"Alors," said Madame, "quatre sont morts"—four dead—four tall, strong sons dead for France—sons like the sweet and blue-eyed daughter who was hiding her brave smile in the dusk. It was a tiny stone house whose front window lipped the passing sidewalk where ever tramped the feet of black soldiers marching home. There was a cavernous wardrobe, a great fireplace invaded by a new and jaunty iron stove. Vast, thick piles of bedding rose in yonder corner. Without was the crowded kitchen and up a half-stair was our bedroom that gave upon a tiny court with arched stone staircase and one green tree. We were a touching family party held together by a great sorrow and a great joy. How we laughed over the salad that got brandy instead of vinegar—how we ate the golden pile of fried potatoes and how we pored over the post-card from the Lieutenant of the Senegalese—dear little vale of crushed and risen France, in the day when Negroes went "over the top" at Pont-à-Mousson.
Paris, Paris by purple façade of the opera, the crowd on the Boulevard des Italiens and the great swing of the Champs Elysées. But not the Paris the world knows. Paris with its soul cut to the core—feverish, crowded, nervous, hurried; full of uniforms and mourning bands, with cafés closed at 9:30—no sugar, scarce bread, and tears so interwined with joy that there is scant difference. Paris has been dreaming a nightmare, and though she awakes, the grim terror is upon her—it lies on the sand-closed art treasures of the Louvre. Only the flowers are there, always the flowers, the Roses of England and the Lilies of France.
New York! Behind the Liberty that faces free France rise the white cliffs of Manhattan, tier on tier, with a curving pinnacle, towers square and twin, a giant inkwell daintily stoppered, an ancient pyramid enthroned; beneath, low ramparts wide and mighty; while above, faint-limned against the turbulent sky, looms the vast grace of that Cathedral of the Purchased and Purchasing Poor, topping the world and pointing higher.
Yonder the gray cobwebs of the Brooklyn bridges leap the sea, and here creep the argosies from all earth's ends. We move to this swift home on dun and swelling waters and hear as we come the heartbeats of the new world.
New York and night from the Brooklyn Bridge: The bees and fireflies flit and twinkle in their vast hives; curved clouds like the breath of gods hover between the towers and the moon. One hears the hiss of lightnings, the deep thunder of human things, and a fevered breathing as of some attendant and invincible Powers. The glow of burning millions melts outward into dim and fairy outlines until afar the liquid music born of rushing crowds drips like a benediction on the sea.
New York and morning: the sun is kissing the timid dew in Central Park, and from the Fountain of Plenty one looks along that world street, Fifth Avenue, and walks toward town. The earth life and curves graciously down from the older mansions of princes to the newer shops of luxury. Egypt and Abyssinia, Paris and Damascus, London and India caress you by the way; churches stand aloof while the shops swell to emporiums. But all this is nothing. Everything is mankind. Humanity stands and flies and walks and rolls about—the poor, the priceless, the world-known and the forgotten; child and grandfather, king and leman—the pageant of the world goes by, set in a frame of stone and jewels, clothed in scarlet and rags. Princes Street and the Elysian Fields, the Strand and the Ringstrasse—these are the Ways of the World today.