In September 1875, Ruskin stayed a couple of days at Sheffield to inspect a cottage at Walkley, in the outskirts of the town, and to make arrangements for founding the museum—humbly to begin with, but hoping for speedy increase. He engaged as curator, at a salary of £40 a year and free lodging on the premises, his former pupil at the Working Men's College, Henry Swan, who had done occasional work for him in drawing and engraving. Swan was a Quaker, and a remarkable man in his way; enthusiastic in his new vocation, and interested in the social questions which were being discussed in "Fors." Under his care the Museum remained at Walkley, accumulating material in the tiny and hardly accessible cottage—being so to speak in embryo, until the way should be clear for its removal or enlargement, which took place in 1890.

When Ruskin came back on his posting tour of April 1876, he stayed again at Sheffield, to meet a few friends of Swan's—Secularists, Unitarians, and Quakers, who professed Communism. They had an interview (reported in the Sheffield Daily Telegraph, April 28th, 1876), which brought out rather curiously the points of difference between their opinions and his. They refused to join the Guild because they would not promise obedience, and help in its objects. Ruskin, however, was willing to advance theirs. A few weeks afterwards he invited them to choose a piece of ground for their Communist experiment. They chose a farm of over thirteen acres at Abbeydale, which the Guild bought in 1877 at a cost of £2,287 16s.6d. for their use—the communists agreeing to pay the money back in instalments, without interest, by the end of seven years: when the farm should be their own.

When it was actually in their hands they found that they knew nothing of farming—and besides, were making money at trades they did not really care to abandon. They engaged a man to work the farm for them: and then another. They were told that the land they had chosen was—for farming purposes—worthless. Their capital ran short; and they tried to make money by keeping a tea-garden. The original proposer of the scheme wrote to Ruskin, who sent £100:—the others returned the money. Ruskin declined to take it back, and began to perceive that the Communists were trifling. They had made no attempt to found the sort of community they had talked about; neither their plans nor his were being carried out. So when the original proposer and a friend of his named Riley approached Ruskin again, they found little difficulty in persuading him to try them as managers. The rest, finding themselves turned out by Riley, vainly demanded "explanations" from Ruskin, who then was drifting into his first attack of brain fever. So they declined further connection with the farm; the Guild accepted their resignation, and undertook for the time nothing more than to get the land into good condition again.

This was not the only land held by the St. George's Guild. It acquired the acre of ground on which the Sheffield Museum stood, and a cottage with a couple of acres near Scarborough. Two acres of rock and moor at Barmouth had been given by Mrs. Talbot in 1872; and in 1877 Mr. George Baker, then Mayor of Birmingham, gave twenty acres of woodland at Bewdley in Worcestershire, to which at one time Mr. Ruskin thought of moving the museum, before the present building was found for it by the Sheffield Corporation at Meersbrook Park. On the resignation of the original Trustees, in 1877, Mr. Q. Talbot and Mr. Baker were offered the trust: and on the death of Mr. Talbot the trust was accepted by Mr. John Henry Chamberlain. After he died it was taken by Mr. George Thomson of Huddersfield, whose woollen mills, transformed into a co-operative concern, though not directly in connection with the Guild, have given a widely known example of the working of principles advocated in "Fors."

In the middle of 1876, Egbert Rydings, the auditor of the accounts which, in accordance with his principles of "glass pockets," Ruskin published in "Fors," proposed to start a homespun woollen industry at Laxey, in the Isle of Man, where the old women who formerly spun with the wheel had been driven by failure of custom to work in the mines. The Guild built him a water mill, and in a few years the demand for a pure, rough, durable cloth, created by this and kindred attempts, justified the enterprise. Ruskin set the example, and had his own grey clothes made of Laxey stuffs—whose chief drawback was that they never wore out. A little later a similar work was done, with even greater success, by Mr. Albert Fleming, another member of the Guild; who introduced old-fashioned spinning and hand-loom weaving at Langdale.

