He is in all things the reverse of the great human ideals of Homer. As, in the pattern kings and heroes, moral, intellectual, and corporeal excellences, each in the highest degree, must be combined, so Thersites presents a corresponding complication of deformities to view. As to the first, he is the most infamous person (αἴσχιστος) in the army; and he relies for his influence, not on the sense and honour of the soldiers, but on a vein of gross buffoonery; which he displays in the only coarse allusion that is to be found in all the speeches of the poems. As to the second head, his voluble speech is as void of order as of decency[235]. As to the third, he is lame, bandy-legged[236], hump-backed, round-shouldered, peak-headed, and lastly, (among the καρηκομόωντες,) he is bald, or indeed worse, for on his head a hair is planted here and there[237]. Lastly, hateful to all[238], he is most of all hateful to, as well as spiteful against, the two paramount heroes of the poems, Achilles and Ulysses: an observation inserted with equal ingenuity and significance, because Homer, by inserting it, effectually cuts off any favour which Thersites might otherwise have gained with his hearers from seeming to take the side of the wronged Achilles. It is also worthy of note, as indicating how Homer felt the strength of that bond which unites together all great excellences of whatever kind. Upon a slight and exterior view, the two great characters of Achilles and Ulysses appear antagonistic, and we might expect to find their likes and dislikes running in opposite directions. But as, in the Ninth Book, Ulysses is declared by Achilles to be one of those whom he loves best among the Greeks[239], so here they are united in carrying to the highest degree a common antipathy to Thersites.
While depriving the wretch of all qualities that could attract towards him the slightest share of sympathy, Homer has taken care to leave Thersites in full possession of every thing that was necessary for his trade; an ample flow of speech (213), and no small power of vulgar invective (215).
Again, the quality of mere scurrility assigned to Thersites, and well exemplified in his speech, stands alike distinguished in Homer from the vein of fun, which he can open in the grave Ulysses of the Odyssey, even while he is under terror of the Cyclops; and from that tremendous and perhaps still unrivalled power of sarcasm, of which we have found the climax in Achilles.
In the short speech of Thersites, Homer has contrived to exhibit striking examples of malice (vv. 226, 234), coarseness (232), vanity (vv. 228, 231, 238), cowardice (236); while it is a tissue of consummate impudence throughout. Of this we find the finest stroke at the end of it, where he says[240],
ἀλλὰ μάλ’ οὐκ Ἀχιλῆϊ χόλος φρεσὶν, ἀλλὰ μεθήμων·
ἦ γὰρ ἂν, Ἀτρείδη, νῦν ὕστατα λωβήσαιο[241].
For here the wretch apes Achilles, whom (for the sake of damaging Agamemnon) he affects to patronize, and, over and above the pretension to speak of his feelings as if he had been taken into his confidence on the occasion, he actually closes with the very line which Achilles, at the moment of high passion, had used in the Assembly of the First Book (i. 232).
If we consider the selection of topics each by themselves, with reference to effect, the speech is not without a certain εὐστοχία: he hits the avarice of Agamemnon hard (226); and his responsibility as a ruler (234): while pretending to incite the courage of the Greeks (235), he flatters their home-sickness and faint-heartedness by counselling the return (236); and, in supporting Achilles, he plausibly reckons on being found to have taken the popular side. But if we regard it, as every speech should be regarded, with reference to some paramount purpose, it is really senseless and inconsequent. Dwelling as he does upon the wrong done to Achilles, and asserting the placability of that chieftain, he ought to have ended with recommending an attempt to compensate and appease him; instead of which he recommends the Return, which had been just abandoned. But the real extravagance of the speech comes out only in connection with his self-love; when, like many better men, he wholly loses whatever sense of the ridiculous he might possess. It is not only ‘the women whom we give you’ (227); ‘the service which we render you’ (238), but it is also ‘the gold[242] that some Trojan may bring to ransom his son, whom I, or else some other Greek, may have led captive.’ I, Thersites, or some other Greek! The only Greek, of whom we hear in the Iliad as having made and sold on ransom captives during the war, is Achilles[243]; and it is with him that Thersites thus couples himself. Upon this, Ulysses, perceiving that he stands in opposition to the prevailing sentiment of the Assembly, silences him by a judicious application of the sceptre to his back and shoulders: yet not even Thersites does he silence by force, until he has first rebuked him by reasoning[244].
Such are the facts of the case of Thersites. Are we to infer from it, with Grote, that Homer has made him ugly and execrable because he was a presumptuous critic, though his virulent reproaches were substantially well founded, and that his fate, and the whole circumstances of this Assembly, show ‘the degradation of the mass of the people before the chiefs[245]?’
In rallying the Greeks, says the distinguished historian[246], Ulysses flatters and soothes the chiefs, but drives the people with harsh reprimand and blows. Now surely, as to the mere matter of fact, this is not quite so. It is not the people, but those whom he caught carrying the matter by shouts, instead of returning to hear reason in the Assembly, that he struck with the sceptre[247]: