A guide, descriptive and historical, through the Town of Shrewsbury

by W. A. Leighton

This fine public promenade occupies a rich sloping meadow of about twenty acres, and derives its name from a disused stone quarry, nearly in the centre, which supplied a considerable part of the red sandstone visible in the older portions of the walls and churches of the town. Its site has long been designated “the Dingle,” and is planted with a bold clump of most magnificent horse-chesnut and lime trees. A noble avenue of lofty lime trees, gracefully unite their topmost boughs into a rich embowered arch, and with their lower branches feathering to the gentle windings of the beauteous river, forms the principal walk; to the middle and each end of which, three other shaded walks lead from various streets of the town. The still retirement and pleasing gloom of this delightful grove, from which the noise of the busy town, and even a prospect of its buildings, are almost entirely excluded,—the refreshing coolness of its shade,—the rich verdure which ever clothes its meadows,—the fine sweep of its umbrageous arch,—and the majestic flow of the river, which here

“with gentle murmur glides,
And makes sweet music with th’ enamel’d stones;
Giving a gentle kiss to every sedge
He overtaketh in his pilgrimage.”

all combine to render it the favourite and constant resort of the inhabitant, and a principal attraction to the stranger. The ground was laid out and planted in 1791, during the mayoralty of Henry Jenks, Esq., by Mr. Wright, a celebrated and intelligent nursery-man, resident in the adjacent village of Bicton.

On the west side of the Quarry, in the Dingle, called the Dry Dingle, are the remains of a rude amphitheatre, with ascending seats cut in the bank, where the Friars of the adjacent Convent performed the ancient religious Mysteries, or Miracle-plays, so famous in the days of our ancestors. Here, also, during the reign of Elizabeth many plays were exhibited in which the scholars of the Free Schools sustained the principal characters.

Close adjoining to the Quarry are

THE AUSTIN FRIARS,

of which the only remnant is the lower part of a square red stone building, probably the refectory, with two pointed doorways, and the bases of a range of handsome windows. We find these friars here as early as the year 1235, when they obtained from Henry III. a grant of a spot of ground outside the walls, which had been used as a burial-place when the kingdom was under an interdict, in the reign of King John. Upon this small space they erected their chapel and buildings, which they were enabled to enlarge and extend in the year 1295, by the piety of Geoffrey Randolf, a burgess of the town, who granted them a contiguous plot of ground for that purpose. At subsequent periods various portions of the lands in the immediate neighbourhood of the convent were successively added to their precinct. The corporation also were not wanting in frequent and liberal contributions to these, as well as to the other friars of the town. Still they never appear to have been either rich or numerous, and at the Dissolution their buildings were in a most deplorable state of ruin, inhabited only by a dissolute Prior, and two Friars not of the foundation, who had greatly and disgracefully wasted the conventual property. In 1403, several persons of note, who fell at Battlefield, are said to have found interment in the cemetery of this convent.

At the top of the Quarry stands the Church of St. Chad, a structure, which, notwithstanding its many and glaring defects, must still be pronounced handsome and commodious. The body is circular, and consists of a rustic basement with square windows, on which reposes a superstructure, containing a series of large arched windows; between each of which are coupled Ionic pilasters, resting on the basement, and supporting a bold cornice, crowned with an open balustrade. Attached to the body is a smaller circle, similarly decorated; at the extremity of which is the steeple, which consists of three stories: a square rustic basement, from which rises an octagonal belfry, enriched with Ionic pilasters, and above, a small cupola, supported on a heavy cylinder, surrounded by eight slender Corinthian pillars. A heavy cross and vane crowns the summit. On each side of the tower is a plain square wing, which contains a vestry-room. Beneath a handsome portico of four Doric pillars supporting a pediment, is the chief entrance, which opens into a circular vestibule beneath the tower; beyond which is a kind of ante-church, comprising the staircases leading to the galleries and communicating with the body of the church. The interior is not a complete circle, a segment having been taken off for two smaller staircases, and for the shallow oblong recess forming the chancel. A bold arch, resting on four rich composite pillars, marks the division of the body and chancel. Above the altar, (which contrary to ancient usage, is placed on the north side,) in a broad Venetian window is a representation, in stained glass, of the “Descent from the Cross,” after Rubens, the Salutation, and the Presentation in the Temple, executed by Mr. David Evans of this town, whose skill and taste have also been exercised in four other windows of this church, of which the subjects are, the Raising of Lazarus, Christ receiving little children, the Healing of the Sick, and the Tribute Money, all presented by the late Rev. R. Scott, B.D. One of the other windows of the Church contains a memorial in stained glass to E. Muckleston, Esq. A deep and capacious gallery, decorated in front with a handsome balustrade, surrounds the whole church, except the chancel, and reposes on a double range of short pillars, with Ionic capitals. From these a corresponding tier of slender fluted shafts, resembling the Corinthian order, rises to the ceiling, which is adorned with a glory in the centre, and a rich cornice, consisting of angels with wings interlaced. Over the chief entrance is a large and fine organ built by Gray of London, in 1794, and enlarged and improved by Gray and Davidson, in 1848. It has 30 stops, and comprises 1325 pipes.

This edifice, though possessing too much of the theatrical air, is handsomely and conveniently furnished, and by the ingenuity of the circular arrangement, all the congregation can distinctly hear and most see the officiating clergyman during the whole of the services. It will accommodate, in the pews below, 1000 persons, and in the gallery 750, besides 400 free sittings provided for the poor.