVS ROBERTS MARIÆ MATERNITATEM SECO, 1553. I Peter Roberts decide (the question of) the maternity or legitimacy of Mary, 1553.” Then we may regard it as a loyal demonstration on Mary’s accession to the English throne by some one of those many friends and adherents who so warmly sympathised in her early adversity, in the unjustifiable degradation of her royal mother and her own consequent exclusion from the succession to the throne.
If, however, the painting is considered to be anterior in time to the inscription on the wainscot, and such really appears to be the case from the style of the wainscot, then it may be connected with the possibility of the Court of the Marches of Wales, over which Mary presided in 1525, with the title of “Princess of Wales,” having been held here, since the Council House, where the Court usually sat afterwards, was not built till 1530; or it may be the memorial of an unrecorded visit of Queen Mary to our town; or the residence of one of her household, or of some member of the Council, amongst both of whom were many Cambrian names, and the following,—Ap Rice, Baldwyn, Basset, Bromley, Burnell, Burton, Cotton, Dod, Egerton, Pigot, Rocke, Sydnour, Salter, more or less connected with Shrewsbury; or it may have been the mansion of one of the many Welsh families of distinction, with whom Mary formed an intimacy during her residence in the Marches; or, as the crest of the Rocke family still remains on the leaden water-piping, and who in later times are remembered to have resided therein, it may have been the mansion of Anthony Rocke, who was a servant of Queen Katherine, and a legatee in her will to the amount of £20; and of whom the Princess Mary thus writes in one of her letters:—“For although he be not my servant, yet because he was my mother’s, and is an honest man, as I think, I do love him well, and would do him good.”
Which of these guesses may be the true solution, we are unable at present to decide.
We now pass down Church Street to
ST. ALKMUND’S CHURCH,
