I have already mentioned that among the Kavi poems are contained various ethical works. Of these the "Paniti Sastra," or Manual of Wisdom, will serve as an example. Raffles, in his account of this work, says that it contains one hundred and twenty-three stanzas, and that it is said to be contemporary with the Bharata Yuddha. Vreede, in his "Catalogue," says in a note,[27] "Winter mentions the 'Niti Sastra Kawi,' and as its author Prabu Vidayaka, in the time of Aji Saka." As Saka was the commencement of all things in Java, to refer the work to the time of Aji Saka, is practically to say that it is of unknown antiquity. It belongs to the second class of Tuturs, or sacred writings, i.e. those which were not kept secret by the priests, but which might be read by other castes beside the Brahmans; and there are several versions and translations of it in modern Javanese. The following lines are taken from the Kavi text of this work:—
"As the suraya flower floats in the water, so does the heart exist in a pure body; but let it not be forgotten that the root of the flower holds to the ground, and that the heart of man depends upon his conduct in life.
"As the moon and the stars shed their light by night, and the sun giveth light by day, so should the sayings of a wise man enlighten all around him.
"Deprive not another of the credit which is due to him, nor lower him in the opinion of the world; for the sun, when he approaches near the moon, in depriving her of her light, adds nothing to his own lustre."
There is a modern Javanese version of the "Niti Sastra," of which the following passages are specimens:—
"A man who is ignorant of the sacred writings, is as one who has lost his speech; for when these become the conversation of other men, he will be under the necessity of remaining silent.
"No man can be called good or bad until his actions prove him so.
"It is well known that a man cannot take the goods of this world with him to the grave, and that man, after this life, is punished with heaven or hell, according to the merits of his actions in this life: a man's duty, therefore, requires him to remember that he must die; and if he has been merciful and liberal in this life to the poor, he will be rewarded hereafter."
One and the same principle governs the composition of the mythological and romantic literature of the Hindu epoch, and that of those somewhat similar works in modern Javanese composed after the Mohammedan conquest. The authors of both alike set one main object before them—to exalt the reigning princes by identifying them with the heroes or princes of an anterior epoch; only in the case of the Kavi poems, this anterior epoch is fixed in the cloud-land of Hindu mythology, while after the Mohammedan conquest it becomes merely the preceding era of the Hindu supremacy in Java, which is used as a ladder by which the Hindu cloud-land may be reached. But the nature of the babads, or chronicles, the medium by which this object was subsequently effected, and the interesting question of their historical value, are subjects which I must reserve for the succeeding chapter.
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