"In the time of flowers the inhabitants worship her mitama by offerings of flowers. They also worship her with drums, flutes, flags, singing and dancing."
When she died Izanami went to the land of Yomi, or darkness.
"Thereafter Izanagi went after Izanami, and entered the land of Yomi. When he rejoined her, they conversed together. Izanami said: 'My lord and husband, why is thy coming so late? I have already eaten of the cooking-furnace of Yomi. But I am about to lie down to rest. Do not thou look on me.' Izanagi did not give ear to her, but secretly took his many-toothed comb, and breaking off its end-tooth[65] made of it a torch and looked at her. Her body was already putrid, maggots swarmed over it, and the eight thunder-gods had been generated in her various members. Izanagi, greatly shocked, exclaimed, 'What a hideous and polluted land I have come to unawares!' So he speedily ran away. Izanami was angry, and said, 'Why didst thou not observe that which I charged thee? Now am I put to shame.' So she sent the Ugly Females of Yomi to pursue and slay him. Izanagi, in his flight, threw down his many-toothed comb, which forthwith became changed into bamboo-shoots. The Ugly Females pulled them up and ate them. When they had done eating them they again gave chase. He then threw down his headdress, which became changed into grapes, and so once more delayed his pursuers. On reaching the foot of the 'Even Pass of Yomi' he gathered three peaches[66] that were growing there, and smote his pursuers with them, so that they all fled back. Moreover, he said to the peaches, 'As ye have helped me, so must ye help all living people in the Central Land of Reed-plains when they are in trouble.' And he gave them the title Oho-kamu-dzu-mi no mikoto (their augustness great-divine fruit). This was the origin of the custom of exorcising evil spirits by means of peaches.
"At the Even Pass of Yomi, Izanagi was overtaken by Izanami herself. He took a great rock[67] Land blocked up the pass with it, pronouncing at the same time the formula of divorce--namely, 'Our relationship is severed.' He also said, 'Come no further,' and threw down his staff, which was called Funado no Kami (pass-not-place-deity), or Kunado no Kami (come-not-place-deity). Moreover, he threw down his girdle, which was called Nagachiha no Kami. Moreover, he threw down his upper garment, which was called Wadzurahi no Kami (God of disease). Moreover, he threw down his trowsers, which were called Aki-guhi no Kami. Moreover, he threw down his shoes, which were called Chi-shiki no Kami."
The Kojiki represents Izanami as assuming the position of the "Great Deity of Yomi," a personification of death. In this character she says to Izanagi, "If thou dost so (divorce me), I will in one day strangle to death a thousand of the people of thy land." To which he replied "If thou dost so, I will in one day build a thousand and five hundred parturition houses."
The fatal consequences of tasting the food of the lower regions are well known to mythologists. Proserpine's return to the upper world became impossible when once
Puniceum curvâ decerpserat arbore pomum Sumpta que pallenti septem de cortice grana Presserat ore suo.
The same principle is recognized in Indian myth:
Three nights within his (Yama's) mansion stay, But taste not, though a guest, his food.[68]
The natural aversion of human beings from touching or even looking on the dead is made a characteristic of the Gods in Greek mythology as well as in Japanese myth. Artemis, in the 'Hippolytus' of Euripides, says, "It is not themis for me to look upon the dead."