by making it a mere town in the dominions of Agamemnon, while Argos figures as a sovereign and powerful city. There may therefore perhaps be room to doubt whether Herodotus meant even to include the Thebais or Epigoni in the phrase ‘Homeric poems.’
But the importance of the passage is not wholly dependent on these considerations. It shows,
a. That there were, at Sicyon, State-recitations of Homer six centuries before the Christian era, attended with rewards for the successful performers.
b. That these recitations were in conformity with common use; for they are named as something ordinary and established, which was then set aside, not as a custom peculiar to Sicyon.
c. That the recitations depended upon the Homeric poems, since they were entirely stopped on account of exceptionable matter which the Homeric poems were deemed to contain.
d. That these recitations were in the nature of competitive contests among the rhapsodists, when the best and most approved, of course, would obtain prizes. This implies that the recitations were not single, as if by poet laureates, but that many shared in them.
3. Next to this tradition, and nearly coeval with it, but reported by later authority, is that respecting Solon and Athens. Dieuchidas of Megara, an author of uncertain age, placed by Heyne[59] later than Alexander, is quoted in Diogenes Laertius[60] as testifying to the following effect concerning Solon: τά τε Ὁμήρου ἐξ ὑποβολῆς γέγραφε ῥαψῳδεῖσθαι. οἷον ὅπου ὁ πρῶτος ἔληξεν, ἐκεῖθεν ἄρχεσθαι τὸν ἐχόμενον. μᾶλλον οὖν Σόλων Ὅμηρον ἐφώτισεν, ἢ Πεισίστρατος. But we have also a better witness, I think, in Lycurgus the orator, contemporary with Demosthenes,[61] who gives a most striking account of the political and martial use of the Homeric songs. He says, οὕτω γὰρ ὑπέλαβον ὑμῶν οἱ πατέρες σπουδαῖον εἶναι ποιήτην, ὥστε νόμον ἔθεντο καθ’ ἑκάστην πενταετηρίδα τῶν Παναθηναίων μόνου τῶν ἄλλων ποιήτων ῥαψωδεῖσθαι τὰ ἔπη. ‘It was with these songs in their ears,’ he proceeds, ‘that your fathers fought at Marathon; and so valiant were they then, that from among them their brave rivals, the Lacedæmonians, sought a general, Tyrtæus.’
a. Now, these words appear to carry the traditional origin of this law, as far as the authority of Lycurgus will avail, back to the early part of the seventh century, when Tyrtæus lived.[62]
b. Thus, at the period when Athens is just beginning to rise towards eminence, she enacts a law that the poems of Homer shall be recited at her greatest festival.
c. This honour she accords to Homer (whatever that name may have imported) alone among poets.