The poem begins with a preface of four lines describing how Krishna's romance with Radha first began. The sky, it says, was dark with clouds. All around lay the vast forest. Night was coming up and Nanda who had taken the youthful Krishna with him is alarmed lest in the gathering gloom the boy should get lost. Radha, who is somewhat older, is with them, so Nanda desires her to take Krishna home. Radha leads him away but as they wander by the river, passion mounts in their hearts. They forget that Nanda has told them to hurry home. Radha ignores the motherly character of her mission and loitering in the trees, the two commence their dalliance.[52] In this way the love of Radha and Krishna arises—the love which is to dominate their hearts with ever-growing fervour.

The poem then leaps a period of time and when the drama opens, a crisis has occurred. Radha, after long enjoying Krishna's passionate embraces, finds herself abruptly neglected. Charming but faithless, Krishna is now pursuing other girls and the jilted Radha wanders alone. Meanwhile spring has come to the forest and the thought that others are enjoying Krishna's love tortures her to the point of madness. As she broods on her lost joys, a friend describes to her what is happening.[53]

Sandal and garment of yellow and lotus garlands upon his body of blue,

In his dance the jewels of his ears in movement dangling over his smiling cheeks,

Krishna here disports himself with charming women given to love.

He embraces one woman, he kisses another, and fondles another beautiful one.

He looks at another one lovely with smiles, and starts in pursuit of another woman.

Krishna here disports himself with charming women given to love.[54]

Suddenly Radha sees Krishna[55] and going into the midst of the cowgirls, she kisses him violently and clasps him to her; but Krishna is so inflamed by the other girls that he abandons her in a thicket.

As Radha broods on his behaviour, she is filled with bitter sadness.[56] Yet her love is still so strong that she cannot bring herself to blame him and instead calls to mind his charm.