The world must choose the free woman or the white wraith of the prostitute. Today it wavers between the prostitute and the nun. Civilization must show two things: the glory and beauty of creating life and the need and duty of power and intelligence. This and this only will make the perfect marriage of love and work.
God is Love,
Love is God;
There is no God but Love
And Work is His Prophet!
All this of woman,—but what of black women?
The world that wills to worship womankind studiously forgets its darker sisters. They seem in a sense to typify that veiled Melancholy:
"Whose saintly visage is too bright
To hit the sense of human sight,
And, therefore, to our weaker view
O'er-laid with black."
Yet the world must heed these daughters of sorrow, from the primal black All-Mother of men down through the ghostly throng of mighty womanhood, who walked in the mysterious dawn of Asia and Africa; from Neith, the primal mother of all, whose feet rest on hell, and whose almighty hands uphold the heavens; all religion, from beauty to beast, lies on her eager breasts; her body bears the stars, while her shoulders are necklaced by the dragon; from black Neith down to
"That starr'd Ethiop queen who strove
To set her beauty's praise above
The sea-nymphs,"
through dusky Cleopatras, dark Candaces, and darker, fiercer Zinghas, to our own day and our own land,—in gentle Phillis; Harriet, the crude Moses; the sybil, Sojourner Truth; and the martyr, Louise De Mortie.
The father and his worship is Asia; Europe is the precocious, self-centered, forward-striving child; but the land of the mother is and was Africa. In subtle and mysterious way, despite her curious history, her slavery, polygamy, and toil, the spell of the African mother pervades her land. Isis, the mother, is still titular goddess, in thought if not in name, of the dark continent. Nor does this all seem to be solely a survival of the historic matriarchate through which all nations pass,—it appears to be more than this,—as if the great black race in passing up the steps of human culture gave the world, not only the Iron Age, the cultivation of the soil, and the domestication of animals, but also, in peculiar emphasis, the mother-idea.
"No mother can love more tenderly and none is more tenderly loved than the Negro mother," writes Schneider. Robin tells of the slave who bought his mother's freedom instead of his own. Mungo Park writes: "Everywhere in Africa, I have noticed that no greater affront can be offered a Negro than insulting his mother. 'Strike me,' cries a Mandingo to his enemy, 'but revile not my mother!'" And the Krus and Fantis say the same. The peoples on the Zambezi and the great lakes cry in sudden fear or joy: "O, my mother!" And the Herero swears (endless oath) "By my mother's tears!" "As the mist in the swamps," cries the Angola Negro, "so lives the love of father and mother."