The story of Ruskin's posting tour was told many years afterwards, at the opening of the new Sheffield museum, by Mr. Arthur Severn, a famous raconteur, whose description of the adventures of their cruise upon wheels includes so bright a picture of Ruskin, that I must use his words as they were reported on the occasion in the magazine Igdrasil:

"... With the Professor, who dislikes railways very much, it was not a question of travelling by rail. He said, 'I will take you in a carriage and with horses, and we will drive the whole way from London to the North of England. And I will not only do that, but I will do the best in my power to get a postilion to ride, and we will go quite in the old-fashioned way ...' The Professor went so far that he actually built a carriage for this drive. It was a regular posting carriage, with good strong wheels, a place behind for the luggage, and cunning drawers inside it for all kinds of things that we might require on the journey. We started off one fine morning from London—I must say without a postilion—but when we arrived at the next town, about twenty miles off, having telegraphed beforehand that we were coming, there was a gorgeous postilion ready with the fresh horses, and we started off in a right style, according to the Professor's wishes.

"After many pleasant days of travelling, we at last arrived at Sheffield, and I well remember that we created no small sensation as we clattered up to the old posting inn. I think it was the King's Head. We stayed a few days, and visited the old Museum at Walkley; and I remember the look of regret on the Professor's face when he saw how cramped the space was there for the things he had to show. However, with his usual kindliness, he did not say much about it at the time, and he did not complain of the considerable amount of room it was necessary for the curator and his family to take up in that place. We stayed about two days looking at the beautiful country,—and I am glad to say there was a good deal still left,—and then the Professor gave orders that the carriage should be got ready to take us on our journey, and that a postilion should be forthcoming, if possible. I remember leaving the luncheon table and going outside to see if the necessary arrangements were complete. Sure enough, there was the carriage at the door, and a still more gorgeous postilion than any we had had so far on our journey. His riding breeches were of the tightest and whitest I ever saw; his horses were an admirable pair, and looked like going. A very large crowd had assembled outside the inn, to see what extraordinary kind of mortals could be going to travel in such a way.

"I went to the room where the Professor was still at luncheon, and told him that everything was ready, but that there was a very large crowd at the door. He seemed rather amused; and I said, 'You know, Professor, I really don't know what the people expect—whether it is a bride and bridegroom, or what.' He said, 'Well, Arthur, you and Joan shall play at being bride and bridegroom inside the carriage, and I will get on the box.' He got Mrs. Severn on his arm, and had to hold her pretty tightly as he left the door, because when she saw the crowd outside she tried to beat a retreat. At last he got her into the carriage, I was put in afterwards, and he jumped up on the box. The crowd closed in, and looked at us as if we were a sort of menagerie. I was much amused when I thought how little these eager people knew that the real attraction was on the box; I felt inclined to put my head out of the window, and say, 'My good people, there is the man you should look at,—not us.' I did not like to do so; and the Professor gave the word to be off, the postilion cracked his whip, and we went off in grand style, amidst the cheers of the crowd...."

On one of these posting excursions, they came to Hardraw; Mrs. Alfred Hunt tells the story in her edition of Turner's "Richmondshire"; Mr. Severn's account is somewhat different. After examining the Fall, Mrs. Severn and Mr. Ruskin left Mr. Severn to sketch, and went away to Hawes to order their tea. When they were gone, a man who had been standing by came up and asked if that were Professor Ruskin. "Yes," said Mr. Severn, "it was; he is very fond of the Fall, and much puzzled to know why the edge of the cliff is not worn away by the water, as he expected to find it after so many years." "Oh," said the other, "there are twelve feet of masonry up there to protect the rock. I'm a native of the place, and know all about it." "I wish," said Mr. Severn, absently, as he went on drawing, "Mr. Ruskin knew that; he would be so interested." And the stranger ran off. When the sketcher came in to tea he felt there was something wrong. "You're in for it!" said his wife. "Let us look at his sketch first," said Mr. Ruskin; and luckily it was a very good one. By and by it all came out;—how the Yorkshireman had caught the Professor, and eagerly described the horrible Vandalism, receiving in reply some very emphatic language. Upon which he took off his hat and bowed low: "But, sir," he faltered, "the gentleman up there said I was to tell you, and you would be so interested!" The Professor, suddenly mollified, took off his hat in turn, and apologised for his reception of the news: "but," said he, "I shall never care for Hardraw Waterfall again."