As she came in full view of the door, she paused. On the step of the cabin, framed in the black doorway, stood Zora. Measured by the squat cabin she seemed in height colossal; slim, straight as a pine, motionless, with one long outstretched arm pointing to where the path swept onward toward the town.
It was too far for words but the scene lay strangely clear and sharp-cut in the green mystery of the sunlight. Before that motionless, fateful figure crouched a slighter, smaller woman, dishevelled, clutching her breast; she bent and rose—hesitated—seemed to plead; then turning, clasped in passionate embrace the child whose head was hid in Zora's gown. Next instant she was staggering along the path whither Zora pointed.
Slowly the sun was darkened, and plaintive murmurings pulsed through the wood. The oppression and fear of the swamp redoubled in Mary Taylor.
Zora gave no sign of having seen her. She stood tall and still, and the little golden-haired girl still sobbed in her gown. Mary Taylor looked up into Zora's face, then paused in awe. It was a face she did not know; it was neither the beautifully mischievous face of the girl, nor the pain-stricken face of the woman. It was a face cold and mask-like, regular and comely; clothed in a mighty calm, yet subtly, masterfully veiling behind itself depths of unfathomed misery and wild revolt. All this lay in its darkness.
"Good-morning, Miss Taylor."
Mary, who was wont to teach this woman—so lately a child—searched in vain for words to address her now. She stood bare-haired and hesitating in the pale green light of the darkened morning. It seemed fit that a deep groan of pain should gather itself from the mysterious depths of the swamp, and drop like a pall on the black portal of the cabin. But it brought Mary Taylor back to a sense of things, and under a sudden impulse she spoke.
"Is—is anything the matter?" she asked nervously.
"Elspeth is sick," replied Zora.
"Is she very sick?"
"Yes—she has been called," solemnly returned the dark young woman.