| [Foreword] | ix | ||
| CHAP. | PAGE | ||
| I. | [Boyhood with the Old-Time Wagon Show] | 1 | |
| My First Exciting Experience | 4 | ||
| The Intelligence of Elephants | 5 | ||
| Fights with the Grangers | 6 | ||
| "Doc" Baird and the Bully | 9 | ||
| Teasing Old Romeo | 10 | ||
| The Story of a Stolen Negro | 12 | ||
| Horse Thieves in the Circus | 15 | ||
| II. | [The Perilous Business of Stocking a Menagerie] | 18 | |
| Beasts at Wholesale | 20 | ||
| The Professional Animal Hunter | 21 | ||
| Striking into the Interior | 22 | ||
| Hunters' Life in the Jungle. | 23 | ||
| Why Baby Elephants are Hard to Capture | 26 | ||
| Across the Desert with Captive Beasts | 29 | ||
| The Adventures of Specimen Hunters | 31 | ||
| III. | [Freaks and Fakes] | 35 | |
| The Burial and Resurrection of the "Cardiff Giant" | 37 | ||
| The Rival White Elephants | 40 | ||
| How the "Light of Asia" Embarrassed the Lecturer | 41 | ||
| The Wild Cave-Dweller of Kentucky | 44 | ||
| The Two-Headed Girl's Three-Headed Rival | 46 | ||
| Missing Links and Dancing Turkeys | 49 | ||
| The Salaries Paid to Freaks | 50 | ||
| The Love-Making and Merrymaking of the Freaks | 51 | ||
| The Exposure of the "Aztec Children" | 54 | ||
| An Adventure with a Circus Shark | 56 | ||
| IV. | [Moving the Big Show] | 59 | |
| The First Attempt to Move a Circus by Rail | 61 | ||
| The Spartan Habits of the Old Timers | 63 | ||
| Seven Heartbreaking Days on the Long Road | 64 | ||
| Performing by Day and Traveling by Night | 67 | ||
| On a Runaway Circus Train | 69 | ||
| Panic Among the Animals | 71 | ||
| A Single Track and a Broken Rail | 73 | ||
| The Bronchos' Charmed Life | 75 | ||
| Old Romeo to the Rescue | 77 | ||
| An Unexpected Midnight Bath | 79 | ||
| V. | [The Prairie Fire] | 86 | |
| A Chance Meeting with a Great Man | 96 | ||
| VI. | [Booming the Big Show] | 104 | |
| Novel Advertising Features | 105 | ||
| The "Devil's Whistle" | 106 | ||
| "Spotters" | 108 | ||
| Rivalry in Exploiting Opposition Shows | 112 | ||
| Costly Rivalry | 113 | ||
| Idle Bill-Posters | 116 | ||
| The Courtesy of Editors | 118 | ||
| Jumbo's Free Advertising | 120 | ||
| VII. | [Parades And Band Wagons] | 124 | |
| The Fifty Cent Rivals of the Ten Thousand Dollar Hippos | 124 | ||
| A Skillful Appeal to Public Sympathy | 126 | ||
| A Silent Parade from Albany to the State Line | 128 | ||
| The Fluctuating Level of Circus Values | 130 | ||
| What it Costs to Ride with the Band Wagon | 132 | ||
| Requirements and Cost of the Circus Horse | 134 | ||
| A Page from the Invoice Book of the Big Show | 136 | ||
| VIII. | [Anecdotes of Men and Animals] | 139 | |
| Origin of the American Circus | 139 | ||
| The First Elephant Brought to America | 141 | ||
| The First Drove of Camels | 144 | ||
| The Fight of the Ostriches | 145 | ||
| The Belligerent Alligators | 149 | ||
| Parrots and Cockatoos | 153 | ||
| Educated Dogs | 154 | ||
| A Wounded Horse in the Grand March | 156 | ||
| Intelligent Bronchos | 158 | ||
| The King of the Herd | 159 | ||
| An Elephant's Humor | 160 | ||
| Zulus in London | 162 | ||
| IX. | [Training Animals and Performers] | 169 | |
| The Perils of a Trainer's Life | 170 | ||
| Where Steady Nerves are in Demand | 172 | ||
| Captured Animals Preferred to Cage-Born | 173 | ||
| The Education of a Young Jaguar | 174 | ||
| The Leopards at Kindergarten | 177 | ||
| How they Punish Unruly Pupils | 179 | ||
| Punishment of Treacherous Beasts | 180 | ||
| A Single-Handed Fight with Five Lions | 182 | ||
| Teaching the Horse the Two-Step | 186 | ||
| Ring Performers Trained with a Derrick | 187 | ||
| Circus People a Long-Lived Class | 189 | ||
| X. | [Mobs, Cyclones and Adventures] | 192 | |
| Forcible Argument with a City Marshal | 193 | ||
| Breaking Camp under a Hot Rifle Fire | 195 | ||
| Ambushed and Shot at on the Road | 197 | ||
| The Studies of the Apprentice to the Clown | 201 | ||
| Devotional Services Upset by a Demon | 204 | ||
| The Wild Beasts Loose in the Big Crowd | 205 | ||
| The Midnight Stampede of the Elephants | 208 | ||
| A Polar Bear Hunt on Fifth Avenue | 209 | ||
| An Equine Officer of Artillery | 211 | ||
| XI. | [Stories of Old-Time Shows and Showmen] | 214 | |
| Dan Rice's One-Horse Show | 215 | ||
| Tan-Bark Oratory and Harlequin Pluck | 217 | ||
| An Imitation Patriot Shown Up | 219 | ||
| In which Cupid was Master of the Ring | 223 | ||
| Barnum's One Unconquerable Superstition | 227 | ||
| Gullible Patrons in Early Days | 229 | ||
