As to Hanrahan, when he knew he was shut out and that there was neither shelter nor drink nor a girl’s ear for him that night, the anger and the courage went out of him, and he went on to where the waves were beating on the strand.

He sat down on a big stone, and he began swinging his right arm and singing slowly to himself, the way he did always to hearten himself when every other thing failed him. And whether it was that time or another time he made the song that is called to this day ‘The Twisting of the Rope,’ and that begins, ‘What was the dead cat that put me in this place,’ is not known.

But after he had been singing awhile, mist and shadows seemed to gather about him, sometimes coming out of the sea, and sometimes moving upon it. It seemed to him that one of the shadows was the queen-woman he had seen in her sleep at Slieve Echtge; not in her sleep now, but mocking, and calling out to them that were behind her: ‘He was weak, he was weak, he had no courage.’ And he felt the strands of the rope in his hand yet, and went on twisting it, but it seemed to him as he twisted, that it had all the sorrows of the world in it. And then it seemed to him as if the rope had changed in his dream into a great water-worm that came out of the sea, and that twisted itself about him, and held him closer and closer, and grew from big to bigger till the whole of the earth and skies were wound up in it, and the stars themselves were but the shining of the ridges of its skin. And then he got free of it, and went on, shaking and unsteady, along the edge of the strand, and the grey shapes were flying here and there around him. And this is what they were saying, ‘It is a pity for him that refuses the call of the daughters of the Sidhe, for he will find no comfort in the love of the women of the earth to the end of life and time, and the cold of the grave is in his heart for ever. It is death he has chosen; let him die, let him die, let him die.’


HANRAHAN AND CATHLEEN THE DAUGHTER OF HOOLIHAN

It was travelling northward Hanrahan was one time, giving a hand to a farmer now and again in the hurried time of the year, and telling his stories and making his share of songs at wakes and at weddings.

He chanced one day to overtake on the road to Collooney one Margaret Rooney, a woman he used to know in Munster when he was a young man. She had no good name at that time, and it was the priest routed her out of the place at last. He knew her by her walk and by the colour of her eyes, and by a way she had of putting back the hair off her face with her left hand. She had been wandering about, she said, selling herrings and the like, and now she was going back to Sligo, to the place in the Burrough where she was living with another woman, Mary Gillis, who had much the same story as herself. She would be well pleased, she said, if he would come and stop in the house with them, and be singing his songs to the bacachs and blind men and fiddlers of the Burrough. She remembered him well, she said, and had a wish for him; and as to Mary Gillis, she had some of his songs off by heart, so he need not be afraid of not getting good treatment, and all the bacachs and poor men that heard him would give him a share of their own earnings for his stories and his songs while he was with them, and would carry his name into all the parishes of Ireland.

He was glad enough to go with her, and to find a woman to be listening to the story of his troubles and to be comforting him. It was at the moment of the fall of day when every man may pass as handsome and every woman as comely. She put her arm about him when he told her of the misfortune of the Twisting of the Rope, and in the half light she looked as well as another.

They kept in talk all the way to the Burrough, and as for Mary Gillis, when she saw him and heard who he was, she went near crying to think of having a man with so great a name in the house.