Studies in Modern Music, Second Series / Frederick Chopin, Antonin Dvořák, Johannes Brahms

by W. H. Hadow

[175];
early training, [176];
recalled from school, [176];
first composition, [178];
enters the organ school at Prague, [179];
difficulties, [180];
appointment in the orchestra of the Interimstheater, [188];
compositions during his second period of study, [190], [191];
first opera, [191]-[193], [194]-[196];
Heirs of the White Mountain, [193];
appointed organist of St Adalbert's, [194];
marriage, [194];
second and third operas, [196], [197];
symphony in F, [197];
applications to the Austrian Kultusministerium, [198], [199], [200];
resigns his post at St Adalbert's, [198];
Stabat Mater, [199];
relations with Brahms, [200];
Slavische Tänze, [200], [201];
the Cunning Peasant, [201];
publication of early works, [202];
Husitska and Tyl, [203], [204];
Dimitrij, [294];
first visit to England, [205];
Spectre's Bride, [206];
St Ludmila, [206], [207];
instrumental compositions and songs, [207];
Jakobin, [207], [208];
decoration from Austrian Court, [208];
doctorate at Cambridge and Prague, [208];
Requiem, [208];
appointment at New York, [208], [209].
Dvořák as composer. National element, [215];
exceptions, [216];
use of scale, [216]-[219];
form, [219], [220];
Dumka and Furiant, [220], [221];
orchestration, [222];
relation to classical style, [224], [225].
Dvořák, illustrations from, [20], [21], [33], [60], [62], [64], [160].
Dvořák, Frantisek, [174];
Josef, [179];
Adolf, [179];
Karel, [179].
Dziewanowski, [119].
E.
E minor Concerto (Chopin), [105], [109], [115], [117], [119].
Edinburgh, [144].
Ehrlich, Dr, [235], [237], [248].
Eighth Symphony (Beethoven), [32], [64], [288].
Eine Kapitulation, [262].
Elegies (Dvořák), [298], [221].
Elijah, the, [206].
Elsner, [86], [87], [91], [96], [99], [100], [105], [110], [117], [118], [233].
Emotional element in music, [21]-[23], [26]-[32].
Emperor Concerto, [43], [286].
Endymion, [157].
England, Chopin in, [123], [143];
Dvořák in, [205]-[208].
Epstein, [251].
Eroica Symphony, [22], [33], [43], [55], [184], [300].
Esser, [250].
Études (Chopin), [60], [105], [119], [120], [135], [136], [158], [160], [161], [166].
Euripides, [53], [88].
Eurydice, [187].
Exposition, [52].
F.
F major Symphony (Dvořák), [197];
(Brahms), [285], [297].
F minor Concerto (Chopin), [105], [106], [123].
F minor Quintett (Brahms), [255], [256], [301].
Faculties of musical appreciation, [13]-[15].
Faust (Berlioz), [21];
(Gounod), [42];
(Goethe), [101], [259].
Feldeinsamkeit, [269], [298].
Félix Meritis, [122].
Ferdinand, Emperor, [182].
Fernando Cortez, [94].
Fes Moll, [219].
Fétis, [83], [118].
Feuilles d'Automne, [213].
Field, [120].
Fifth Symphony (Beethoven), [22], [43], [57].
Filtsch, [135].
Florentine Revolution, [44], [216], [278].
Florence, [217].
Florestan, [94], [122].
Flying Dutchman, [180].
Fontana, [92], [93].
Fortuny, [177].
Franchomme, [117], [137], [139].
Franco-Prussian War, [262].
Frank, Dr, [17].
Fraser's Magazine, [270].
Freitag, [270].
Freude, [265].
Frogs, the, [62].
Function in music, [58], [63]-[69].
Furiant, [175], [220].
G.
G major Sestett (Brahms), [256], [257].
G minor Quartett (Brahms), [249], [252], [300].
G minor Quintett (Mozart), [39].
G minor Trio (Chopin), [60], [93], [96], [119].
Gabrielis, the, [45], [278].
Gainsborough, [212].
Galicia, [97].
Gallenberg, Count, [97].
Gautier, [11], [17], [134].
Gazette Musicale, [263].
Gebir, [73].
Germany, [122], [152], [157], [200], [217], [232], [235], [239], [242], [243], [245], [259], [267], [269].
German Requiem, [258], [259], [260], [262], [265], [272], [284].
