Figures 2 and 3 side view of Trumpet, scale one and a-half inch to a foot; Fig. 4 shows the joining of the plate, and of the two lines of rivets of Fig. 2; Fig. 3 is similarly rivetted.

Fig. 1 section of fig. 2 at larger end, full size, showing strap and rivets.

In 1809, at Ardbin, parish of Annaghclone, county Down, both joints of a very large and perfect curved bronze trumpet, or bugle-horn, were disinterred from a peat bog that had been a sheet of water about the middle of the last century. As conclusive proof of there having been a crannog in this former lake-bed, a stratum of burnt oak, a canoe scooped out of a single tree, together with four short paddles, were dug up from the peat. Of the trumpet, the remains—minutely described in the Newry Magazine for 1815—are now in the Museum, R. I. A., and in the accompanying engraving ([fig. 172]) the outside trumpet is a representation of this instrument. As may be observed, from comparison with the various other horns in the Museum, it is by far the largest of that collection, and is probably (as asserted by Wilde) the finest of its kind discovered in Europe. The trumpet is given on a larger scale in [plate XXIX.]: “it measures 8 feet 5 inches along the convex margin, and consists of two portions, each formed of very strong sheet bronze of a yellowish red colour, and joined along the seam.” It is 3½ inches wide at the open of the large end, and ⅝ at the upper; the small tube has parallel sides, and is about the size of the small extremity of the larger. By what means the two were joined together, or whether a mouth-piece was attached to the small extremity, is unknown, yet a variety of loud martial tones can be produced by the lower fragment. “The riveting of the edges in this instrument is the most perfect thing of its kind yet discovered, and is well exhibited in the accompanying cut, drawn the natural size from portions of its external and internal surfaces. The bronze strap which covers the joining on the inside is studded with small circular-headed studs, riveted on the outside, as shown in the lower section of the cut. There is no strap externally; and the perfection of the riveting has long been a subject of admiration to the curious, there being as many as 638 rivets in the lower portion.[147] By what means they were introduced throughout, or what description of mandril was employed for riveting them upon, is still subject of speculation.”[148] To judge from its size, this kind of war trumpet should give no uncertain sound. It is stated by Polybius, that on the continent “the parade and tumult of the Celts terrified the Romans, for there was amongst them an infinite number of horns and trumpets,” &c. And in describing the Celtic Gauls, Diodorus Siculus says, “they have amongst them trumpets peculiar as well to themselves as to other nations; these by inflation emit an hoarse sound well suited to the din of battle.”

Chess, &c.—In early Irish MSS. frequent mention is made of chess as a favourite amusement of the Celtic people; and in “The Dialogue of the Ancient Men”—a valuable tract contained in the Book of Lismore—there is a curious passage relating to a game of chess, the players being Finn Ban Mac Breasel, son of the king of Leinster, and Guaire Goll, one of Fionn Mac Cumhail’s chess-bearers; the wager was three ounces of gold, and the players quarrelled as usual. The passage is here given as a record of the prevalence of this game at a remote period: “And these two played for three days, and Guaire did not win one game during that time. And he threw down his wager, and insulted and abused the other man, and he said ‘he was not a servant in service, nor a vassal in vassalage, nor a hero in heroism;’ and Finn Ban raised his fist, and gave Goll a blow that brought three front teeth out of his upper jaw, and they fell together on the back of the chess board.” Another anecdote in proof of the prevalence of the game may be found in O’Curry’s Manners and Customs of the Ancient Irish; in it the scene is also laid in the pagan age, but anterior to the time of the famous Finn Mac Cumhail—[149] “It was a century before the Incarnation, that Eochaidh Airemh was monarch of Erinn, and his queen was the celebrated Edain, a lady remarkable not only for her beauty, but for her learning and accomplishments. One day that Eochaidh was in his palace at Teamair (according to this ancient story), a stranger of remarkable appearance presented himself before him: ‘Who is this man who is not known to us, and what is his business?’ said the king. ‘He is not a man of any distinction, but he has come to play a game at chess with you,’ said the stranger. ‘Are you a good chess-player?’ said the king. ‘A trial will tell,’ said the stranger. ‘Our chess-board is in the queen’s apartment, and we cannot disturb her at present,’ said the king. ‘It matters not, for I have a chess-board of no inferior kind here with me,’ said the stranger. ‘What do we play for?’ said the king. ‘Whatever the winner demands,’ said the stranger. They played then a game, which was won by the stranger. ‘What is your demand now?’ said the king. ‘Edain, your queen,’ said the stranger, ‘but I will not demand her till the end of a year.’ The king was astonished and confounded; and the stranger, without more words, speedily disappeared.” It is clear that chess is a game of great antiquity,

“Age cannot wither it, nor custom stale

Its infinite variety.”

From the crannog of Lagore was obtained a thin stone or slab of squarish form, measuring about 14 inches on either side. It presented upon its upper surface a number of squares as on a chess-board.[150] The material for this purpose, however, varied considerably, for in the “Annals of Clonmacnoise” it is stated that when Muirchertach of the leathern cloaks (who lived in the middle of the tenth century) carried off the body of Cerbhall, king of Leinster, he caused a chess-board to be formed out of his bones. Instances of utilizing the osseous remains of a dead adversary were, in ancient times, not uncommon. The old Vikings, in imitation of their gods, quaffed their ale out of goblets composed of the crania of their enemies.

Fig. 174.