[Foreword]ix
CHAP. PAGE
I.[Boyhood with the Old-Time Wagon Show]1
My First Exciting Experience4
The Intelligence of Elephants5
Fights with the Grangers6
"Doc" Baird and the Bully9
Teasing Old Romeo10
The Story of a Stolen Negro12
Horse Thieves in the Circus15
II.[The Perilous Business of Stocking a Menagerie]18
Beasts at Wholesale20
The Professional Animal Hunter21
Striking into the Interior22
Hunters' Life in the Jungle.23
Why Baby Elephants are Hard to Capture26
Across the Desert with Captive Beasts29
The Adventures of Specimen Hunters31
III.[Freaks and Fakes]35
The Burial and Resurrection of the "Cardiff Giant"37
The Rival White Elephants40
How the "Light of Asia" Embarrassed the Lecturer41
The Wild Cave-Dweller of Kentucky44
The Two-Headed Girl's Three-Headed Rival46
Missing Links and Dancing Turkeys49
The Salaries Paid to Freaks50
The Love-Making and Merrymaking of the Freaks51
The Exposure of the "Aztec Children"54
An Adventure with a Circus Shark56
IV.[Moving the Big Show]59
The First Attempt to Move a Circus by Rail61
The Spartan Habits of the Old Timers63
Seven Heartbreaking Days on the Long Road64
Performing by Day and Traveling by Night67
On a Runaway Circus Train69
Panic Among the Animals71
A Single Track and a Broken Rail73
The Bronchos' Charmed Life75
Old Romeo to the Rescue77
An Unexpected Midnight Bath79
V.[The Prairie Fire]86
A Chance Meeting with a Great Man96
VI.[Booming the Big Show]104
Novel Advertising Features105
The "Devil's Whistle"106
"Spotters"108
Rivalry in Exploiting Opposition Shows112
Costly Rivalry113
Idle Bill-Posters116
The Courtesy of Editors118
Jumbo's Free Advertising120
VII.[Parades And Band Wagons]124
The Fifty Cent Rivals of the Ten Thousand Dollar Hippos124
A Skillful Appeal to Public Sympathy126
A Silent Parade from Albany to the State Line128
The Fluctuating Level of Circus Values130
What it Costs to Ride with the Band Wagon132
Requirements and Cost of the Circus Horse134
A Page from the Invoice Book of the Big Show136
VIII.[Anecdotes of Men and Animals]139
Origin of the American Circus139
The First Elephant Brought to America141
The First Drove of Camels144
The Fight of the Ostriches145
The Belligerent Alligators149
Parrots and Cockatoos153
Educated Dogs154
A Wounded Horse in the Grand March156
Intelligent Bronchos158
The King of the Herd159
An Elephant's Humor160
Zulus in London162
IX.[Training Animals and Performers]169
The Perils of a Trainer's Life170
Where Steady Nerves are in Demand172
Captured Animals Preferred to Cage-Born173
The Education of a Young Jaguar174
The Leopards at Kindergarten177
How they Punish Unruly Pupils179
Punishment of Treacherous Beasts180
A Single-Handed Fight with Five Lions182
Teaching the Horse the Two-Step186
Ring Performers Trained with a Derrick187
Circus People a Long-Lived Class189
X.[Mobs, Cyclones and Adventures]192
Forcible Argument with a City Marshal193
Breaking Camp under a Hot Rifle Fire195
Ambushed and Shot at on the Road197
The Studies of the Apprentice to the Clown201
Devotional Services Upset by a Demon204
The Wild Beasts Loose in the Big Crowd205
The Midnight Stampede of the Elephants208
A Polar Bear Hunt on Fifth Avenue209
An Equine Officer of Artillery211
XI.[Stories of Old-Time Shows and Showmen]214
Dan Rice's One-Horse Show215
Tan-Bark Oratory and Harlequin Pluck217
An Imitation Patriot Shown Up219
In which Cupid was Master of the Ring223
Barnum's One Unconquerable Superstition227
Gullible Patrons in Early Days229
Expedients of Advance Agents231
Plantation Shows234
Exhibiting "Yankees" in the South235
Sleeping in Strange Attitudes236
A Circus "Crier"238
Showmen's Names239
The Escape of a Leopard241
Hotel Keepers243
Early Breakfasts245
XII.[How the Great New York Aquarium was Made and Lost]247
The Quest of the Tree-Tailed Kingio249
Half-Hours with Bashful Whales251
A Slippery Deal in Sea-Lions254
An Eventful Monday Morning at the Aquarium258
The Ultimate Fate of the Aquarium260

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FOREWORD

The notes from which the following narrative was drawn were dictated by Mr. W. C. Coup at odd moments in the big show tent, the special car or the hotel where he chanced to find himself with a half-hour at his disposal. The manner and the motive of their writing unite to contribute to their charm and effectiveness. His unbounded enthusiasm for his peculiar calling and his desire so to state the facts of his experience as to give the general public a fairer and fuller understanding of its real conditions inspired him to the labor of crowding into his busy life the pleasant task of putting upon paper the main points of his interesting career.

Nothing could have been more fortunate than the fact that he was compelled to do this in a manner wholly informal,—intending later to put his haphazard notes into good literary form. His recollections fell from his lips as they came into his mind, in the forceful and picturesque phraseology of the typical showman. To preserve this original quality has been the effort constantly held in view in grouping these notes for publication. The terse idiom of the offhand dictation has been consistently retained and gives the true "show" color and flavor to the stirring scenes, adventures and incidents with which the book deals.

Of Mr. Coup's prominence in his profession it is scarcely necessary to speak, and I think none will venture to question the statement that he was the founder and pioneer in America of the circus business pure and simple, as distinguished from other lines of show enterprise, and that the story of his life would incidentally furnish a concise history of the circus on this continent. His name was a family word in homes of the people of every part of the United States during the period of his greatest activity. The main incidents of his career may be tersely stated as follows:

William Cameron Coup was born in Mount Pleasant, Ind., in 1837. While he was still a boy, his father bought the local tavern in a small country village. The business of hotel keeping did not commend itself to the future showman, who left home and took the position of "devil" in a country newspaper office. Soon, however, he became dissatisfied with the opportunities which the printing craft seemed to present, and started out to find something which better suited his unformed and perhaps romantic ideas of a profession. After a hard tramp of several miles he chanced to encounter a show, and immediately determined that this was the field to which he would devote his energies and in which he would make for himself a name and a fortune. With this show he served an apprenticeship, in a humble capacity, and gained a clear idea of the essentials of the business.

In 1861 he secured the side-show privileges of the E. F. & J. Mabie Circus, then the largest show in America. He remained with this firm until 1866, when he secured similar privileges with the Yankee Robinson Circus, with which he allied himself until 1869. In the latter year he formed a co-partnership with the celebrated Dan Costello and entered upon the first of the original ventures marking as many distinct epochs in the history of the circus in America. This departure was the organization of a show which traveled by boat and stopped at all the principal lake ports of the great inland seas. This enterprise was a decided success.

At that time Mr. P. T. Barnum had never been in the circus business, and Mr. Coup had not personally met this king of showmen. He keenly appreciated, however, the prestige which Mr. Barnum's name would give to a circus enterprise, and went to New York for the purpose of interesting Mr. Barnum in an enterprise of this character. This object he had no difficulty in accomplishing, and in the Spring of 1870 they put an immense show on the road, which toured the eastern States and was highly successful.