The doorways of Cormac’s chapel are three in number—one in the centre of the west end, and one in each of the side-walls of the nave, within a few feet of the west gable. The north and south doorways are original, and are headed with a carved tympanum or lintel between the aperture and the decorated semicircular arches above. They are both exceedingly rich in sculpture; but the north doorway appears to have been the chief entrance, as it is considerably larger and more highly decorated than the other. It is surmounted by a canopy; and the tympanum is sculptured with a very singular device, representing a combat between a centaur, armed with bow and arrow, and a huge animal, probably intended for a lion. The head of the centaur is covered by a conical helmet with a nasal, and he is shooting a barbed arrow into the breast of the lion. A small animal beneath the feet of the latter appears to have been slain in the encounter. The west doorway, which is of a later date, is not canopied, and its tympanum is sculptured with a single animal, not unlike the lion upon the other.
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Doorway at Freshford, Co. Kilkenny.
Freshford.—The doorway at the church of St. Lactan, Freshford, Co. Kilkenny, is one of the most beautiful now existing in Ireland; it is ‘almost classical,’ says Brash, ‘in the symmetry and chasteness of its details.’ The original church was erected in the seventh century; and, in Petrie’s opinion, it was rebuilt about the close of the eleventh or the beginning of the twelfth century. The doorway consists of a series of recessed arches richly decorated, in which the bead and chevron mouldings are conspicuous. On each side of the spring of the external arch is a piece of sculpture, much worn; one is that of a man on horseback, and the other that of two standing figures; above the imposts are grotesque lions’ heads. Two inscriptions are over the inner arch; that on the under band runs thus: ‘A prayer for Niam, daughter of Corc, and for Mathgamain O’Chiarmeic, by whom was made this church.’ On the upper band is—‘A prayer for Gille Mocholmoc O’Cencucain who made it.’ The latter was, no doubt, the architect, and the former the patron at whose expense the work was carried out.
Other remarkable examples of Irish-Romanesque architecture are Aghadoe (circa 1158), Tuam (1161), Clonfert (1166), and Devorgilla’s Church, Clonmacnoise (1168). The chancel-arch in Tuam Cathedral, and the doorway of Clonfert, are among the finest of their kind now remaining of the period.
CHAPTER XII.
CROSSES.
VARIETIES OF EARLY CROSSES—EXAMPLES AT CLONMACNOISE—HIGH CROSSES—THE HIGH CROSSES AT MONASTERBOICE—THEIR SCULPTURE AND DECORATIONS—SEPULCHRAL SLABS—EARLY GRAVES.
Early Christian graves were usually marked by stones nowise differing from the pagan pillar-stone, except that in some instances they were sculptured with a cross. These were of the simplest form and rudely cut, and consisted of an elementary line cross, or one slightly developed and within a circle. Plain undressed slabs or rude stones were generally adopted in the first instance, the only use of the cutter’s instrument being on the incised work. Many of the stones of this class are found in old Christian graveyards, or within the area of early monastic establishments.