THE POET’S WOLFHOUND
In the autumn of 1909 the centenary of the poet’s birth was celebrated at Lincoln. Dean Wickham preached an eloquent sermon to a large congregation in the cathedral nave, after which, the choir, leaving the cathedral, grouped themselves round the statue and sang “Crossing the Bar,” and Bishop King gave a short and memorable address. In the evening the writer read a paper on Tennyson to an intently listening audience of twelve hundred people, which is now published by Routledge & Co., in a little book called “Introductions to the Poets, by W. F. Rawnsley.” Lincoln that day showed how fully she appreciated the great Lincolnshire poet. The statue, a colossal one, represents him looking at a flower, as described in his poem, “Flower in the crannied wall,” and his grand wolf-hound is looking up into his face. This hound was a Russian, whose grandfather had belonged to the Czar Alexander II., he who freed the serfs in 1861, and was so basely assassinated twenty years later. The wolf-hound was a very handsome light brindle, with a curious black patch near the collar. She had a litter of thirteen, and one of these with the mother, “Lufra,” was given to the writer when living at Park Hill, Lyndhurst, in the New Forest. The puppy, “Cossack,” was Mrs. Rawnsley’s constant companion till he died of old age in his sleep; the mother went to Farringford to replace an old favourite that Tennyson had lately lost. Her new owner changed her name to Karenina, and she was his constant companion to the end. Once again, if not twice, she had a litter of thirteen, and the cares of her large family not unnaturally were at times too much for her temper. She is now immortalised with her master in bronze, executed with loving care by his own old friend and quondam neighbour in the Isle of Wight. The inscription at the back of the pedestal is: “Alfred Lord Tennyson, born 1809, died 1892”; and below it is “George Frederick Watts, born 1817, died 1904.”
James Street, Lincoln
Another monument which once adorned Lincoln was the first and one of the very best in the list of Queen Eleanor’s crosses, designed by the famous “Richard of Stowe,” who carved the figures in the angel choir. Only a fragment of this survived what Precentor Venables calls “the fierce religious storm of 1645.” Before starting on its long funeral procession to Westminster, the Queen’s body was embalmed by the Gilbertine nuns of St. Catherine’s Priory, close to which, at the junction of the Ermine Street and Foss Way, the cross was set up, near the leper hospital of Remigius, called the Malandery (Fr. Maladerie) hospital.
THE “STUFF BALL”
Two railway stations and the many large iron and agricultural implement works, which have given Lincoln a name all over the world, occupy the lower part of the town, with buildings more useful than beautiful; for this industry has taken the place of the woollen factories which were once the mainstay of Lincoln. But a tall building with small windows, known as “The Old Factory,” still indicates the place in which the “Lincoln Stuff” was made, from which the Lincoln “Stuff Ball” took its name. In order to increase the production and popularise the wear of woollen material for ladies’ dresses, it was arranged to have balls at which no lady should be admitted who did not wear a dress of the Lincolnshire stuff. The first of these was held at the Windmill Inn, Alford, in 1785. The colour selected was orange; but, the room not being large enough for the number of dancers, in 1789 it was moved to Lincoln, where it has been held ever since, the lady patroness choosing the colour each year. In 1803 the wearing of this hot material was commuted to an obligation to take so many yards of the stuff. The manufacture has long ago come to an end, but the “Stuff Ball” survives, and the colours are still selected.
The swamps of the Wigford suburb have also disappeared, but Brayford Pool, beloved of artists, where the Foss Dyke joins the Witham, still makes a beautiful picture with the boats and barges and swans in front below, and the Minster towers looking down into it from above. This Foss Dyke was a Crown property, until James I., finding it to be nothing but an expense, with economic liberality presented it to the mayor and corporation.
Thorngate, Lincoln.