Bangalore Station was a sight for a tenderfoot—brim full of colour and types. Half in shadow half in light, as if several theatrical companies were on tour in their costumes—a company, say of The Merchant of Venice, another of The Cingalee, and a Variety Show or two. There were sellers of green bananas and soda water and native sweet cakes in all the colours you can think of, and British soldiers in khaki and pith helmets, and everyone running about with properties and luggage on their heads and in their hands.
This is, to my mind, a luxurious way of travelling. Both carriages have berths, bathroom, and kitchen, all very diminutive except the berths. Our kitchen would hardly hold one European, but holds at least three natives. At five and a half miles an hour you can do all sorts of things, paint or snooze, or, as I prefer to do on this day, sit in a comfortable arm-chair with feet in the sun on the after platform and watch the line running away behind into the vanishing point.
R.'s assistant, H., is in our carriage, and these two pull out all sorts of documents and papers flooded with figures and go into their work, and talk of cement, sleepers, measurements, curve stresses and strains generally, and of the particular bits of business on hand; but occasionally they have a minute or two off and we find ourselves talking of duck and snipe and overhauling decoys, R. and H. discussing the chances of the season at this tank or the other. Then they get to business again, about a native contractor perhaps—is he all right, or is he not?—and every now and then we disembark and have a brief chat with a stationmaster, and look at points or trees and buildings; these matters are gone through pretty quickly, and we get on to the tail of our train again as it slowly moves off.
We are going now through a gravelly red soil, the sun blazing hot. We go so comfortably slowly that we can lean out and see our little narrow gauge train crawling along like a silver grey caterpillar, for the passenger cars and goods cars are round topped like Saratoga trunks, and their French grey colour harmonises with the hedge of grey-green cactus leaves on the side of the line. Beyond the train we see the lines like curves of blue riband on the yellow and white quartz ballast of the track. Our little engine puffs up little rags of white against the blue sky. Add a touch of bright colour, a flutter of pink drapery, and a brown shoulder, a finely modelled arm and bangle at a carriage window, catching the cool draught, and you have, I think, quite a pleasant colour scheme. The track is so tidy that there are white quartz stones arranged along each side of the yellow quartz ballast, and where there is sand ballast it is patted down as neatly as a pie crust. R. says it is difficult to prevent the native navvy making geometric designs with the coloured quartz.
By the afternoon we are in a wide-spreading country, only broken with clumps of palms at great distances. The soil is dull red, almost magenta at the edge of cuttings, and above on the plains it is yellow ochre with scrub bushes and many lemon-yellow blossoms. As the sun sets we pass flocks of sheep and goats collecting for protection within tall zerebas of thorn and palm leaves. The dust they raise catches the sun and hangs over them in a golden mist. Far out on the horizon there is one streak of warm violet where some low hills appear—a simple enough landscape, with not many features, but with the charm that belongs to scenes at sea or in the desert, where there are but two elements to hold the thoughts.
Now we draw up near a village, and women and children watch our train. I wish they'd keep some one portion of their limbs and draperies still an instant to let me see and draw, but they won't. Two women lean against the wire fence near us, one a tall, small-headed and long-limbed matron in dullish green sari with gold or yellow round its edges in thin and broad lines, and a bodice of orange and crimson. Her neighbour leans and talks, incessantly moving; she is wrapped in vivid crimson, edged with a broad band of poppy blue. Behind them the village is hazy in half tone against the light; across the space between, there flits a fairy in lemon-yellow or orange drapery slightly blown out so that the sun makes it a transparent blaze of yellow—a dainty Tanagra Figurine come to life and colour again!
… Arsikere.—We have our carriage gently shunted at a siding here, and stop under a banyan tree, and have our meal in the moonlight—such moonlight and such a meal! I've heard so much of Indian cooking, of the everlasting chicken and curries, but out of our two tiny kitchens we get a dinner worthy of a moderately good French café, fish and beef, and game, and variety of vegetables.—Indian beef is not half bad in my humble opinion, and the Vino Tinto is straight from Lisbon, by Goa, the Portuguese port on this west coast, what better could a man desire?