Gesang der Parzen, [269].
Gesellschaft der Musikfreunde, [251], [253], [258], [263].
Gewandhaus, [240], [243], [244].
Gladkowska, Constance, [102], [107], [108].
Glasgow, [144].
Goethe, [43], [212], [259], [260], [303].
Goldmark, [18], [250], [264].
Göttingen, [235], [237].
Gothenburg, [185].
Gounod, [42].
Graff, [105].
Gray, [81].
Greek music, [274], [276].
Grieg, illustrations from, [41], [42], [47], [62], [66], [160], [218].
Grillparzer, [251].
Grün, [251].
Gutmann, [135], [138], [140], [145].
Gyrowetz, [81], [87], [98].
H.
Hálek, [184], [193].
Hamburg, [231], [233], [234], [235], [244], [245], [246], [265], [271].
Hammerclavier Sonata, [53], [63], [67], [287].
Hancke, [176], [178].
Handel, illustrations from, [19], [80], [94], [207], [208], [231], [264], [285].
Hanover, [234], [237].
Hanslick, Dr, [251], [254].
Haslinger, [97].
Hausmann, [273].
Haworth, [85].
Haydn, illustrations from, [46], [47], [48], [54], [55], [67], [80], [143], [223], [253], [264], [271], [280], [285].
Hegel, [10], [161].
Heide, [231].
Heine, [38], [82], [121], [126], [134], [212], [259].
Heinrich, [183]-[184].
Heirs of the White Mountain, [193], [202].
Heller, [107].
Helm, Dr, [262].
Hellmesberger, [251], [252], [253], [257], [266].
Herbeck, [250].
Herbstgefühl, [260].
Herold, [119].
Herz, [119], [158].
Hiller, [116], [118], [120], [151].
Histoire de ma vie, [127], [138].
Holderlin, [262].
Holland, [261].
Homer, [7].
Hoole, [35].
Horn Trio (Brahms), [256], [289], [298].
Hôtel Rambouillet, [133].
Hugo, Victor, [28], [64], [212], [254].
Humboldt, A. von, [95].
Hummel, [96].
Hungarian dances, [261], [266].
Hunten, [153].
Husitska, [203], [222].
Hymns Ancient and Modern, [41].
I.
I attempt from Love's sickness to fly, [47].
Im wunderschönen Monat Mai, [19].
Impromptus (Chopin), [129], [135], [158].
Imogen, [68].
Indiana, [142].
Inductive method in science, [1]-[4];
in art, [6]-[8];
in music, [8]-[9].
Instrumental music, influence on polyphony, [284].
Interimstheater, [187], [188].
Intermezzo, [290].
Intuitive reason, [10]-[12].
Ischl, [267], [269].
Italia, [193].
Italian opera-house (Paris), [120], [121].
Italy, [92], [102], [110], [115], [152], [183], [217], [265].
J.
Jakobin, [207], [208].
James, Henry, [128], [142].
Jane Eyre, [71].
Jarocki, Dr, [94], [95].
Je vends des scapulaires, [119].
Joachim, [236], [237], [255], [257], [259], [266].
John Hielandman, [47].
Josquin, [277].
Jourdain, M., [71].
Journal des Goncourt, [23], [127].
Judith, [62].
Judenthum in der Musik, das, [243].
Jupiter Symphony, [285].
K.
Kalisz, [111].
Kalkbrenner, [90], [117], [118], [119].
Karasowski, [83], [89], [95], [105], [114], [125], [139], [140].
Kärnthnerthor Theatre, [97], [114], [250], [251].
Keats, [35], [71], [157], [177].
Kéler Béla, [261].
Kinderscenen, [49].
King and Collier, [192], [195], [215].
Kirchner, Theodor, [246], [248], [255].
Klengel, [100].
Kolberg, Wilhelm, [91], [93].
Kossel, [232].
Krakowiak, [96], [98], [119], [152].
Kralup, [173], [175].
Krebs, [234].
Krehbiel, H. E., [199].
Kreutzer Sonata, [236].
Krzyzanowska, Justina, [83].
Kuntzsch, [233].
L.
La ci darem, variations on, [93], [97].
Labiche, [296].
Lachner, [98].
Lamb, Charles, [17], [98], [121].
Lamennais, [134].
Lanner, [114].
Lassus, [40].
Laub, [251].
Le roi s'amuse, [64].
Lear, [68], [296].
Lee, Nat, [35].
Leech, [20].
Leeds Festival, [206].
Legenden, [202], [218].
Lehmann, [95].
Leipsic, [122], [123], [217], [240], [243], [244], [246], [255], [261], [267], [270].
Leipsiger Signalen, [244].
Lenore, [29], [206].
Leopardi, [128], [155], [193].
Liebeslieder, [260].
Liebestreu, [233].
Liehmann,

