Sawdust & Spangles: Stories & Secrets of the Circus

by W. C. Coup

In those first days of my novitiate I found the people almost as interesting as the elephants—which is saying much from the point of view of a boy. The crudity of society at that period is vividly illustrated by an incident which occurred soon after we had crossed over into Illinois. We were showing at the little town of Oquawka and "put up" at the only tavern there. The dining-room of this hostelry was papered with circus bills. Our first meal introduced me to a scene so outlandish that I shall never forget it. Shortly after we had seated ourselves at the rough board table, the kitchen door was pushed open by a tall, lank young countryman of a fierce and forbidding countenance. He wore a broad-brimmed hat, heavy cowhide boots—in the tops of which were buried the ends of his trouser legs—and a red flannel shirt. From his belt protruded a huge bowie knife. In his hand he carried a sixteen-quart pan heaped with steaming potatoes. As he strode across the room he shouted: "Who in hell wants pertaters?"

FIGHTS WITH THE GRANGERS

The novelty of all these curious and wonderful sights wore away after awhile, and then began my circus life in all its stern reality. The hardships and trials and the rough attachés of that "vast aggregation" can never be forgotten. If the showmen were rough, so also were our patrons. The sturdy sons of toil came to the show eager to resent any imagined insult; and failing to fight with the showmen, would often fight among themselves; for in the days of Abraham Lincoln's childhood the people divided themselves into cliques, and county-seats were often the arenas selected to settle family feuds. In other words, "fighting was in the air," and, as may be imagined, the showmen received their full share of it. It was no infrequent occurrence to be set upon by a party of roughs, who were determined to show their prowess and skill as marksmen with fists and clubs if required. As a consequence showmen went armed, prepared to hold their own against any odds. Not once a month, or even once a week, but almost daily, would these fights occur, and so desperately were they entered into that they resembled pitched battles more than anything else. Many years later, when describing this part of my career and later battles and circus fights to General Grant and Governor Crittenden at St. Louis, in which city my show was exhibiting, they admitted that my experience in thrilling and startling incidents compared favorably with their own, the difference being that they had perfect discipline and were backed by a powerful government, whilst for showmen there seemed to be little sympathy.

The roads at that time were in a terrible condition—so bad that slight rains would convert them into seas of mud, and a continued rainstorm would make them impassable.

One day one of our men became so immersed in quicksand that he sunk up to his armpits, and would have been very quickly swallowed up entirely had not some of his old comrades come to his rescue. Fastening one end of a long rope around his body, they drew him from his perilous position with the aid of a team of horses, and with so much force that a very necessary part of his attire was left completely behind him. These and other rigorous scenes were occurrences to which I became inured.

In these peaceful days it is almost impossible to realize the rough and desperate character of the people in the backwoods districts from which the old-time wagon shows drew their principal patronage. Even the latter-day circus men have no adequate conception of the improvement which time has wrought in the general character of the show-going public in the country communities. There is no denying the fact that then, as now, the attachés of the big circus were rather poor specimens of humanity; but in common justice it must be said that some of their pioneer patrons were more than a match for them. Never shall I forget the awful impression made upon my boyish mind by the first combat of this kind which I witnessed. Although I had not been long with the show, I had caught the prevailing sentiment that we were constantly in the "land of the Philistines," that the hand of every man was against us, and that our only safety was in perpetual alertness and the ready determination to stand together and fight for our rights on the slightest signal of disturbance.

"DOC" BAIRD AND THE BULLY

Connected with the side-show of the circus was a quiet inoffensive little man known as "Doc" Baird. While we were showing in a county-seat, the bully of the community, who was evidently bent upon displaying his courage, singled out the little "doctor" as his victim and proceeded to pick a quarrel with him. This proved a difficult thing to do, for Baird was decidedly pacific in his disposition and preferred to stand abuse rather than fight. I was among the attachés of the show who witnessed the trouble, and it seemed to me a shame that a big fellow like the bully should be permitted to terrorize the most inoffensive of all the showmen. Suddenly the altercation grew warmer, the bully's arm shot forward and the little doctor was knocked to the ground. Instantly, however, he was on his feet, and the next moment I heard the sharp report of a pistol, saw the smoke curl from the muzzle of the arm and watched the fall of the bully. This was the first time in my life that I ever looked upon the face of the dead or witnessed any affray of a fatal character. The shock and shuddering which it caused me were so great that I actually attempted to leave the show business, but was soon back again into the "current of destiny" and became inured to these exciting scenes.

TEASING OLD ROMEO

The circus grounds appeared to be the favorite arena for the settlement of the neighborhood feuds that were then characteristic of backwoods communities. Weapons of every sort, from fists to pistols, were employed and bloodshed was the rule rather than the exception. But the belligerent spirit of the pioneer yeomen was sometimes displayed in ludicrous ways. An instance of this character came near having a tragic ending. A party of young people halted before the elephant drove and amused themselves in teasing old Romeo. The ringleader in this reckless sport was a veritable young Amazon. For a time the patriarch of the drove, who had more good common sense than all his tormentors, stood the annoyance with dignified forbearance. But at last the big country girl succeeded in arousing his ire, and the huge elephant raised his trunk and gave her as dainty a slap, by way of warning, as was ever administered by a mother or school mistress to an unruly child. But the young woman would not take this hint that would have sent the most reckless animal-keeper of the show to a discreet retreat. Her pride was wounded before her companions. With her face flaming with anger, she leaped over the guard chain and made a vicious lunge at the shoulder of the elephant with the point of her gaudy parasol. Fortunately an attaché of the show leaped forward in time to save her. This was one of the most foolhardy displays of animal courage that I ever saw—and it was thoroughly typical of the circus-going public of the West at an early day.