Helen Cresswell stood there radiant; the dressmaker, too, was wreathed in smiles. She carried a big red-sealed bundle.
"Zora!" cried Helen in ecstasy. "It's come!" Zora regarded her coldly, and stood at bay. The dressmaker was ripping and snipping, and soon there lay revealed before them—the Paris gown!
Helen was in raptures, but her conscience pricked her. She appealed to them. "Ought I to tell? You see, Mary's gown will look miserably common beside it."
The dressmaker was voluble. There was really nothing to tell; and besides, Helen was a Cresswell and it was to be expected, and so forth. Helen pursed her lips and petulantly tapped the floor with her foot.
"But the other gown?"
"Where is it?" asked the dressmaker, looking about. "It would make a pretty morning-dress—"
But Helen had taken a sudden dislike to the thought of it.
"I don't want it," she declared. "And besides, I haven't room for it in my trunks."
Of a sudden she leaned down and whispered to Zora: "Zora, hide it and keep it if you want it. Come," to the dressmaker, "I'm dying to try this on—now.... Remember, Zora—not a word." And all this to Zora seemed no surprise; it was the Way, and it was opening before her because the talisman lay in her trunk.
So at last it came to Easter morning. The world was golden with jasmine, and crimson with azalea; down in the darker places gleamed the misty glory of the dogwood; new cotton shook, glimmered, and blossomed in the black fields, and over all the soft Southern sun poured its awakening light of life. There was happiness and hope again in the cabins, and hope and—if not happiness, ambition, in the mansions.