It must be noticed that the serpent-mound has been so disposed that the worshipper standing at the altar would naturally look eastward, directly along the whole length of the great reptile, and across the dark lake, to the threefold peaks of Ben Cruachan. That this position was intentionally selected is evident from the fact that the three peaks are visible from no other point.
And hence arises the not wholly fanciful conjecture that the people who erected the great mound had some dim idea of the Triune character of God. The serpent was the emblem of His wisdom, as the solar circle was of His Eternal Unity; and this marked reverence for the triple-peaked mountain seems to indicate that with a knowledge of His unity was combined a recognition of His threefold manifestation.
The writer whom we have already quoted remarks that, whatever doubts may arise on speculative points, the clearly defined outlines of the great Serpent-mound of Oban are beyond dispute; though it may long prove a fertile subject for discussion, whether its serpentine, or rather, Saurian form is to be accepted as direct evidence of ophiolatry in this land, or whether we should regard it as simply the representative of some tribe,—as, in short, a Totem of some extinct British race answering to the Nagas, or snake-tribes of the East. The former supposition seems the more reasonable, when we remember that the serpent and the serpent’s egg were held sacred by the Druids. Serpent-worship prevailed in every nation of antiquity. It flourished in Greece and Rome, in Egypt and Chaldea, in Arabia and Central Asia; it extended throughout the Indian peninsula from Cape Comorin to Kashmir; it was practised in Ceylon and the islands of the eastern seas; in Mexico and Peru; throughout the whole of Africa. Passing northward, we find that it existed in Scythia and Scandinavia, as also among vast tribes near the Oural mountains and throughout Northern Europe, and particularly among the tribes on the Ob or Obi river, which owes its name, it is said, to the veneration paid to the reptile. Until the end of the fourteenth century, when Christianity was introduced, the people of Poland worshipped domestic serpents, which were allowed to run free in every house, and carefully tended, every mishap that occurred being attributed to some negligence in their service. The Lapps, the Finns, the Norwegians, the Swedes, the Danes, all fostered these strange household gods, and shared with them the children’s milk. The Vandals also kept them; some lived in hollow trees, and thither repaired the women, with their offerings of milk, as is common at the present day in Ceylon and many parts of India. Long after they had accepted the faith of Christ, the Lombards continued a form of serpent-worship, adoring, or paying homage to, a golden viper and a tree. In 663, Barbatus, Bishop of Benevento, finding the custom still observed, made a successful appeal to the worshippers to cut down the tree, and allow him to melt the golden viper into a sacramental chalice.
One of the most interesting of the supposed Serpent-temples, or dracontia, is that of Karnak. It is situated half a mile from the village of that name, in the department of the Morbihan in Brittany, and about nine miles from the picturesque town of Auray. It is also within a mile of the Bay of Quiberon.
The whole length of “the Stones of Karnak,” as the temple is called, measures, if we include its sinuosities, eight miles. The width varies from 250 to 350 feet. The highest stones are as much as seventeen feet high, and from thirty to forty feet in circumference. Vacant spaces have unfortunately been cleared by ruthless spoliators for the erection of the adjacent villages of Ploermel and Karnak, and the boundary walls of the neighbouring fields. But what toil and time must have been originally expended on its construction, we may infer from the fact that it consisted of eleven rows of stones, about ten thousand in number, of which upwards of three hundred averaged from fifteen to seventeen feet in height, and from sixteen to twenty or thirty feet in girth; one stone even measuring the huge circumference of forty-two feet.
A glance at any engraving of this famous antiquity will show that the course of the avenues is distinctly sinuous, and that it defines the figure of an enormous serpent undulating over the ground. Necessarily, however, the resemblance is more striking to one who views the original in situ. To such, the alternations of the high and low stones, regularly disposed, may seem to mark with sufficient accuracy “the swelling of the serpent’s muscles as he moves along,” though this seems rather a flight of imagination. But at all events the spectator will acknowledge the evidence of design which clearly appears in the construction of the avenues.
The Dracontium contains ten regularly defined areas; one near the village of Karnak, which is shaped like a bell or horse-shoe; the other, towards the eastern extremity, which approaches the figure of a rude circle, and is in reality a parallelogram with rounded corners.
The circle and the horse-shoe were both sacred figures in the Druidical religion, as may be seen in Stonehenge, where they are united, the outer circles enclosing inner horse-shoes. The connection between the latter symbol and the Celtic faith is not very clear, unless it be intended as a representation of the moon. It has been conjectured that from this symbol, whatever may have been its signification, arose the superstition—even not now wholly defunct—of nailing a horse-shoe over a door as a protection against evil spirits.
It is curious that at Erdeven, where the temple begins, an annual dance, descriptive of the Ophite hierogram of the circle and serpent, is still celebrated by the peasants at the Carnival. But the only tradition which survives respecting the stones is one which lingers in various parts of England where similar memorials are found, that they were originally endowed with life, and were petrified as they stand. Some of the Bretons believe they were the Roman army who pursued the centurion Cornelius on account of his conversion to Christianity, and were stricken into stone through his prayers. Others imagine that certain supernatural dwarfs erected them in a single night, and that each still inhabits the stone he reared.
Mr. Deane tells us that near the Karnak side of the dracontium rises a singular mound of great elevation, which has once been conical, and the upper portion of which is evidently artificial.[47] He regards it as analogous to the remarkable hill of Silbury, which occupies much the same position towards the Albury dracontium. Probably these mounds served as altars, on which, in conformity with the practices of the Solar worship, was kept burning the perpetual fire kindled by the sun. They are of common occurrence in Persia, and seem to be identical with “the high places” of Scripture where the priests of Baal celebrated their sacrifices. The conical mound near Karnak—which may be seen for miles around—has been consecrated by the Christians to the Archangel Michael, who is the patron saint of every height, hill, or cone, natural or artificial, in Brittany. The reason of this dedication has been conjectured to be that S. Michael is the assailant and conqueror of the spiritual Dragon of the Apocalypse. The mutilated image of that great serpent lies prostrate below the mound; and when its worshippers were converted to the religion of Christ, they naturally erected on the Solar mount a chapel consecrated to its archangelic slayer. This consecration indicates, therefore, the triumph of Christianity over Ophiolatry; and it is but consistent, says Deane, that the people who allegorised the conversion of the Ophites by the metaphor of a victory over serpents, should, in token of the victory, erect upon the high places of idolatry chapels to the great Archangel.