[176].
Lipinski, [107].
Lippe Detmold, [242], [245].
Liszt, [83], [86], [87], [92], [118], [133], [136], [140], [167], [168], [214], [220], [237], [238], [241], [248], [285].
Lobgesang, [40].
Lobkowitz, Prince, [174].
London, [123], [143], [144], [205].
Lorraine, [85].
Lucrezia Floriani, [139], [140], [141].
Lui et Elle, [128].
Lulli, [209].
Lydian Mode, [154].
Lysberg, [135].
M.
Macfarren, Sir George, [29], [30], [272].
Macaulay, [257].
Madeleine, the, [145].
Magelone, [255], [260].
Majorca, [129]-[131].
Malfatti, Dr, [114].
Malherbe, [185], [186].
Malibran, [117].
Malvezzi Theresa, [128].
Manchester, [144].
Mannheim, [255].
Marienbad, [122], [123].
Marienlieder, [247].
Marliani, Mdme., [133].
Marseilles, [132].
Marsyas, [97].
Marxsen, [232], [233].
Mathias George, [135].
Matthew Arnold, [125], [126], [139], [149], [216]
Mazurkas (Chopin), [91], [119], [136], [137], [152], [153], [154], [161], [167].
Meine Liebe ist Grün, [295].
Meiningen, [269].
Meistersinger, [192], [254].
Mendelssohn, illustrations from, [31], [40], [63], [64], [87], [95], [113], [118], [120], [122], [149], [168], [207], [219], [243].
Merimée, [79].
Messiah, the, [11], [51], [80], [206].
Meyerbeer, [28], [136].
Mickiewiez, [133].
Michael Angelo, [43], [168], [282].
Mikuli, [135].
Milan, [110].
Millet, [213].
Milton, [35], [43], [113], [157], [296].
Minuet (Haydn), [48]; (Mozart), [49].
Missa Papæ Marelli, [57], [277].
Monteverde, [19], [44].
Moravian duets, [200].
Moresca, [44].
Morlacchi, [101].
Morland, [212].
Mors et Vita, [42].
Moscheles, [119], [158], [164].
Mozart, illustrations from, [17], [39], [47], [49], [67], [79], [80], [87], [97], [123], [132], [156], [192], [223], [247], [253], [280], [284], [288].
Munich, [115], [265].
Music, inductive method in, [8], [9];
intuitive reason in, [11], [12];
sensuous element in, [15]-[20];
emotional element, [21]-[23];
rational element, [23]-[25];
emotional basis, [26]-[32];
style, [35]-[43];
structure, [44]-[56];
function, [58], [63]-[69];
national element, [210]-[216];
the five landmarks, [276]-[282].
Myslivecek, [183].
N.
Nänie, [269].
Natal, [235].
Neckereien, [255].
Nelahozeves, [173].
Neue Berliner Musikzeitung, [241].
Neue Zeitschrift, [232], [239], [246].
New Bohemian Theatre, [202].
New York, [208].
Niecks, Professor, [108], [121], [127], [139], [145].
Niederrheinische Musikfest, [120].
Nissen Johanna, [231].
Nocturnes (Chopin), [60], [93], [119], [123], [136], [137], [154], [158], [161], [162], [163], [167].
Nohant, [129], [132], [133], [134], [137], [140], [142].
Novotny, [195].
Numa Roumestan, [141].
Nun danket alle Gott, [41].
O.
Odyssey, [74].
Offenbach, [296].
Oldenburg, [255].
Omar Khayyam, [39].
Orfeo, [44].
Organism in music, [33];
in melody, [38];
in harmony, [40];
in style, [41];
in structure, [44]-[55].
Othello, [69].
Oxford, [182], [267].
P.
Paër, [116].
Paganini, [96], [255].
Palestrina, illustrations from, [40], [168], [275], [278], [281].
Paradise Lost, [296].
Paris, [87], [102], [106], [110], [115], [116], [118]-[123], [125], [131], [133], [134], [140], [143], [144], [145], [146], [182], [183], [213], [217], [257].
Parry, illustrations from, [46], [62], [283].
Pasta, [107], [117].
Pater, [36].
