And yet Oxford and Cambridge awarded him the highest honours in their gift. In 1873 the Royal Society of Painters in Watercolours voted him honorary member, a recognition which gave him great pleasure at the time. At different dates he was elected to various societies—Geological, Zoological, Architectural, Horticultural, Historical, Anthropological, Metaphysical; and to the Athenæum and Alpine Clubs. He was elected Hon. Member of the Academy of Florence in 1862, of the Academy of Venice, 1877, of the Royal Academies of Antwerp and Brussels in 1892; and was also an Hon. Member of the American Academy. But he did not seek distinctions, and he even declined them, as in the case of the medal of the Royal Institute of British Architects.

A more striking form of distinction than such titles is the fact that he was the first writer whose contemporaries, during his lifetime, formed societies to study his work. The first Ruskin Society was founded in 1879 at Manchester, and was followed by the Societies of London, Glasgow and Liverpool. In 1887 the Ruskin Reading Guild was formed in Scotland, with many local branches in England and Ireland, and a journal, subsequently re-named Igdrasil, to promote study of literary and social subjects in Ruskin, and in writers like Carlyle and Tolstoi taking a standpoint similar to his. In 1896, Ruskin Societies were formed at Birmingham and in the Isle of Man. Many classes and clubs for the study of Ruskin were also in operation throughout America during his lifetime.

His eightieth birthday was the signal for an outburst of congratulations almost greater than even admirers had expected. The post came late and loaded with flowers and letters, and all day long telegrams arrived from all parts of the world, until they lay in heaps, unopened for the time being. A great address had been prepared, with costly illumination on vellum, and binding by Mr. Cobden Sanderson.

"Year by year," it said, "in ever widening extent, there is an increasing trust in your teaching, an increasing desire to realize the noble ideals you have set before mankind in words which we feel have brought nearer to our hearts the kingdom of God upon earth. It is our hope and prayer that the joy and peace you have brought to others may return in full measure to your own heart filling it with the peace which comes from the love of God and the knowledge of the love of your fellow-men."

Among those who subscribed to these sentiments were various people of importance, such as Royal Academicians, the Royal Society of Painters in Watercolours, the Trustees of the British Museum and of the National Gallery, the St. George's Guild and Ruskin Societies, with many others; and the address was presented by a deputation who reported that they had found him looking well "and extremely happy."

A similar illuminated address from the University of Oxford ran thus:

"We venture to send you, as you begin your eighty-first year, these few words of greeting and good-will, to make you sure that in Oxford the gratitude and reverence with which men think of you is ever fresh. You have helped many to find in life more happiness than they thought it held; and we trust there is happiness in the latter years of your long life. You have taught many to see the wealth of beauty in nature and in art, prizing the remembrance of it; and we trust that the sights you have best loved come back to your memory with unfading beauty. You have encouraged many to keep a good heart through dark days, and we trust that the courage of a constant hope is yours."

The London Ruskin Society sent a separate address; and to show that if not a prophet in his own country he was at any rate a valued friend, the Coniston Parish Council resolved "and carried unanimously," says the local journal, "with applause,"

"That the congratulations of this council be offered to Mr. John Ruskin, on the occasion of his eightieth birthday, together with the warm thanks which they and all their neighbours feel for the kindness he has shown, and the many generous acts he has done to them and theirs during twenty-seven years of residence at Coniston, where his presence is most truly appreciated, and his name will always be most gratefully remembered."

But as the year went on he did not regain his usual summer strength. Walking out had become a greater weariness to him, and he had to submit to the humiliation of a bath-chair. To save himself even the labour of creeping down to his study, he sat usually in the turret-room upstairs, next to his bed-chamber, but still with the look of health in his face, and the fire in his eyes quite unconquered. He would listen while Baxter read the news to him, following public events with interest, or while Mrs. Severn or Miss Severn read stories, novel after novel; but always liking old favourities best, and never anything that was unhappy. Some pet books he would pore over, or drowse over by the hour. The last of these was one in which he had a double interest, for it was about ships of war, and it was written by the kinsman of a dear friend. Some of the artists he had loved and helped had failed him or left him, but Burne-Jones was always true. One night, going up to bed, the old man stopped long to look at the photograph from Philip Burne-Jones's portrait of his father. "That's my dear brother, Ned," he said, nodding good-bye to the picture as he went. Next night the great artist died, and of all the many losses of these later years this one was the hardest to bear.