No one could now come between Pärtel and his happiness and good fortune, and all the unknown longings of his heart, which constantly drew him back under the lime-tree, were finally laid to rest. He lived apart from the world with his dear bride in the enjoyment of the greatest happiness until his death.
But great sorrow was caused by his disappearance, both in the village, and in the farm-house where he had worked, and where he was much loved for his steady quiet ways. All the people went out to look for him, and their first visit was to the lime-tree which Pärtel was accustomed to visit so often, and towards which they had seen him going on the previous evening. Great was the amazement of the people when they found no trace of either Pärtel, the lime-tree, or the stone. The little spring near was dried up, and no trace of anything that had thus vanished was ever again beheld by human eyes.
Kreutzwald relates several other stories of young adventurers who go forth into the world to seek their fortunes with the aid of powerful protectors.
In one of these, "The Magician in the Pocket," a young man releases a magician who had been imprisoned by his enemy under a great stone, after which the magician accompanies him in his wanderings in the form of a flea, and helps him to deliver four princesses from enchantment, one of whom he marries. In another, "The God-Daughter of the Rock-Maidens," a young girl named Maasika (Strawberry) is taken down into an underground region by her godmothers, the rock-spirits, one of whom her mother had once aided when in distress. When she is grown up, she goes out into the world, kills the king of the serpents, and disenchants a king, queen, and prince, who prove to be the parents and brother of her godmothers, and she marries the prince. In a third story, "The Foundling," the hero likewise goes out in a similar manner, and meets with various adventures before marrying a princess.
FOOTNOTES:
[ [1] ] This is specially noticeable in the manner in which the story of the Great Oak Tree is scattered in disjointed fragments through three cantos; and in the unsuccessful result of the Kalevide's voyage, when he reaches his goal after his return by a land journey.
[ [2] ] Kirby in "Papers and Transactions of International Folk-lore Congress of 1891," p. 429.
[ [3] ] Further information on most of the subjects discussed in the Introduction will be found in the Notes and Index.