S. Percy Smith of New Zealand in his book Hawaiki mentions a legend according to which Maui made a voyage after overcoming a sea monster, visiting the Tongas, the Tahitian group, Vai-i or Hawaii, and the Paumotu Islands. Then Maui went on to U-peru, which Mr. Smith says "may be Peru." It was said that Maui named some of the islands of the Hawaiian group, calling the island Maui "Maui-ui in remembrance of his efforts in lifting up the heavens." Hawaii was named Vai-i, and Lanai was called Ngangai—as if Maui had found the three most southerly islands of the group.
The Maui legends possess remarkable antiquity. Of course, it is impossible to give any definite historical date, but there can scarcely be any question of their origin among the ancestors of the Polynesians before they scattered over the Pacific ocean. They belong to the prehistoric Polynesians. The New Zealanders claim Maui as an ancestor of their most ancient tribes and sometimes class him among the most ancient of their gods, calling him "creator of land" and "creator of man." Tregear, in a paper before the New Zealand Institute, said that Maui was sometimes thought to be "the sun himself," "the solar fire," "the sun god," while his mother Hina was called "the moon goddess." The noted greenstone god of the Maoris of New Zealand, Potiki, may well be considered a representation of Maui-Tiki-Tiki, who was sometimes called Maui-po-tiki.
Whether these legends came to the people in their sojourn in India before they migrated to the Straits of Sunda is not certain; but it may well be assumed that these stories had taken firm root in the memories of the priests who transmitted the most important traditions from generation to generation, and that this must have been done before they were driven away from the Asiatic coasts by the Malays.
Several hints of Hindoo connection is found in the Maui legends. The Polynesians not only ascribed human attributes to all animal life with which they were acquainted, but also carried the idea of an alligator or dragon with them, wherever they went, as in the mo-o of the story Tuna-roa.
The Polynesians also had the idea of a double soul inhabiting the body. This is carried out in the ghost legends more fully than in the Maui stories, and yet "the spirit separate from the spirit which never forsakes man" according to Polynesian ideas, was a part of the Maui birth legends. This spirit, which can be separated or charmed away from the body by incantations was called the "hau." When Maui's father performed the religious ceremonies over him which would protect him and cause him to be successful, he forgot a part of his incantation to the "hau," therefore Maui lost his protection from death when he sought immortality for himself and all mankind.
How much these things aid in proving a Hindoo or rather Indian origin for the Polynesians is uncertain, but at least they are of interest along the lines of race origin.
The Maui group of legends is preëminently peculiar. They are not only different from the myths of other nations, but they are unique in the character of the actions recorded. Maui's deeds rank in a higher class than most of the mighty efforts of the demi gods of other nations and races, and are usually of more utility. Hercules accomplished nothing to compare with "lifting the sky," "snaring the sun," "fishing for islands," "finding fire in his grandmother's finger nails," or "learning from birds how to make fire by rubbing dry sticks," or "getting a magic bone" from the jaw of an ancestor who was half dead, that is dead on one side and therefore could well afford to let the bone on that side go for the benefit of a descendant. The Maui legends are full of helpful imaginations, which are distinctly Polynesian.
The phrase "Maui of the Malo" is used among the Hawaiians in connection with the name Maui a Kalana, "Maui the son of Akalana." It may be well to note the origin of the name. It was said that Hina usually sent her retainers to gather sea moss for her, but one morning she went down to the sea by herself. There she found a beautiful red malo, which she wrapped around her as a pa-u or skirt. When she showed it to Akalana, her husband, he spoke of it as a gift of the gods, thinking that it meant the gift of Mana or spiritual power to their child when he should be born. In this way the Hawaiians explain the superior talent and miraculous ability of Maui which placed him above his brothers.
These stories were originally printed as magazine articles, chiefly in the Paradise of the Pacific, Honolulu; therefore there are sometimes repetitions which it seemed best to leave, even when reprinted in the present form.