Numerous specimens of norito will be found in [Chap. XII].
In connexion with the attempted revival early in the last century of the pure Shinto of ancient times, Hirata composed a book of prayer entitled Tamadasuki, not for official or temple use, but as an aid to private devotion. It was not printed until some years after his death, and I doubt whether it was ever much used even by Shinto devotees. Notwithstanding the author's professed abhorrence of Buddhism and his condemnation of Chinese religious notions, the Tamadasuki owes much to these sources. He instructs his followers to "get up early, wash the face and hands, rinse the mouth, and cleanse the body. Then turn towards Yamato, clap hands twice, and bow down the head" before offering their petitions.
Prayers to the Shinto Gods, even at the present day, are mostly for material blessings. Anything more which they contain may be confidently set down to Buddhist influence. There are prayers on reclaiming a new piece of ground, building a house, sowing a rice-field, prayers for prosperity in trade and domestic happiness, prayers promising to give up sake, gambling, or profligacy (Buddhist), thanks for escape from shipwreck or other danger, &c. Sometimes the prayer is written out on paper and deposited in the shrine, perhaps accompanied by the petitioner's hair or a picture having some reference to the subject of his prayer. When it is answered, small paper nobori (flags) are set up at the shrine or its approaches. A common prayer at the present day is for "Peace to the country, safety to the family, and plentiful crops."
Oaths and Curses.--The Nihongi mentions several cases of Heaven or the Gods being appealed to for the sanction of an oath. Thus in 562 an accused person declares: "This is false and not true. If this is true, let calamity from Heaven befall me." In 581 tribes of Yemishi promised submission to the Mikado, saying: "If we break this oath, may all the Gods of Heaven and Earth and also the spirits of the Emperors destroy our race." In 644 the Mikado made an oath appealing to the Gods of Heaven and Earth, and saying: "On those who break this oath Heaven will send a curse and Earth a plague, demons will slay them, and men will smite them." The author of the Nihongi, however, is grievously open to the suspicion of adorning his narrative liberally with rhetorical ornaments of Chinese origin. The following is an example of a nonreligious oath said to have been made by a Korean king in 249: "If I spread grass for us to sit on, it might be burnt with fire; if I took wood for a seat, it might be washed away by water. Therefore, sitting on a rock, I make this solemn declaration of alliance." A curse pronounced over a well in 456 has likewise no religious quality. It is simply "This water may be drunk by the people only: royal persons alone may not drink of it." The instructions of the Sea-God to Hohodemi, "When thou givest this fishhook back to thy brother, say, 'A hook of poverty, a hook of ruin, a hook of downfall,'" are a kind of curse. On the whole, oaths and curses of a religious character are rare in Japanese literature. Profanity is almost unknown. A mild appeal to the "three holy things" (of Buddhism) or to the Sun, or a wish that divine punishment (bachi) may strike one's enemy, are almost the only things of the kind. And they are infrequent. Probably this is due to the want of a deep-seated sentiment of piety in the Japanese nation. Such expressions as "Thank God," "Good-bye," "Adieu," "God forbid," are also rare, whether in speech or in literature. The Mohammedans, with their continual use of the name of Allah, are the antipodes of the Japanese in this respect.
Rank of Deities.--A system of official ranks, borrowed from China, was introduced into Japan in the seventh century. There were at one time forty-eight different grades, each with its distinct costume, insignia, and privileges. The first notice of deities being granted such ranks occurs in 672, when we are told that three deities were "raised in quality" on account of useful military information supplied by their oracles. This practice became systematized in the period 749-757, and was very prevalent for several centuries longer. A rain of volcanic ashes which fell in many of the eastern provinces in 838 was attributed by the diviners to the jealousy of a Goddess, the true wife of a God, and mother by him of five children, at a step of official rank granted by the Mikado to a younger rival. Tantæ ne animis cælestibus iræ! In 851 Susa no wo and Oho-kuni-nushi received the lower third rank and in 859 were promoted to the upper third rank. The Mikado Daigo, on his accession in 898, raised the rank of 340 shrines. In 1076 and 1172 wholesale promotions of deities took place. After this time the custom fell into neglect, owing partly to the circumstance that many of the Gods had reached the highest class and could not be promoted any further. Several of the most important deities were not honoured in this way. The Sun-Goddess and the Food-Goddess were among this number. The same deity might have different ranks in different places. The lowness of the ranks with which the inferior deities were thought to be gratified is rather surprising. It throws a light on the mental attitude of the Japanese towards them. Beings who could be supposed to take pleasure in a D.S.O. or a brevet majority must have seemed to them not very far exalted above humanity.
Kagura.--This word is written with two Chinese characters which mean "God-pleasure." It is a pantomimic dance with music, usually representing some incident of the mythical narrative. Uzume's dance before the cave to which the Sun-Goddess had retired is supposed to be its prototype. Important shrines have a stage and a corps of trained girl-dancers (miko), for the purpose of these representations. Kagura was also performed in the Naishidokoro (the chamber in the Palace where the Regalia were kept), and under Chinese influences became a very solemn function, in which numerous officials were concerned. Many kinds of music, song, and dance are included in this term. It was the parent in the fourteenth century of the No, a sort of religious lyrical drama, and less directly of the modern popular drama.
Some authorities say that the music of the Kagura consisted at first of flutes made by opening holes between the joints of a bamboo, of wooden castanets, and of a stringed instrument made by placing six bows together.
Pilgrimages.--Paying visits is a recognized mode of showing respect to Gods as it is to men. The Mikado himself formerly paid frequent visits to the shrines of Kiōto and the vicinity, and in all periods of history embassies were continually despatched by him to the great shrines of the Empire. The private worshipper, besides visiting the shrine of his local deity, generally makes it his business, at least once in his lifetime, to pay his respects to more distant Gods, such as those of Ise, Miha, Ontake, Nantai (at Nikko), Kompira, Fujiyama, Miyajima, &c. Intending pilgrims associate themselves in clubs called Kō, whose members each contribute five sen a month to the pilgrimage fund. When the proper time of year comes round, a certain number of members are chosen by lot to represent the club at the shrine of their devotion, all expenses being defrayed out of the common fund. One of the number who has made the pilgrimage before acts as leader and cicerone. As a general rule the pilgrims wear no special garb, but those bound for Fuji, Ontake, or other high mountains may be distinguished by their white clothes and sloping broad hats. While making an ascent, they often ring a bell and chant the prayer, "May our six senses be pure and the weather fair on the honourable mountain."[190] Many thousand pilgrims annually ascend Fuji, and over 11,000 paid their devotions at Ise on a recent New Year's day. Almost all Japanese cherish the hope of visiting this shrine at least once in their lives, and many a Tokio merchant thinks that his success in business depends largely on his doing so. Pilgrimages are an ancient institution in Japan. It is recorded that in the ninth month of 934, 10,000,000 pilgrims of all classes visited the shrines of Ise.
Boys and even girls often run away from their homes and beg their way to Ise. This is regarded as a pardonable escapade.
When an actual visit to a shrine is inconvenient or impossible, the worshipper may offer his devotions from a distance. This is called em-pai, or distant worship. Special shrines are provided in some places where the God will accept such substituted service. Processions may be joint formal visits of the worshippers to the God's shrine, but they oftener consist in attending him on an excursion from it to some place in the neighbourhood and back again. They much resemble in character the carnival processions of Southern Europe.