Sawdust & Spangles: Stories & Secrets of the Circus

by W. C. Coup

In the early days in the South the country was so sparsely settled that we did not content ourselves with showing in the towns, but were in the habit of putting our tents up on any large plantation which appeared to be centrally located for a region in which we believed we could make a good "stand." It was invariably our custom to show in the afternoon. In the evening the attachés of the show were quite apt to be invited to a plantation dance or "hoedown." The "acting" at these impromptu gatherings was of no mean order. The negroes would bring out all their finery and there was sure to be a "Miss Sue" or a "Miss Lucinda" to carry off the honors.

Many people—and this was particularly true in the South—entertained the notion that circuses secured most of their performers by stealing children. One time when we were showing down in Texas an incident occurred which will illustrate under what strong suspicion we were held in certain localities. It so happened that at the time we were showing in a certain Texas town, a little colored chap named "Josh" became lost. Of course there was a great hubbub over this incident, and we were immediately blamed for having a hand in the matter. A thorough search of all our belongings, however, failed to reveal to the angry inhabitants the whereabouts of the missing boy. At intervals during the excitement the boy's mother, a great negro "Mammy," went about among her people moaning and wailing:

"Ain't dat horrible, ain't dat sorrowful, the old showman done stole little Josh away from his paw an' his maw." This incensed the crowd and for the time being we were in imminent danger of being torn limb from limb by the enraged crowd. Finally, however, the missing boy turned up, and, to make amends, the old negress went about exclaiming: "Little Josh done got home; little Josh done got home!"

EXHIBITING "YANKEES" IN THE SOUTH

Just after the war many of the Southern people regarded a "Yankee" as an unending wonder. They had heard so much of Yankee ingenuity that they came to regard a Northerner as a curiosity. We conceived the scheme of utilizing our knowledge of this fact to swell our receipts. We advertised that we had with our show a number of Yankees from various States. The crier dilated upon the wonderful ingenuity of the Yankee and told the people that if they had any old clocks or other things which needed fixing that they might bring them and watch the Yankees fix them. Our first attempt to put this scheme into operation turned out somewhat disastrously. It was Saturday and the people flocked to see the Yankees. When they saw, however, that Yankees are a good deal like other people we narrowly escaped a riot. The attachés of our show got into trouble with the quarrelsome element of the crowd and ended by boasting that they were all Yankees. Only by the exercise of great diplomacy was a combat avoided.

SLEEPING IN STRANGE ATTITUDES

As I stated in the beginning of this chapter, our patrons at this early day were very gullible. At one place the people had a great curiosity to know how the circus performers slept at night. After filling these questioners up with outlandish stories the attachés of the show decided to have a little fun at their expense. To bring this about they bribed the hotel keeper to let them have for a sleeping room one of the front rooms which faced the streets. When it became rumored about the town that the circus men would occupy this room a crowd composed of the curious assembled on the sidewalk outside. When night came each and every showman stood on his head. They ranged themselves in rows and the countrymen who caught glimpses of them were told that this was the way all showmen slept.

The advertising agents for a large circus of the present day would, no doubt, get a good deal of amusement from the tales of the experiences of the advertising men who traveled in advance of the old-time wagon show. One time when I was traveling with a show owned by a man named Yankee Robinson we discovered that we were almost entirely out of show-bills. We were for a time in a serious quandary—but we were not to be downed in this manner. We finally hired a "democrat" wagon and with a single bill in our possession started out to bill the country from which we hoped to draw our patrons. At the gate of every farmer we stopped and called loudly. When the king of the soil appeared we would hand him the bill and allow him to read it; then we would take the bill and ride on to the next house. It was tedious work, but we succeeded in drawing our crowd and felt repaid for our efforts.

THE CIRCUS "CRIER"

It is doubtful if there was to be found a more interesting character than the circus crier in the days of the wagon shows. He was often a man of ability—many men who were circus criers have attained substantial success in the world of affairs. They were chosen for this position largely on account of their good "talking" qualities, and were, as a rule, resourceful and given to witty jests. The show once had a "Little Man" whom they exhibited as Tom Thumb. He was in reality a boy of about eleven years of age. But he was fitted out with a little carriage and ponies, and filled the bill very well. When the crier took his stand in front of the tent he would call out: