V
GUINEA AND CONGO
One of the great cities of the Sudan was Jenne. The chronicle says "that its markets are held every day of the week and its populations are very enormous. Its seven thousand villages are so near to one another that the chief of Jenne has no need of messengers. If he wishes to send a note to Lake Dibo, for instance, it is cried from the gate of the town and repeated from village to village, by which means it reaches its destination almost instantly."[23]
From the name of this city we get the modern name Guinea, which is used to-day to designate the country contiguous to the great gulf of that name—a territory often referred to in general as West Africa. Here, reaching from the mouth of the Gambia to the mouth of the Niger, is a coast of six hundred miles, where a marvelous drama of world history has been enacted. The coast and its hinterland comprehends many well-known names. First comes ancient Guinea, then, modern Sierra Leone and Liberia; then follow the various "coasts" of ancient traffic—the grain, ivory, gold, and slave coasts—with the adjoining territories of Ashanti, Dahomey, Lagos, and Benin, and farther back such tribal and territorial names as those of the Mandingoes, Yorubas, the Mossi, Nupe, Borgu, and others.
Recent investigation makes it certain that an ancient civilization existed on this coast which may have gone back as far as three thousand years before Christ. Frobenius, perhaps fancifully, identified this African coast with the Atlantis of the Greeks and as part of that great western movement in human culture, "beyond the pillars of Hercules," which thirteen centuries before Christ strove with Egypt and the East. It is, at any rate, clear that ancient commerce reached down the west coast. The Phoenicians, 600 B.C., and the Carthaginians, a century or more later, record voyages, and these may have been attempted revivals of still more ancient intercourse.
These coasts at some unknown prehistoric period were peopled from the Niger plateau toward the north and west by the black West African type of Negro, while along the west end of the desert these Negroes mingled with the Berbers, forming various Negroid races.
Movement and migration is evident along this coast in ancient and modern times. The Yoruba-Benin-Dahomey peoples were among the earliest arrivals, with their remarkable art and industry, which places them in some lines of technique abreast with the modern world. Behind them came the Mossi from the north, and many other peoples in recent days have filtered through, like the Limba and Temni of Sierra Leone and the Agni-Ashanti, who moved from Borgu some two thousand years ago to the Gold and Ivory coasts.
We have already noted in the main the history of black men along the wonderful Niger and seen how, pushing up from the Gulf of Guinea, a powerful wedge of ancient culture held back Islam for a thousand years, now victorious, now stubbornly disputing every inch of retreat. The center of this culture lay probably, in oldest times, above the Bight of Benin, along the Slave Coast, and reached east, west, and north. We trace it to-day not only in the remarkable tradition of the natives, but in stone monuments, architecture, industrial and social organization, and works of art in bronze, glass, and terra cotta.
Benin art has been practiced without interruption for centuries, and Von Luschan says that it is "of extraordinary significance that by the sixteenth and seventeenth centuries a local and monumental art had been learned in Benin which in many respects equaled European art and developed a technique of the very highest accomplishment."[24]
Summing up Yoruban civilization, Frobenius concluded that "the technical summit of that civilization was reached in the terra-cotta industry, and that the most important achievements in art were not expressed in stone, but in fine clay baked in the furnace; that hollow casting was thoroughly known, too, and practiced by these people; that iron was mainly used for decoration; that, whatever their purpose, they kept their glass beads in stoneware urns within their own locality, and that they manufactured both earthen and glass ware; that the art of weaving was highly developed among them; that the stone monuments, it is true, show some dexterity in handling and are so far instructive, but in other respects evidence a cultural condition insufficiently matured to grasp the utility of stone monumental material; and, above all, that the then great and significant idea of the universe as imaged in the Templum was current in those days."[25]