THE HISTORY OF FRANCE

By John Ruskin

They are decorative also; that was another appeal to Ruskin. William Morris has shown in the illustrations to the Saga Library how maps can become picturesque designs, and this was much on the lines that Ruskin would have followed. He might not have inserted dragons of the deep, nor, as in Drayton's "Polyolbion," nymphs and shepherds on the hills and lakes, out of all proportion and possibility; but he thought a map could be far more explanatory and ornamental than the usual school atlas.

His attempt at a diagrammatic history of France, sketched on a page of note-paper, was engraved for "Our Fathers have Told Us"—his projected school history of the "Nice Things that have Happened." You see—and for lack of space I must leave it for your further insight—how he designed to show the roses of Provence and the lilies of France in this garden of Gaul, at one time feebly struggling, then blowing fully and freely spreading, then broken in upon by the wild beast of war; the lily bed trampled and ruined; Aquitaine wasted to blankness, and so forth. Worked out completely, an atlas of history on this plan might be as pretty as any picture-book. A child accustomed to such maps would have little trouble in remembering the outlines of national growth, and the whole tedious business of dates and uncouth names would be infinitely lightened. Perhaps, some day, Ruskin's hint will be taken, and his suggestions will bear fruit.

He never cared for worship and admiration, when they did not mean the understanding of his aims, and the carrying out of his work. He knew his gift was to irrigate, as he said—to suggest and stimulate. People called him an egoist; but how wise in its humility was the close of his preface to "Loves Meinie!"—"It has been throughout my trust, that if Death should write on these, 'What this man began to build, he was not able to finish,' God may also write on them, not in anger but in aid, 'A stronger than he cometh.'" And for much that he has left to do, no greater strength is needed, but only the glory of going on.


[VIII]
RUSKIN'S DRAWINGS