(ALEEL releases the ANGEL and kneels.)
OONA
Tell them to walk upon the floor of peace,
That I would die and go to her I love;
The years like great black oxen tread the world,
And God the herdsman goads them on behind,
And I am broken by their passing feet.
Down by the Salley Gardens.—An extension of three lines sung to me by an old woman at Ballisodare.
Findrinny (Findruine).—A kind of white bronze.
Finvarra (Finbar).—The king of the faeries of Connaught.
Hell.—In the older Irish books Hell is always cold, and it may be because the Fomoroh, or evil powers, ruled over the north and the winter. Christianity adopted as far as possible the Pagan symbolism in Ireland as elsewhere, and Irish poets, when they spoke of "the cold flagstone of Hell," may have repeated Pagan symbolism. The folk-tales, and Keating in his description of Hell, make use, however, of the ordinary symbolism of fire.
The Lamentation of the Pensioner.—This poem is little more than a translation into verse of the very words of an old Wicklow peasant. Fret means doom or destiny.
The Land of Heart's Desire.—This little play was produced at the Avenue Theatre in the spring of 1894, with the following cast:—Maurteen Bruin, Mr. James Welch; Shawn Bruin, Mr. A.E.W. Mason; Father Hart, Mr. G.R. Foss; Bridget Bruin, Miss Charlotte Morland; Maire Bruin, Miss Winifred Fraser; A Faery Child, Miss Dorothy Paget. It ran for a little over six weeks. It was revived in America in 1901, when it was taken on tour by Mrs. Lemoyne. It has been played two or three times professionally since then in America and a great many times in England and America by amateurs. Till lately it was not part of the repertory of the Abbey Theatre, for I had grown to dislike it without knowing what I disliked in it. This winter, however, I have made many revisions and now it plays well enough to give me pleasure. It is printed in this book in the new form, which was acted for the first time on February 22, 1912, at the Abbey Theatre, Dublin. At the Abbey Theatre, where the platform of the stage comes out in front of the curtain, the curtain falls before the priest's last words. He remains outside the curtain and the words are spoken to the audience like an epilogue.