| First Part. | Second Part. | Third Part. |
| (a) Melody in A major. | (a) New episode in B minor. | (a) Repetition of first melody in A major. |
| (b) Melody in E major. | (b) The same repeated in A minor. | (b) Repetition of second melody in A major. |
| (c) New cadence-phrase to dominant of A. |
| Prologue or Introduction. | First Canto or Exposition. | Second Canto or Development Section. | Third Canto or Recapitulation. | Epilogue or Coda. |
| None | (a) First Subject in G major (bars 1-8). | (a) Treatment of First Subject, G minor to B flat major (bars 64-73). | (a) First Subject in G major (bars 124-131). | Final reminiscence of First Subject (bars 187-199). |
| (b) Transition modulating to D major (bars 9-25). | (b) Treatment of Second Subject in B flat major (bars 74-80). | (b) Transition extended so as to lead back to G major (bars 132-151). | ||
| (c) Second Subject, consisting of four sections, in D major (bars 26-63). | (c) Treatment of First Subject in A flat, G minor, F minor and E flat (bars 81-106). | (c) Second Subject in G maj. (bars 152-186). | ||
| (d) New Episode on dominant pedal of G, and anticipation of First Subject (bars 107-123). |
Transcriber's Notes
Both "Dvořàk" and "Dvoràk" were used in this text; both have been changed to "Dvořák". Similarly, on page 174, "Pàn" was changed to "Pán", and "Frantisek" to "František".
On Page 119, a footnote marker was added to the text (don't care for money.'[21])
Many other variant and alternative spellings have been preserved, except where obviously misspelled in the original or where one spelling was more common in the main text. Obvious punctuation and formatting errors have also been corrected.
The illustrations have been moved so that they do not break up paragraphs and so that they are next the text they illustrate. Thus the page number of the illustration might not match the page number in the List of Illustrations.
There are five musical examples: the footnote referring to each has links to the musical notation (Example A); a midi file ([Listen]); and and a MusicXML file ([XML]), which can be viewed in most browsers, text editors, and music notation applications.
The printed text contained duplicate headings for each division (before and after each epigraph); in each case the latter instance has been removed.