Pathétique, Sonata, [39], [47], [51].
Pauline, [233].
Peer Gynt, [42].
Penzing, [254].
Père la Chaise, [146].
Pericles, prologue to, [51].
Perpignan, [129].
Persius, [79].
Philharmonic (Vienna), [262], [265].
Pierret, [126].
Pixis, [100].
Platen, Count, [237].
Plato, [12], [59], [230], [276].
Pleyel, [120], [135].
Poe, [29].
Poland, [83], [84], [110], [116], [152].
Polonaises (Chopin), [93], [105], [123], [131], [136], [158].
Polonaise-Fantasie, [137].
Portraits Contemporains, [126].
Posen, [93], [96].
Prague, [99], [100], [111], [175], [179], [184], [187], [188], [191], [196], [198], [203], [208].
Preludes (Chopin), [131], [136], [156], [158], [166].
Pressnitz, [175].
Prince Karol, [139], [141].
Prince of Venosa, [19].
Purcell, [47].
Q.
Quartetts (Dvořák), [197], [208], [224].
Quartetts (Brahms), [247], [249], [252], [253], [255], [260], [264], [266], [285], [291], [309], [302].
Quintetts (Dvořák), [190], [207], [220], [221].
Quintetts (Brahms), [255], [271], [291], [297], [300], [301].
R.
Racine, [254].
Radziwill, Prince, [92], [96], [105], [110].
Raff, [266].
Rameau, [31], [47], [279].
Ramorino, [116].
Ranz des Vaches variations, [90].
Raphael, [7].
Rasoumoffsky Quartetts, [43], [51], [55], [258].
Raven, Poe's essay on, [29].
Redemption, the, [42].
Reicha, [183].
Reinecke, [270].
Rellstab, [120].
Reményi, [235], [236], [237], [238].
Requiem (Dvořák), [20], [60], [208], [223];
(Mozart), [145].
Reynolds, [202].
Rhapsodies (Dvořák), [202], [222];
(Brahms), [260], [266].
Richter, [251], [265], [272].
Rieter-Biedermann, [246], [261].
Rinaldo, [260].
Rizner, [261].
Romantic movement in music, [53], [155], [233], [280], [281], [283], [284]-[286].
Rome, [213].
Romeo and Juliet, prologue to, [51].
Rondo, growth of, [46]-[47];
Chopin's in C minor, [91], [93].
Roskosny, [191].
Rossini, [64].
Rouen, [129].
Rubinstein, [243], [264].
Rue Pigalle, [133].
Ruskin, [30].
Russia, [83], [84], [106], [113]-[116], [260].
S.
Sadowa, [188], [263].
St Adalbert, church of, [194], [198].
St Cæcilia (Handel), [94].
St Ludmila, [206], [207], [216].
Sainte Beuve, [126], [134].
Samberk, [203].
Sand, George, [102], [121]-[127], [129], [131], [133], [136]-[142], [144].
Sand, Maurice, [129], [137], [138], [142].
Sand, Solange, [129], [138], [144].
Sappho, [79].
Sartoris, Mrs, [144].
Saul, [94], [264].
Scarlatti, [31], [279].
Schadow, [120].
Scherzos (Chopin), [123], [129], [136], [153].
Scherzo Capriccioso, [220].
Schicksalslied, [62], [70], [262], [263], [297].
Schönbüchel, [183].
Schubert, illustrations from, [33], [80], [114], [132], [201], [214], [247], [249], [250], [252], [260], [270], [284], [297].
Schubring, Dr, [235].
Schumann, illustrations from, [19], [31], [39], [53], [54], [57], [72], [93], [107], [120], [122], [123], [149], [152], [154], [156], [165], [168], [232], [233], [237], [239], [240], [241], [244], [246], [250], [285], [286], [290], [291], [297].
Schumann, Madame, [122], [255], [259].
Schuppanzigh, [98].
Scott, [206], [219].
Scudérys, the, [133].
Sebor, [191].
Sensuous element in music, [15]-[20].
Serenades (Brahms), [245], [246], [253], [255].
Serenade Trio, [221].
Sestetts (Dvořák), [202];
(Brahms), [247], [253], [256], [257].
Seyfried,

