Yet these black women toil and toil hard. There were in 1910 two and a half million Negro homes in the United States. Out of these homes walked daily to work two million women and girls over ten years of age,—over half of the colored female population as against a fifth in the case of white women. These, then, are a group of workers, fighting for their daily bread like men; independent and approaching economic freedom! They furnished a million farm laborers, 80,000 farmers, 22,000 teachers, 600,000 servants and washerwomen, and 50,000 in trades and merchandizing.
The family group, however, which is the ideal of the culture with which these folk have been born, is not based on the idea of an economically independent working mother. Rather its ideal harks back to the sheltered harem with the mother emerging at first as nurse and homemaker, while the man remains the sole breadwinner. What is the inevitable result of the clash of such ideals and such facts in the colored group? Broken families.
Among native white women one in ten is separated from her husband by death, divorce, or desertion. Among Negroes the ratio is one in seven. Is the cause racial? No, it is economic, because there is the same high ratio among the white foreign-born. The breaking up of the present family is the result of modern working and sex conditions and it hits the laborers with terrible force. The Negroes are put in a peculiarly difficult position, because the wage of the male breadwinner is below the standard, while the openings for colored women in certain lines of domestic work, and now in industries, are many. Thus while toil holds the father and brother in country and town at low wages, the sisters and mothers are called to the city. As a result the Negro women outnumber the men nine or ten to eight in many cities, making what Charlotte Gilman bluntly calls "cheap women."
What shall we say to this new economic equality in a great laboring class? Some people within and without the race deplore it. "Back to the homes with the women," they cry, "and higher wage for the men." But how impossible this is has been shown by war conditions. Cessation of foreign migration has raised Negro men's wages, to be sure—but it has not only raised Negro women's wages, it has opened to them a score of new avenues of earning a living. Indeed, here, in microcosm and with differences emphasizing sex equality, is the industrial history of labor in the 19th and 20th centuries. We cannot abolish the new economic freedom of women. We cannot imprison women again in a home or require them all on pain of death to be nurses and housekeepers.
What is today the message of these black women to America and to the world? The uplift of women is, next to the problem of the color line and the peace movement, our greatest modern cause. When, now, two of these movements—woman and color—combine in one, the combination has deep meaning.
In other years women's way was clear: to be beautiful, to be petted, to bear children. Such has been their theoretic destiny and if perchance they have been ugly, hurt, and barren, that has been forgotten with studied silence. In partial compensation for this narrowed destiny the white world has lavished its politeness on its womankind,—its chivalry and bows, its uncoverings and courtesies—all the accumulated homage disused for courts and kings and craving exercise. The revolt of white women against this preordained destiny has in these latter days reached splendid proportions, but it is the revolt of an aristocracy of brains and ability,—the middle class and rank and file still plod on in the appointed path, paid by the homage, the almost mocking homage, of men.
From black women of America, however, (and from some others, too, but chiefly from black women and their daughters' daughters) this gauze has been withheld and without semblance of such apology they have been frankly trodden under the feet of men. They are and have been objected to, apparently for reasons peculiarly exasperating to reasoning human beings. When in this world a man comes forward with a thought, a deed, a vision, we ask not, how does he look,—but what is his message? It is of but passing interest whether or not the messenger is beautiful or ugly,—the message is the thing. This, which is axiomatic among men, has been in past ages but partially true if the messenger was a woman. The world still wants to ask that a woman primarily be pretty and if she is not, the mob pouts and asks querulously, "What else are women for?" Beauty "is its own excuse for being," but there are other excuses, as most men know, and when the white world objects to black women because it does not consider them beautiful, the black world of right asks two questions: "What is beauty?" and, "Suppose you think them ugly, what then? If ugliness and unconventionality and eccentricity of face and deed do not hinder men from doing the world's work and reaping the world's reward, why should it hinder women?"
Other things being equal, all of us, black and white, would prefer to be beautiful in face and form and suitably clothed; but most of us are not so, and one of the mightiest revolts of the century is against the devilish decree that no woman is a woman who is not by present standards a beautiful woman. This decree the black women of America have in large measure escaped from the first. Not being expected to be merely ornamental, they have girded themselves for work, instead of adorning their bodies only for play. Their sturdier minds have concluded that if a woman be clean, healthy, and educated, she is as pleasing as God wills and far more useful than most of her sisters. If in addition to this she is pink and white and straight-haired, and some of her fellow-men prefer this, well and good; but if she is black or brown and crowned in curled mists (and this to us is the most beautiful thing on earth), this is surely the flimsiest excuse for spiritual incarceration or banishment.
The very attempt to do this in the case of Negro Americans has strangely over-reached itself. By so much as the defective eyesight of the white world rejects black women as beauties, by so much the more it needs them as human beings,—an enviable alternative, as many a white woman knows. Consequently, for black women alone, as a group, "handsome is that handsome does" and they are asked to be no more beautiful than God made them, but they are asked to be efficient, to be strong, fertile, muscled, and able to work. If they marry, they must as independent workers be able to help support their children, for their men are paid on a scale which makes sole support of the family often impossible.
On the whole, colored working women are paid as well as white working women for similar work, save in some higher grades, while colored men get from one-fourth to three-fourths less than white men. The result is curious and three-fold: the economic independence of black women is increased, the breaking up of Negro families must be more frequent, and the number of illegitimate children is decreased more slowly among them than other evidences of culture are increased, just as was once true in Scotland and Bavaria.