Radha succumbs to her advice and slowly approaches Krishna's forest bower.
In the picture, Krishna is impatiently awaiting her while Radha, urged onward by the friend, pauses for a moment to shed her shyness. The picture is part of an illustrated edition of the poem executed in Basohli in 1730 for a local princess, the lady Manaku. As in other Basohli paintings, trees are shown as small and summary symbols, the horizon is a streak of clouds and there is a deliberate shrinkage from physical refinement. The purpose of the picture is rather to express with the maximum of power the savagery of passion and the stark nature of lovers' encounters.
PLATE 27
The closing Scene
Illustration to the Gita Govinda
Basohli, Punjab Hills. c. 1730
Art Gallery, Chandigarh, East Punjab
From the same series as Plate [26].
After agonies of 'love unsatisfied,' Radha and Krishna are at last reconciled.