The Kunari no kami, or Kunari-hime, were also apparently local earth-deities. Kunari is for kuni-nari (earth-become).
Ohonamochi.--In the case of the great Earth-God of Japan, namely, Ohonamochi, the direct worship and personification of the country have already retired into the background. The myths speak of him not as the land itself, but as the maker of the land. His functions are variously described as constructing, measuring out, consolidating, subduing, and ordering or governing. The Idzumo Fudoki frequently calls him the ame no shita tsukurashishi Oho-kami, that is to say, "the great God who made the Under-Heaven." The spear which he carries is indicative of warlike prowess and political sway, while the mattock given to him by one myth points rather to agricultural development. He is also, along with Sukuna-bikona, the instructor of mankind in the arts of medicine and magic. The usual tendency to enlarge the sphere of nature deities by attributing to them providential powers is illustrated by a poem in the Manyōshiu in which he is appealed to for the protection of the ship of an envoy who was about to proceed to China.
He could assume the form of a snake or of a human being.
The name Ohonamochi tells us nothing. It means great-name-possessor, and is simply honorific. An alternative title is Oho-kuni-nushi, or great land-master, Kuni-nushi being perhaps an honorary epithet equivalent to "king." Another name of this deity, Oho-kuni-dama (great land spirit), is more significant. It shows that he was regarded as one of the Kuni-dama or earth-deities mentioned above. His Earth-God quality is also implied by the alias Oho-toko-nushi, or great-place-master.
This God belongs mainly to the Idzumo group of myths. He is the son of Susa no wo, also an Idzumo God. The great centre of his worship to this day, and the holiest spot in Japan, next after Ise, is Kidzuki, a town in that province. His shrine here[113] is known all over Japan as the Taisha, or Great Shrine, and was formerly of exceptional magnificence. There is a widespread belief that all the Gods of Japan resort hither in the tenth month, which is therefore called Kami-na-dzuki, or the godless month. But Hirata's suggestion that Kami-na-dzuki is really for Kami-name-dzuki, the divine tasting-month, that is, the month of the harvest festival, is very plausible. Kaempfer transfers this annual visit of the Gods from Idzumo to the Mikado's palace, a blundering account of a myth which itself rests on a blunder.
The story of his deposition[114] by Take-mika-dzuchi and Futsunushi is probably an echo of a real historical event, when the rulers of Idzumo were compelled to yield up their temporal power to the conquerors of Yamato, retaining however, their control of spiritual matters.
Miwa, in Yamato, was another seat of this deity's worship. To be more exact, it was his nigi-tama, or gentle spirit, which was worshipped here. He is also associated with the numerous shrines called Sannō or Hiye. The Sono no kami (garden deity), to whom there was a shrine in the Palace, is also believed to be Ohomononushi, the nigi-tama of Ohonamochi. Along with Sukuna-bikona he is worshipped at Kanda, Tokio, as showing special favour to the inhabitants of that city (Yedokko no mitama no kami). These two deities are supposed to grant protection against small-pox.
The Kojiki story of Ohonamochi's adventures in Yomi[115] has no apparent connexion with his status as an Earth-God. Dr. Buckley argues that the Ohonamochi of this narrative is a Moon-God, and that his eighty brothers are the stars. I think it will be found to contain foreign and later elements, and that the introduction of Ohonamochi's name is merely accidental. The Nihongi passes it over in silence. The shintai of Ohonamochi is a necklace of jewels. His nigi-tama, or gentle spirit, is represented by a mirror, the shintai of the ara-tama, or rough spirit, being a spear.
Asuha.--An obscure deity, called Asuha no kami, said to be the child of Oho-toshi, the Harvest-God, is referred to in one of the norito. Motoöri fails to identify him or her. Hirata thinks that Asuha is for ashiba, that is, foot-place, and that it means the plot of ground on which the dwelling stands. He mentions a practice by persons whose friends were absent on pilgrimages of making a model of a house with a thatched roof to which they offered tea and rice every morning. They could not tell him what God it was whom they wished to propitiate. Hirata had no doubt that it was Asuha. He quotes an old poem which says: "Until he returns, I will pray to the God Asuha of the middle of the courtyard." Sir E. Satow calls Asuha no kami the "guardian deity" of the courtyard. I do not deny that this conception existed. But we must not lose sight of the earlier phase of thought in which the courtyard is itself the deity.
Other Earth-Gods.--Another obscure earth-deity is Haigi no kami, said to be the God of the space between the door of the house and the outer gate. The soil of the earth is deified under the names of Uhijini, Suhijini, and Hani-yasu-hime, personifications of mud, sand, and clay respectively. The two former are just mentioned in myth. Hani-yasu means "clay easy," the latter adjective indicating its plastic quality. Clay was probably deified because it forms the material for the Kamado, or kitchen-furnace, and is therefore deserving of gratitude for its service in restraining the unruly element fire. The water-gourd was deified for the same reason.