Then came Houston. In a moment the nation forgot the whole record of one of the most celebrated regiments in the United States Army and its splendid service in the Indian Wars and in the Philippines. It was the first regiment mobilized in the Spanish-American War and it was the regiment that volunteered to a man to clean up the yellow fever camps when others hesitated. It was one of the regiments to which Pershing said in December:
"Men, I am authorized by Congress to tell you all that our people back in the States are mightily glad and proud at the way the soldiers have conducted themselves while in Mexico, and I, General Pershing, can say with pride that a finer body of men never stood under the flag of our nation than we find here tonight."
The nation, also, forgot the deep resentment mixed with the pale ghost of fear which Negro soldiers call up in the breasts of the white South. It is not so much that they fear that the Negro will strike if he gets a chance, but rather that they assume with curious unanimity that he has reason to strike, that any other persons in his circumstances or treated as he is would rebel. Instead of seeking to relieve the cause of such a possible feeling, most of them strain every effort to bottle up the black man's resentment. Is it inconceivable that now and then it bursts all bounds, as at Brownsville and Houston?
So in the midst of this mental turmoil came Houston and East St. Louis. At Houston black soldiers, goaded and insulted, suddenly went wild and "shot up" the town. At East St. Louis white strikers on war work killed and mobbed Negro workingmen, and as a result 19 colored soldiers were hanged and 51 imprisoned for life for killing 17 whites at Houston, while for killing 125 Negroes in East St. Louis, 20 white men were imprisoned, none for more than 15 years, and 10 colored men with them.
Once upon a time I took a great journey in this land to three of the ends of our world and over seven thousand mighty miles. I saw the grim desert and the high ramparts of the Rocky Mountains. Three days I flew from the silver beauty of Seattle to the somber whirl of Kansas City. Three days I flew from the brute might of Chicago to the air of the Angels in California, scented with golden flowers, where the homes of men crouch low and loving on the good, broad earth, as though they were kissing her blossoms. Three days I flew through the empire of Texas, but all these shall be tales untold, for in all this journey I saw but one thing that lived and will live eternal in my soul,—the Grand Cañon.
It is a sudden void in the bosom of the earth, down to its entrails—a wound where the dull titanic knife has turned and twisted in the hole, leaving its edges livid, scarred, jagged, and pulsing over the white, and red, and purple of its mighty flesh, while down below—down, down below, in black and severed vein, boils the dull and sullen flood of the Colorado.
It is awful. There can be nothing like it. It is the earth and sky gone stark and raving mad. The mountains up-twirled, disbodied and inverted, stand on their peaks and throw their bowels to the sky. Their earth is air; their ether blood-red rock engreened. You stand upon their roots and fall into their pinnacles, a mighty mile.
Behold this mauve and purple mocking of time and space! See yonder peak! No human foot has trod it. Into that blue shadow only the eye of God has looked. Listen to the accents of that gorge which mutters: "Before Abraham was, I am." Is yonder wall a hedge of black or is it the rampart between heaven and hell? I see greens,—is it moss or giant pines? I see specks that may be boulders. Ever the winds sigh and drop into those sun-swept silences. Ever the gorge lies motionless, unmoved, until I fear. It is a grim thing, unholy, terrible! It is human—some mighty drama unseen, unheard, is playing there its tragedies or mocking comedy, and the laugh of endless years is shrieking onward from peak to peak, unheard, unechoed, and unknown.
One throws a rock into the abyss. It gives back no sound. It falls on silence—the voice of its thunders cannot reach so far. It is not—it cannot be a mere, inert, unfeeling, brute fact—its grandeur is too serene—its beauty too divine! It is not red, and blue, and green, but, ah! the shadows and the shades of all the world, glad colorings touched with a hesitant spiritual delicacy. What does it mean—what does it mean? Tell me, black and boiling water!