A Breeze from the Woods, 2nd Ed.

by W. C. Bartlett

A country without grandmothers and old houses needs a great many balancing compensations. Everywhere one is confronted with staring new houses, which require an external ripening in the wind and sun for half a century. If the motherly wisdom of seventy-five years is lodged therein, it is something of recent importation. I have walked two miles to see an old lady, who not only bears this transplanting well, but is as fresh and winsome in thought as a girl of sixteen. If only there had been an old house, a stone fire-place—wide at the jambs—and a low, receding roof in the rear, with a bulging second story and oaken beams, nothing more would have been wanting.

When, therefore, it was whispered, one day, that there was an old house in the middle of a large lot on a hill, overlooking the Golden Gate, there was a strong and unaccountable desire to take possession of it immediately. But when the fact was stated that the house was ten years old, that there was moss upon the shingles, low ceilings within, and a low roof without, the destiny of that house was well nigh settled. The owner wanted money much more than old houses. In fact, a Californian who refuses to sell anything, except his wife, is only found after long intervals. The transfer of ownership was natural enough. It followed that one evening there was a dreamy consciousness that we were the owner of a small, rusty-looking cottage, set down in the middle of an acre lot, defined by dilapidated fences, and further ornamented by such stumps of trees as had been left after all the stray cattle of the neighborhood had browsed them at will. As incidents of the transfer, there was the Golden Gate, with the sun dropping into the ocean beyond; the purple hills; the sweep of the bay for fifteen miles, on which a white sail could be seen, here and there; and, later, the long rows of flickering street lamps, revealing the cleft avenues of the great city dipping toward the water on the opposite side of the bay.

Consider what an investment accompanies these muniments of title. It is not an acre lot and an old house merely, with several last year's birds' nests and a vagrant cat, but the ownership extends ninety-five millions of miles toward the zenith, and indefinitely toward the nadir. No one can, in miners' parlance, get an extension above or below. It is a square acre, bounded by heaven and hades.

If my neighbor builds an ugly house, why should I find fault with it, since it is the expression of his wants, and not of mine. If these are honestly expressed, he has compassed the main end of house-building. He may have produced something that nobody in the wide world will be suited with, or will ever want but himself. But if it is adapted to his wants, it is only in some remote and æsthetic way that his neighbors have anything to do with the matter. They may wish that he had not made it externally as ugly as original sin; that he had laid a heavy hand on the antics of architect and carpenter; that lightning would some day strike the "pilot-house," or some other excrescence which has been glued on to the top; and that a certain smart obtrusiveness were toned down a little to harmonize with a more correct taste. But one could not formulate these defects and send them to his neighbor without running a risk quite unwarranted by any good that might be effected.

Taking possession of an old house, its ugliness is to be redeemed, not rashly, but considerately, and in the spirit of gentleness. Its homeliness has been consecrated; its doors may have been the portals both of life and death. Possibly, some one has gone out whose memory of it in the ends of the earth will transform it into something of comeliness and beauty.

Investing an old house, the first process is to become thoroughly acquainted with it, and then, if it is to be enlarged, push it out from the center with such angles as will catch the sun, and will bring the best view within range from the windows. It will grow by expansions and accretions. You want a bed-room on the eastern side, because of the morning sun. By all means, put it there. The morning benediction which comes in at the window may temper one to better ways all the day.

No man will build a house to suit his inmost necessities, unless he proceeds independently of all modern rules of construction. Some of these are good enough, but they nearly all culminate in an ambitious externalism. The better class of dwellings erected seventy-five years ago contained broad staircases, spacious sleeping-rooms, and a living-room, where the whole family and the guests, withal, might gather at the fire-side. The house was an expression of hospitality. The host had room for friendships in his heart, and room at his hearthstone. The modern house, with its stiff angularities, narrow halls, and smart reception-rooms, expresses no idea of hospitality. It warns the stranger to deliver his message quickly, and be off. It is well adapted to small conventional hypocrisies, but you will never count the stars there by looking up the chimney.

One may search long to find the man who has not missed his aim in the matter of house-building. It is generally needful that two houses should be built as a sacrifice to sentiment, and then the third experiment may be reasonably successful. The owner will probably wander through the first two, seeking rest and finding none. His ideal dwelling is more remote than ever. There may be a wealth of gilt and stucco, and an excess of marble, which ought to be piled up in the cemetery for future use. But the house which receives one as into the very heaven—which is, from the beginning, invested with the ministries of rest, of hospitality, of peace, of that indefinable comfort which seems to converge all the goodness of the life that now is with the converging sunbeams—such a dwelling does not grow out of the first crude experiment. It will never be secured until one knows better what he really wants than an architect or carpenter can tell him.

"Did you bring the old house up to this ideal standard?" Just about as near as that pear tree, at the lower end of the garden, has been brought up to a perfect standard of fruiting. You perceive that where half of the top was cut away, and new scions inserted, the pears hung in groups and blushed in the autumnal sun. As you let one of them melt on your palate, turn to the other side of the tree, and note that, if ever a premium were offered for puckering, acrid fruit, these pears from the original stock ought to take it.

Now, if you graft your ideas on to another's, premising that his views were crude and primitive, the result will be somewhat mixed. We should say that the grafts put into that old house were tolerably satisfactory. But we counsel no friend to build over an old house, unless he owns a productive gold mine, and the bill of particulars at the end of his exploit is more interesting and gratifying to him than any modern novel.