Odious!—in woollen!—'twould a saint provoke.
The following is a copy of one of the most legible of these fugitive records:—
Lancr. P.ociall Cappell de Coniston.
We Jennet Dickson wife of Thomas Dickson and Isabell Fleming widow—doe severally make oath that the Corps of Isabel Dickson widow was buryed March ye 15th Ano Dmj 1692. And was not putt in, wrapt or wound up in any Shirt, Shift, Sheet or Shroud, Made or mingled wth fflax, Hemp, Hair, Gold or Silver, etc: nor in any coffin lined or faced wth cloath etc: nor in any other material but sheeps wooll onely According to Act of Parlyment. In Testimony whereof we ye sd Jennet Dickson and Isabel Fleming have hereunto putt our Hands and Seales the 15th day of March, Ano Dmj 1692.
Capt et Jurt coram me Jennet Dickson Henri Mattinson Curt her x mk de Torver decimo nono Isabel Fleming die Martij Anno dom 1693 her x mk
| Capt et Jurt coram me | Jennet Dickson | |
| Henri Mattinson Curt | her x mk | |
| de Torver decimo nono | Isabel Fleming | |
| die Martij Anno dom 1693 | her x mk |
So far Dr. Gibson on the "new" church, now the "old" church, and already of the past.
On November 17th, 1891, the church was reopened by Bishop Goodwin after a "restoration" which almost amounted to renovation. The Rev. C. Chapman, in his pamphlet on The ancient Parochial Church of Coniston, 1888, had already been able to announce that £600 had been gathered for the Building Fund, beside about the same amount spent in buying the old schoolhouse and playground in order to improve the site. But the money did not suffice for entire rebuilding; the ceiling and pews were removed, a chancel and vestry added, a clock placed in the tower, the roughcast of the exterior was cleared away, and stained glass windows have since been inserted, of which the best is the little west window by Kempe to the memory of the Beevers of the Thwaite. But few objects of antiquarian interest remain. The old oak chest with a curious padlock, the parish registers beginning 1594 and recommencing 1695, the old library, and the little brass on the south wall are all that is left to record the ancient family of the Hall. The brass is inscribed:—
To the Liveing Memory of ALICE FLEMING of Coningston-Hall in the County Palatine of Lancaster Widow (late Wife of William Fleming of Coningston-Hall aforesaid Esqr; and eldest daughter of Roger Kirkby of Kirkby in the said County Esqre) and of John Kirkby Gentleman her second brother was this Monument by her three sorrowful sons Sr Daniel Fleming Knight Roger Fleming and William Fleming gentlemen, for their dear Mother and Uncle here erected. The said John Kirkby (having lived above 30 yeares with his sister aforesaid, and having given to the Churches and Poor of Kirkby and Coningston aforesaid 150£) died a Bachelor at Coningston-Hall aforementioned September 28 A.D. 1680, and was buried near unto this place the next day: And the said Alice Fleming died also (having outlived her late Husband above 27 yeares and survived 5 of her 8 children) at Coningston-Hall aforesaid Febry 26 A.D. 1680, and was buried in this Church, close by her said Brother Febr 28, 1680, in the same Grave where ye Lady Bold (second wife of John Fleming Esqre deceased, uncle to ye said William Fleming Esqr) had about 55 yeares before been interred.
Epitaph
Spectator stay, and view this sacred ground
See it contains such Loue, on Earth scarce found,
A BROTHER and a SISTER, and you see
She seeks to find him in Mortality—
First he did leave us; then she stay'd & try'd
To live without him, lik'd it not and dy'd
Here they ly buried, whose Religious Zeal
Appeard sincere to Prince, Church, Commonweal;
Kind to their Kindred, Faithful to their Friends,
Clear in their Lives and Chearful to their ends.
They both were Dear to them whose good intent
Makes them both liue in this one Monument.
So Dear in Cordial Loue, tho' th' outward part.
Turne Dust it holds impression to the Heart.
The churchyard is first mentioned as a burying ground in 1594, and until 1841 was very small: indeed, the population it had to serve was small up to the nineteenth century. But by 1841 the population of the parish had grown, and Lady le Fleming made an addition to the churchyard. Subsequent additions were made in 1845, 1865, and 1878, the last by the removal of the old Institute, formerly the Boys' School. This used to stand between the church and the road, as shown in the photograph exhibited, with other views and relics of the neighbourhood, in the museum at the Coniston Institute.
In Coniston Churchyard the centre of general interest is Ruskin's grave, marked by the tall sculptured cross of gray Tilberthwaite stone, which stands under the fir trees near the wall separating the churchyard from the schoolyard. Near it are the white crosses of the Beevers, and the railed-in space is reserved for the family of Brantwood. The sculptures on the east face are intended to suggest Ruskin's earlier writings—the lower panel his juvenile poems; above, the young artist with a hint of sunrise over Mont Blanc in the background, for "Modern Painters;" the Lion of St. Mark, for "Stones of Venice," and the candlestick of the Tabernacle for "Seven Lamps." On the west face below is the parable of the labourers in the vineyard—"Unto this Last," then "Sesame and Lilies," the Angel of Fate with club, key and nail for "Fors Clavigera," the "Crown of Wild Olive," and St. George, symbolizing his later work. On the south edge are the Squirrel, the Robin and the Kingfisher in a scroll of wild rose to suggest Ruskin's favourite studies in natural history. On the north edge is a simple interlaced plait. The cross was carved by the late H. T. Miles of Ulverston from designs by W. G. Collingwood.
Since the restoration the clergymen have been:—