(iv) The Purana Re-considered
Such an account gives us what the Mahabharata epic did not give—a detailed description of Krishna's career. It confirms the epic's view of Krishna as a hero and fills in many gaps concerning his life at Dwarka, his relations with the Pandavas, his life as a feudal prince and finally, his death. It makes clear that throughout the story Krishna is an incarnation of Vishnu and that his main reason for being born is to aid the good and kill demons. At the same time, it shows him in two important new lights—firstly, as one whose youth was spent among cowherds, in circumstances altogether different from those of a prince and secondly, as a delightful lover of women, who explores to the full the joys of sexual love. The second role characterizes him both as cowherd and prince but with important differences of attitude and behaviour. As a prince, Krishna is wedded first to Rukmini and then to seven other wives, observing on each occasion the requisite formalities. Even the sixteen thousand one hundred girls whom he rescues from imprisonment receive this formal status. With all of them Krishna enjoys a variety of sexual pleasures and their love is moral, respectable and approved. Krishna the prince, in fact, is Krishna the husband. Krishna the cowherd, on the other hand, is essentially a lover. The cowgirls whose impassioned love he inspires are all married and in consorting with them he is breaking one of the most solemn requirements of the moral code. The first relationship has the secure basis of conjugal duty, the second the daring adventurousness of romantic passion.
The same abrupt contrast appears between his character as a cowherd and his character as a prince. As a youth he mixes freely with the cowherds, behaving with an easy naturalness of manner and obtaining from them an intense devotion. This devotion is excited by everything he does and whether as a baby crying for the breast, a little boy pilfering butter or a young man teasing the married girls, he exerts a magnetic charm. At no time does he neglect his prime duty of killing demons but this is subordinated to his innocent delight in living. He is shown as impatient with old and stereotyped forms of worship, as scorning ordinary morality and treating love as paramount. Although he acts continually with princely dignity and is always aware of his true character as Vishnu, his impact on others is based more on the understanding of their needs than on their recognition of him as God. When, at times, Krishna the cowherd is adored as God, he has already been loved as a boy and a young man. In the later story, this early charm is missing. Krishna is frequently recognized to be God and is continually revered and respected as a man. His conduct is invariably resolute but there is a kind of statesmanlike formality about his actions. He is respectful towards ritual, formal observances and Brahmans while in comparison with his encounters with the cowgirls his relations with women have an air of slightly stagnant luxury. His wives and consorts lavish on him their devotion but the very fact that they are married removes the romantic element from their relationship.
Such vital differences are only partially resolved in the Bhagavata Purana. Representing as they do two different conceptions of Krishna's character, it is inevitable that the resulting account should be slightly biased in one direction or the other. The Bhagavata Purana records both phases in careful detail blending them into a single organic whole. But there can be little doubt that its Brahman authors were in the main more favourably inclined towards the hero prince than towards the cowherd lover. There is a tendency for the older Krishna to disparage the younger. Krishna the prince's subsequent meetings with the cowgirls are shown as very different from his rapturous encounters with them in the forest and the fact that his later career involves so sharp a separation from them indicates that the whole episode was somewhat frowned upon. This is especially evident from the manner in which Krishna addresses the cowgirls when they meet him during the eclipse of the sun. By this time he has become an ardent husband constantly satisfying his many wives. He is very far from having abjured the delights of the flesh. Yet for all his former loves who long for him so passionately he has only one message. They must meditate upon him in their minds. No dismissal could be colder, no treatment more calculatingly callous. And even the accounts of Krishna's love-making reflects this bias. The physical charms of the cowgirls are minimized and it is only the beauty of Rukmini which is stressed. It is clear, in fact, that however much the one tradition involved a break with morals, the second tradition shrank from countenancing adultery and it was this latter tradition which commanded the authors' approval. Finally, on one important issue, the Purana as a whole is in no doubt. Krishna's true consort is Rukmini. That Krishna's nature should be complemented by a cowgirl is not so much as even considered. The cowgirls are shown as risking all for Krishna, as loving him above all else but none is singled out for mention and none emerges as a rival. In this long account of Krishna's life what is overwhelmingly significant is that the name of his supreme cowgirl love is altogether omitted.