Her marked and substantive character.
She has her own strongly marked set of epithets. Of these, one is ἁγνὴ, the severely pure; for with Homer ἁγνὸς is exclusively applicable to divine womanhood, and is given only to Diana and Persephone: then she is ἀγαυὴ, the dread: and lastly, she is ἐπαινὴ, an epithet appropriated to her exclusively, which appears to be Homer’s favourite method for sharply marking out individuality of character. Buttmann has also well observed, that she has this epithet only when mentioned along with Hades, that is, when shown very strictly in her official character; and that ἀγαυὴ is used when she appears alone. Upon this he observes; ‘this way of joining the name of Proserpine with that of Pluto was an old epic formula, handed down even to Homer and our oldest Greek poets from still earlier times, and which they used unchanged[409].’ He would read ἐπ’ αἰνὴ, instead of ἐπαινὴ, but this neither affects the sense (awful, terrible) nor the force of the exclusive appropriation.
There is another sign confirmatory of the belief that the origin of this mythical person must be sought, not in the necessity of finding a queen for Aidoneus, but in an anterior and distinct tradition. Namely, this; that, though she is a daughter of Jupiter[410], she is not provided with a mother. Thus she seems as if she were older than the Olympian œconomy. Venus, Mars, Vulcan, Mercury, are all equipped with a full parentage. The later tradition, which made Persephone the daughter of Ceres, has no other support from Homer than this, that we are left to suppose that Ceres had some offspring by Jupiter, while none is named[411].
The chain of presumptions appears to me to become complete, when we take into view two other pieces of evidence supplied by the poems. In the far East[412], beyond the couch of the morning Sun, some distance up the stream of the great river Ocean, but to the south of the point where it is entered, and at a spot where the shore narrows very much—immediately, in short, before the point of descent—are the groves of Persephone. According to the general rules of interpretation applicable to Homer, this appears to convey to us that the seat of her worship was in the far Southern East, and that her office, as there understood, was that of the goddess or queen of Death. And if she is indeed the reflection, in the mirror of the lower world, of any other known deity, then, both from this great office, and from the peculiar epithet ἁγνὴ, it is most likely to be of Diana, with whom, in the later mythology, she was identified; and, again, through Diana, of Apollo, from whom the light of Diana herself was derived. Or, in other words, she may be for the lower world that reflection of Apollo, which the Homeric Diana was for this earth: and it is worth observation, that the gift of second sight, which she allows to Tiresias, and which therefore is at her disposal beneath ground[413], is the peculiar and exclusive property of Apollo.
Let us now lastly consider, what light the etymology of her remarkable name may afford us. Its meaning appears to be, either destruction by slaughter; from two roots, one that represented in ἔπερσα, from the verb πέρθω, and the other φόνη; or else, that of the destruction or slaughter of Persians. In the former view, the evidence leaves us where we were, or brings us a point nearer to Diana, whose function was not that of all death whatever, but of such death as might be called slaughter, because not due to disease, but brought about at the moment by a sudden process, though often the mildest of all ways of dying[414]. But the other etymology may be worth some further attention.
Her connection with the East.
Besides that cluster of traditions, relating to remote places, which the Greeks derived from the Phœnician navigators, and which cannot but have included some eastward wanderings in the Black Sea, as well as westward experience in the Mediterranean, they must in all likelihood have had oriental traditions properly their own, brought by their Hellic forefathers with them from their cradle. We have already seen that that cradle was probably Persia; and we have found traces of the connection in the name of the great pre-Achæan hero, Perseus, and in the continuing use of that name in the high Achæan family of Nestor, as well as at much later historic dates. Another link, connecting the Homeric traditions with this name, and both with the East, is found in the name of Perse, who was the mother of Circe, an Eastern goddess; and who was the daughter of Ocean, and the wife of the Sun[415].
We must take these circumstances into view along with the force of the name Persephone, and with the evidence we have already had of the antiquity of the traditions relating to her. To this we have to add the absence of any Homeric evidence connecting her with any other local source. There is no sign of any institution, that belonged to her worship, except in those groves planted in the far East; and no sign of any other particular locality marked as her peculiar abode, which we have found to be a mark of such invented deities generally as had a well developed personality. There is no note of her whatever in Troas; and nothing to connect her with Egypt, or with the Pelasgians in any quarter. It is not likely that she came in with the Phœnicians, as she would then have had signs of a recent origin, and would not have attained to so august and mysterious a position as she actually holds. The two distinct notices of her worship are both in the Homeric Hellas; not in Southern Greece, nor in the islands.
It seems, therefore, on every ground reasonable to suppose, that the tradition of Proserpine was an original Hellic tradition brought into the country from the East, probably by the Hellic tribes, and from among their Persian forefathers; and that the name of the deity, as we find it in Homer, affords a new indication of the extraction of the race.
Accordingly, the unusually substantive aspect of her position in the nether world, which makes her relation to Aidoneus so different from that of the other mythological wives, or feminines, to their respective husbands, is such, that it seems most reasonable, instead of deriving her from him, as Juno was derived from Jupiter, or Tethys from Ocean, to consider them as representing the union of two independent impersonations, associated together primarily by their common subject matter. For there does not seem to be any thing improbable in the hypothesis, that Persephone may, in the belief of some country and age, have served alone for the ruler of the region of the dead. Just as so many subordinate ministers of Doom, the Fates, the Erinues, and the Harpies, assumed the female form in the process of impersonation, so it may have been with their sovereign. And if we are to look farther for the metaphysical groundwork of such a tradition, we may perhaps find it as follows. There is a relation of analogy between each function and its converse: and as in the pure mythology, all that gave life was feminine, so conversely, all that represented the destroying agency might assume a similar form.