The Ohonihe was a most elaborate and costly function. The preparations were begun months in advance. In times of scarcity, it had to be omitted as too great a burden on the nation.

The Nihiname, or new-tasting, is the annual harvest festival when the new season’s rice was first tasted by the Mikado. The Ohonihe was only a more sumptuous form of it. The English counterpart of the Nihiname is Lammas, i.e. loaf-mass, in which bread made from the new season’s wheat was used for the first time in the Holy Communion. There was, in former times, a household as well as an official celebration of this rite. Strict people will not eat the new rice until it is over.

The Toshigohi (praying for harvest) was another important ceremony of the state religion. Not only the special gods of harvest, but practically all the divinities were propitiated by offerings, and a norito recited in their honour, of which the following is a passage:—

‘If the Sovran Gods will bestow in ears many a hand’s breadth long and ears abundant the latter harvest which they will bestow, the latter harvest produced by the labour of men from whose arms the foam drips down, on whose opposing thighs the mud is gathered, I will fulfil their praises by humbly offering first fruits, of ears a thousand, of ears many a hundred, raising up the tops of the sake-jars, and setting in rows the bellies of the sake-jars, in juice and in ear will I present them, of things growing in the great moor-plain, sweet herbs and bitter herbs, of things that dwell in the blue sea-plain, the broad of fin and the narrow of fin, edible seaweed, too, from the offing and seaweed from the shore, of clothing, bright stuffs and shining stuffs, soft stuffs and coarse stuffs—with these I will fulfil your praises.’

Kiu no matsuri (praying for rain) was a service in which the gods of eighty-five shrines were asked to send rain. To some of these a black horse was offered as a suggestion that black rain-clouds would be welcome.

Ohoharahi, great purification or absolution. This is one of the most curious and interesting of the great ceremonies of the state religion. It is often called the Nakatomi no Ohoharahi, because a member of the Nakatomi priestly clan performed it on behalf of the Mikado. It was celebrated twice a year, on the last day of the sixth and of the twelfth month, with the object of purifying the ministers of state, officials, and people from their ceremonial offences committed during the previous half year. It was also celebrated on occasions of national calamity, such as an outbreak of pestilence, or the sudden death of a Mikado. The offerings made were thrown into a river or the sea, and were supposed, like the scapegoat of Israel, to carry with them the sins of the people. The offences more specifically referred to are various mischievous interferences with agricultural operations, flaying animals alive, flaying backwards, cutting living or dead bodies, leprosy and other loathsome disease, incest, calamities from the high gods and from high birds, and killing animals by bewitchment. There were also local and individual purifications. In the latter case, the person to be purified had to pay the expenses of the celebration, and so a regular system of fines for such offences came into existence.

Ho-shidzume no matsuri, or fire-calming-ceremony. The object of this rite was to deprecate the destruction of the Imperial Palace by fire. The Urabe made fire with a fire-drill and worshipped it. The service read is anything but reverent. The Fire-god is reminded that he is ‘an evil-hearted child’ who caused his mother’s death when he came into the world, and that she had come back from Hades purposely to provide the means of keeping him in order. If, however, he would be on his good behaviour, he should have offerings of the various kinds specified.

Numerous other services are mentioned in the Yengishiki, such as the ‘Luck-wishing of the Great Palace,’ the Michiahe, which is a phallic ritual for the prevention of pestilence, a festival in honour of the Food-goddess, one in honour of the Wind-gods, etc.

Modern ceremonies.—At the present day, most of the former elaborate ritual of Shinto is neglected or shorn of its ancient magnificence. One of the most important state ceremonies which is still kept up is the Naishidokoro, so-called from the chamber in the palace where it is performed. It is here that the regalia are kept, consisting of a mirror which represents the Sun-goddess, a sword, and a jewel or jewels. The ceremony, which is performed by the Mikado in person, was formerly in honour of these sacred objects, but is now apparently addressed to the tablets of the Emperors from Jimmu downwards—an instance of the progressive development of ancestor-worship in Shinto. In many private dwellings there is a Kami-dana (god-shelf) where a harahi, consisting of a piece of wood from the Ise shrine, and tickets with the names of any gods whom the household has any special reason for worshipping, are kept. Lafcadio Hearn says that nowadays there is also a Mitamaya (august-spirit-dwelling), which is a model Shinto shrine placed on a shelf fixed against the wall of some inner chamber. In this shrine are placed thin tablets of white wood inscribed with the names of the household dead. Prayers are repeated and offerings made before them every day. The annual festivals (matsuri) of the Ujigami or local patron-deity are everywhere important functions. Offerings are made, and the god, or rather his emblem, is promenaded in a procession which reminds one of the carnivals of Southern Europe. There are Kagura performances which go on all day and late into the night. There are also booths for the sale of toys and sweetmeats, wrestling, fireworks, races, conjurors and tumblers’ performances. In short, the matsuri is not unlike an English fair. With the pilgrimages, it does much to help to keep alive the not very ardent flame of Shinto piety.