The site of the Abbey comprises ten acres. An embattled wall surrounded probably the whole. Of the once stately monastic buildings the remains are inconsiderable, and consist of the Church, the Infirmary, the Dormitory, the Reader’s Pulpit of the Refectory, the Guesten Chamber, and the Cloister of the Abbot’s Lodging.
The space of ground on the east of the present church, containing 7300 square yards, known lately by the name of “The Abbey Garden,” whereon formerly stood the Choir and Lady Chapel of the monastery, was in 1840 consecrated as a public Cemetery.
The present parochial church of The Holy Cross embraces within its walls the nave, side aisles, north porch, and western tower of the Abbey church. It is principally constructed of red stone, and though bearing deep marks of mutilation, is still venerable and spacious, and exhibits many curious and interesting features of ancient architecture. The principal entrance is at the west end under the tower, through a pointed doorway, richly laced with mouldings, skilfully inserted within a deeply recessed semicircular arch, the exterior rib of which springs on each side from a Norman pillar with indented capital. Immediately above rises a magnificent and elegantly proportioned window, its sides and arch enriched with delicate mouldings; in the deep hollow soffits of which is a series of pannels, having foliated arch heads. The outer mouldings of the arch rise high above it, forming a spring canopy, enriched with crockets, and ending in a flower; from which again springs very elegantly a niche or tabernacle, with a high straight-sided canopy, flanked with a small pinnacle at each impost, containing a figure of Edward III. in complete armour. The body of the window to the spring of the arch contains two stories, divided horizontally by embattled transoms, and perpendicularly by six upright mullions into seven compartments. The two central mullions, as they approach the spring of the arch, bisect the head into smaller arches on each side, and these are further subdivided into others, which are uncommonly acute, the interstices of all filled with several tiers of small open pannelled tracery, mingled with trefoiled and quatrefoiled foliage, in beautiful and varied profusion. To the angles of the tower are attached square shallow piers, ending in pointed canopies, and midway of each is a niche, containing statues of St. Peter and St. Paul. Two small double windows light each side of the upper story of the tower, the summit of which is terminated by an unsightly battlement of brick.
The eastern portion of the nave is separated on either side from the side-aisles by three semicircular arches, resting on short massive round pillars, with shallow bases and filletted capitals, in the plainest and earliest Anglo-Norman style. Above, the remains of the triforium of the ancient church may be distinctly traced. The western portion has, on each side, two pointed arches in the pure Gothic of the 14th century, delicately lined with mouldings, and rising from well-proportioned clustered pillars, with capitals composed of a series of small horizontal mouldings. A clere-story, pierced with handsome Gothic windows, crowns this part of the edifice; and similar windows are continued along the north and south sides of the tower.
A lofty and graceful pointed arch, springing from high clustered imposts, opens from the nave to the tower, and affords a view of the fine west window; the upper portion of which is filled with the armorial bearings of Richard II.; his uncles, the Dukes of Gloucester, Lancaster, and York; and the alliances of the noble families of Fitzalan and Stafford, Earls of Arundel and Stafford, and the lower part with those of the late Archbishop of Canterbury, Dr. Howley, William Lord Berwick, patron, the Rev. R. Lingen Burton, vicar, Dr. Butler, Bishop of Lichfield, Archdeacon Bather, and Rev. Richard Scott, (the donor). The whole area of the tower is occupied by a capacious gallery, erected in 1817, for the accommodation of the children of the National School, in which stands a fine-toned organ, made by Gray of London, and purchased by subscription.
The eastern extremity of the nave is terminated by a wall, built between the two great western piers which once supported the central tower, in which is inserted a fine triple Norman window, [133] elaborately adorned with mouldings, containing figures of David, Solomon, St. John, St. James, St. Peter, and St. Paul, executed by Mr. David Evans with his usual taste. Underneath this window is a stone altar screen, composed of an arcade of five Norman arches, with rich and varied mouldings, surmounted by a pierced balustrade. The central arch contains a painting of the Angels appearing to the Women at the Sepulchre, by Mr. John Bridges, of London. The holy table is fenced by a STONE RAILING, uniform in style. The whole of the stone work of the eastern portion, together with the windows on the south aide of the church, were designed and executed by Messrs. Carline and Dodson of this town, through the pious liberality of the late Rev. R. Scott, B.D.
The western ends of the side aisles are separated from the church, and used as a vestry and schoolroom. At their eastern extremities are the arches which communicated with the transept, now blocked up and pierced with square-headed windows, in which are some ancient shields of arms, in stained glass, preserved from the monastic buildings. The north-east window of the north aisle contains a large figure of St. Peter, the arms of the See of Lichfield, of Lord Berwick the donor, and of thirteen incumbents since the Reformation. The opposite window of the south aisle is of a rich mosaic design, enclosing shields of the marriages of the family of Rocke.
