From our Spring posy the delicate Anemones must not be omitted. More than twenty species are cultivated in Great Britain, and I hardly know to which I would give the preference. They are called by that most unmeaning term, "florist's flowers," and from the attention bestowed upon them, the cultivated varieties have been greatly improved. But you and I, dear reader, will go forth into the "wild woods," and enjoy the rich gifts of nature untampered by horticultural science. It is towards the end of March that the wood anemone (Anemone nemorosa) begins to expand its graceful leaves and snow-white buds to the stray sunbeams that force their way through the embowering branches of stately elms and spreading beeches, and in April it has attained its full glory, contributing largely to the beauty and the show which then embellish the forest glade. Snow-white, and faint rose-red, and soft delicate lilac,—these are the prevailing hues of its tender petals.
It is said that the wood anemone never blossoms earlier than March 16, and never later than April 2. It opens out its loveliness to the sun about the same time as the swallow returns from the genial South to our land of pleasant verdure. Country children associate it with the appearance of the cuckoo, and call it the "cuckoo flower," but the "wandering voice" is later than the woodland blossom in its welcome to the spring.
Why is it called Anemone? Of course, the English name is derived from the Greek άνεμος, "wind;" but what connexion is there between the wind and the flower? Credulous old Pliny asserted that it never bloomed except when the wind blew. Some of our botanical writers explain that it shivers and bends before the winds of March and the breezes of April. Others remind us that though generally found in the shelter of the groves, it will thrive lustily in windy and exposed localities. But I suspect the true reason of the name is its peculiar sensitiveness to atmospheric changes. As a foreteller of the storm it is not less trustworthy than a barometer, never failing to fold up its exquisite petals when the winds are gathering over the distant hills.
Our plant is considered injurious food for cattle; and it was on account of its unwholesome properties, perhaps, that the Egyptians regarded it as an emblem of sickness; or the idea may have been suggested by its frail and feeble appearance.
The yellow wood anemone is a rare and beautiful variety, which I have sometimes met with among the chalky downs of Kent. Its botanical designation is Anemone ranunculoides.
A still richer species is the Anemone pulsatilla, or Pasque Flower Anemone; a silky downy plant, easily recognised by its blossom of glowing purple. The blue mountain anemone (Anemone Apennina) is only to be found, as its name indicates, on the bold rugged sides of lofty mountain-heights.
The Anemones belong to a very important order,—the Ranunculaceæ, or Crowfoot family,—which is divided into five sub-orders: 1. Clematidæ; 2. Anemoneæ; 3. Ranunculaceæ; 4. Helliboreæ; and 5. Actœæ, or Pœniæ. Linnæus distinguishes forty-one known genera, comprising a thousand species. There are nine British genera of Anemoneæ.
In Drayton's "Poly-Olbion" occurs a rich descriptive passage,—an exquisite "flower-piece,"—which, on account of its beauty, deserves to be better known, and more frequently quoted. The poet is enlarging upon the floral rites which were celebrated at the espousals of the rivers Thame and Isis, and sets before us a bright bevy of Nymphs and Naiads; engaged in twining "dainty chaplets" to deck the persons of the bride and bridegroom. The stalwart Thame,—so it seems to them,—should not be "dressed with flowers to gardens that belong," but with blossoms plucked from his own meads and pastures. As most of those selected are fit for a spring-time nosegay, we may well enrich our pages with quaint old Drayton's enumeration of them:—
"The Primrose placing first, because that in the Spring