I will now proceed to show how the other three flies are formed—5, 6, and 7.
These may be termed middling gaudy, and are famous for the rivers in the north of Scotland, or the clear waters of Ireland. You perform the operation of tying on the hook as Plate I; tip the fly at the tail, and tie on a topping; take a piece of black ostrich or peacock harl, tie it in at the roots, and roll it evenly over the shank two or three times (see the harl tag, Plate V); tie in the hackle above the ostrich tag, leave it hanging, and roll the twist up the body, previously formed of floss silk nicely tapered (see the Body of Plate V); take the hackle in the right hand, and roll it evenly with the tinsel, and fasten it as Plate VI; leave the silk hanging here to tie on the wings and the head. The wings of Plate VII, may be seen tied on the reverse way, and the body and hackle formed afterwards; they are now ready to turn back in their proper place to hang over the body, this is done by turning them neatly up with the thumb nail of the right hand, and laying them evenly on each side of the fly, with the best side of the feather out. The spots and shades which are perceivable in the wings and hackles of all the engraved specimens of fly, are shown to great perfection—I have described the whole of them, to match the shades exactly, so that it is impossible to go astray when tying on each fibre of feather.
We will now return to Plate VI, and teach how it is to be winged—You cut off a strip from the turkey tail feather, which must be unbroken, as a whole wing; after measuring the proper length of it for the hook, you draw each piece small with the nails where it is to be tied on, as the strip is broader at the root, so that, take it on the whole, it must be narrow where this piece of feather is made small at the roots, as seen in the plate of Feathers, to keep it so whole, touch it with a little varnish, and let it dry a little on the table.
You take hold of the fly in your left hand, close to the head, draw the fibres of the hackle out of the way by placing them under your fingers; take the wing in your right hand and lay it on, catching it between the left finger and thumb on the top of the hook tightly, and give two rolls of the tying silk over it; take up the other wing, like the last, and lay it on the near side, and lap the silk over it in like manner (renew the silk with wax before the wings are tied on); you now may tie on a few fibres of golden pheasant neck, and tail feathers at each side of the wings just put on, and a piece of macaw feather at each side; head it with ostrich, or roll a little pig hair round the silk sparingly, lap it over twice, and finish by giving two running knots over it close to the root of the wings (see the wing of the middling plain Salmon Fly, Plate II, immediately above the Sea-Trout Fly and May Fly.)
The reader will perceive in this plate on salmon hooks, that I have just described a garden, as it were fully cultivated, there is hardly a space left waste, like the broad fields of industrious England, whose sons "never, never shall be slaves." All the other plates are likewise full of useful matter, which will prove my hard labour, and at the same time show that I have hid nothing from the Fly-Fisher in all the processes.
If the fly (Plate V., on salmon hooks) is winged with feathers, like the Irish gaudy wing, prepared in the plate of Feathers, it will be found to approach near the gaudy fly at the bottom of the plate, with "picker" at top.
I will now describe the process of making the Gaudy Salmon Fly, the plate of which is invaluable to the Salmon fisher:—
