But how can a thought be both false and true? Nothing is easier than to explain the seeming contradiction. We shall return to it hereafter, after we have indulged in some indispensable digressions.
Orion.
One of the finest and loftiest flights of Longfellow's imagination is to be found in his poem on the occultation of Orion. He has seldom, if ever, sounded a more vigorous strain. After alluding to that music of the spheres which Pythagoras dreamed of, and which Shakespeare has described in a passage of great beauty, he continues:—
"Beneath the sky's triumphal arch
This music sounded like a march,
And with its chorus seemed to be
Preluding some great tragedy.
Sirius was rising in the east;
And, slow ascending one by one,