[114].
Shakespear, illustrations from, [7], [35], [43], [51], [67], [68], [106], [168], [281], [301], [303].
Shelley, [13], [71], [82], [122], [168].
Simrock, [200], [202].
Singakademie (Berlin), [94], [95];
(Vienna), [255].
Skarbeks, the, [83], [84].
Slavik, [115].
Slavische Tänze, [200], [205].
Smetana, [185], [186], [187], [191], [192], [196], [215], [221].
Soldatenlieder, [258].
Sommerabend, [269].
Sonatas (Chopin), [93], [136], [137], [138], [143];
(Dvořák), [202];
(Brahms), [233], [240], [256], [266], [270], [271].
Sonata form, growth of, [44]-[56], [286]-[291].
Sonntag, Henrietta, [107].
Sophocles, [35], [301].
Spectre's Bride, the, [206], [207], [216], [219], [223].
Spencer, Herbert, [26].
Spitz, [176].
Spohr, [149].
Spontini, [95].
Spring song, [152].
Stabat Mater (Rossini), [64];
(Dvořák), [199], [202], [205], [223].
Stary, [194].
Sleeker, Dr, [191].
Stevenson, R. L., [252].
Strauss, [31], [39], [114], [250], [260].
Structure in music. 44-[56], [286]-[291].
Stubborn Heads, the, [196].
Stuttgart, [115], [269].
Style in music, [35]-[43], [298]-[302].
Suvorov, [84].
Symphonie Fantastique, [32].
Symphonies (Dvořák), [190], [194], [197], [198], [202], [207];
(Brahms), [265], [269], [270], [284], [290], [297].
Szafarnia, [90].
T.
Tacitus, [272].
Tannhäuser, [195].
Tellefsen, [135], [143].
Tennyson, [35].
Teplitz, [100].
Thalberg, [114], [158].
Thirty Years' War, [182].
Tieck, [255].
Tilly, [182].
Tintoret, [282], [294].
Titian, [12], [43], [157], [282].
Treitschke, [270].
Trios (Chopin); 93, [96], [119];
(Dvořák), [198], [200], [207], [208];
(Brahms), [42], [255], [267], [272].
Triple Concerto (Beethoven), [243].
Tristan, [21], [57], [254], [296].
Triumphlied, [262], [263].
Tyl, [184], [203].
U.
Uhland, [151].
Une contemporaine; 124, [138].
V.
Valdemosa, [129]-[132].
Valentine, [142].
Vanda, [196].
Velasquez, [43].
Verdi, [270].
Vergebliches Ständchen, [269].
Verrath, [295].
Vicar of Bray, [46].
Vienna, [80], [83], [97]-[100], [102], [105], [110], [111], [113], [114], [187], [198]-[200], [245], [249], [250], [251], [254], [255], [257], [258], [262], [263], [265], [269].
Villon, [79].
Vineta, [255].
Vivaldi, [279].
Virgil, [35].
Voiture, [133].
Volkmann, [250].
Volkslieder, [11], [38], [46], [214], [215], [221], [233], [279].
Von ewiger Liebe, [260], [299].
W.
Wagner, [18], [40], [143], [187], [192], [216], [230], [234], [239], [248], [254], [281].
Waldstein, the, [43].
Waltzes (Chopin), [115], [122], [136], [158].
Warsaw, [80], [83], [84], [89], [90], [92], [94], [96], [97], [99]-[102], [105]-[110], [113].
Warsaw Courier, [90].
Weber, [101], [195], [299].
Wechsellied zum Tanze, [255].
Weimar, [87], [237]-[239], [241].
Wermuth, [238].
White Mountain, battle of the, [182].
Wie bist du meine Königin, [255], [297].
Wiecks, the, [122].
Wiegenlied, [260].
Wiener Theaterzeitung, [100].
Wiertz, [35].
Winterthur, [246], [248], [257].
Wodzinskis, the, [121], [122].
Worcester, [205].
Wordsworth, [27], [212], [269], [296].
Woyciechowski, [102], [104], [111], [113].
Würfel, [97].
Z.
Zelazowa Wola, [83].
Zelter, [95].
Zigeunerlieder, [207], [223].
Zlonic, [176].
Zurich, [243], [246], [248], [255], [257], [269].
Zywny, [85], [100].

THE END

Colston & Coy. Limited, Printers, Edinburgh

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BY THE SAME AUTHOR

STUDIES IN MODERN MUSIC. First Series. Hector Berlioz, Robert Schumann and Richard Wagner. With Five Portraits. Fifth Edition. Price 7s. 6d., cloth.

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