| Expedients of Advance Agents | 231 | ||
| Plantation Shows | 234 | ||
| Exhibiting "Yankees" in the South | 235 | ||
| Sleeping in Strange Attitudes | 236 | ||
| A Circus "Crier" | 238 | ||
| Showmen's Names | 239 | ||
| The Escape of a Leopard | 241 | ||
| Hotel Keepers | 243 | ||
| Early Breakfasts | 245 | ||
| XII. | [How the Great New York Aquarium was Made and Lost] | 247 | |
| The Quest of the Tree-Tailed Kingio | 249 | ||
| Half-Hours with Bashful Whales | 251 | ||
| A Slippery Deal in Sea-Lions | 254 | ||
| An Eventful Monday Morning at the Aquarium | 258 | ||
| The Ultimate Fate of the Aquarium | 260 | ||
FOREWORD
The notes from which the following narrative was drawn were dictated by Mr. W. C. Coup at odd moments in the big show tent, the special car or the hotel where he chanced to find himself with a half-hour at his disposal. The manner and the motive of their writing unite to contribute to their charm and effectiveness. His unbounded enthusiasm for his peculiar calling and his desire so to state the facts of his experience as to give the general public a fairer and fuller understanding of its real conditions inspired him to the labor of crowding into his busy life the pleasant task of putting upon paper the main points of his interesting career.
Nothing could have been more fortunate than the fact that he was compelled to do this in a manner wholly informal,—intending later to put his haphazard notes into good literary form. His recollections fell from his lips as they came into his mind, in the forceful and picturesque phraseology of the typical showman. To preserve this original quality has been the effort constantly held in view in grouping these notes for publication. The terse idiom of the offhand dictation has been consistently retained and gives the true "show" color and flavor to the stirring scenes, adventures and incidents with which the book deals.
Of Mr. Coup's prominence in his profession it is scarcely necessary to speak, and I think none will venture to question the statement that he was the founder and pioneer in America of the circus business pure and simple, as distinguished from other lines of show enterprise, and that the story of his life would incidentally furnish a concise history of the circus on this continent. His name was a family word in homes of the people of every part of the United States during the period of his greatest activity. The main incidents of his career may be tersely stated as follows:
William Cameron Coup was born in Mount Pleasant, Ind., in 1837. While he was still a boy, his father bought the local tavern in a small country village. The business of hotel keeping did not commend itself to the future showman, who left home and took the position of "devil" in a country newspaper office. Soon, however, he became dissatisfied with the opportunities which the printing craft seemed to present, and started out to find something which better suited his unformed and perhaps romantic ideas of a profession. After a hard tramp of several miles he chanced to encounter a show, and immediately determined that this was the field to which he would devote his energies and in which he would make for himself a name and a fortune. With this show he served an apprenticeship, in a humble capacity, and gained a clear idea of the essentials of the business.
In 1861 he secured the side-show privileges of the E. F. & J. Mabie Circus, then the largest show in America. He remained with this firm until 1866, when he secured similar privileges with the Yankee Robinson Circus, with which he allied himself until 1869. In the latter year he formed a co-partnership with the celebrated Dan Costello and entered upon the first of the original ventures marking as many distinct epochs in the history of the circus in America. This departure was the organization of a show which traveled by boat and stopped at all the principal lake ports of the great inland seas. This enterprise was a decided success.
At that time Mr. P. T. Barnum had never been in the circus business, and Mr. Coup had not personally met this king of showmen. He keenly appreciated, however, the prestige which Mr. Barnum's name would give to a circus enterprise, and went to New York for the purpose of interesting Mr. Barnum in an enterprise of this character. This object he had no difficulty in accomplishing, and in the Spring of 1870 they put an immense show on the road, which toured the eastern States and was highly successful.