The Strife of the Roses and Days of the Tudors in the West

by W. H. Hamilton Rogers

Were it possible to take a stranger into the cathedral, and, ignorant of its existence, place him under the spire, the wildest flight of imagination could not conjure within his mind the possibility of the existence of the noble finial that rises above his head. The piers of the arches on which it rests afford no clue, and although somewhat larger than those near them, are nevertheless so comparatively slender that they would attract no notice unless carefully pointed out, and then a glance outside, and another survey within would startle him into an almost awe-struck realization of the consummate boldness that planned, and ability that carried to completion, this wonderful afterthought, and impress him that there were indeed giants in architectural resource, even in those "dark days," as we are sometimes pleased to call them.

Another and most distinguished charm too, finds striking witness at Salisbury. Its chaste and simple grandeur has fairly put to the rout the modern decorator, with his paint-pots and gold leaf,—that sturdy and well-patronized defacer of the real, with the garniture of the cheat. No room for him here, or but scant and in soberest guise, and his meretricious attractions are met everywhere with the declaration mirrored in the gleaming Purbeck, or nestling in the ghost-like shadows that haunt the deep-cut foliage that crowns it,—there is no beauty like reality.

Thus much for our short survey of the stately fabric. Our next inquiry is, what is the special purpose of our visit to-day—where is the object we are in search of? It is for the memorial of one of those half-courtier, half-soldier chieftains, so many of whom threw their fortune in with his, and afterward found distinguished place and occupation at the Court and government of the first Tudor king. Where shall we find it? With a sort of shudder we take a survey of the assemblage of monuments lying so regularly and suspiciously disposed, in lines under the arches of the nave. In the long array we note effigies of templars, bishops, and knights—interposed here and there with brassless stones—reclining for the most part on nondescript-looking tombs, composed of heterogeneous and patchwork materials, having little or no relationship apparently to the figures they support. Instantly we apprehend in its fullest sense, the sacrilegious barbarism of Wyatt, who removed almost the whole of them from their original places in other parts of the edifice, to their present incongruous positions, making up the tombs piecemeal from such fragments out of the general destruction, as happened to fit, or be available,—probably the most deplorable desecration of its kind to be found in the annals of archæological record, and which we wish we could not further think of.

Singularly, almost uniquely rich was this cathedral in tombs of every age, before this ruthless resurrectionist and invader of sepulchres was let loose therein, toward the close of the last century to wreak his fury. Dowsing was almost a hero in desecration, compared with the callous and equally destructive energies of Wyatt, for while the fanatic iconoclast had that fiercest of all flames, ignorant bigotry, to urge him on, it was left to the 'cultivated' imagination of one, who aspired to be thought an architect and man of taste, to set himself up as a rival in the detestable business of spoliation, and scarce any escaped him from the Founder downward, for Bishop Poore was meted out the same fate, impartially as others.

Emerging from under the modern brass screen that separates the choir from the nave, slowly we pass down the south aisle. There, is the beautiful effigy of William Longspée, the first Earl of Sarum, son of Henry II. and fair Rosamond, reclining on his glorious tomb, once covered with exquisite mosaic work, the embossed lions on his enamelled shield, chafing at the indignity of their master having been ousted from his olden station of honour in the Lady Chapel,—Bishop de la Wyle the founder of St. Edmund's Collegiate Church in this city at the close of the thirteenth century,—the tomb of the unfortunate Lord Stourton of murderer's fame and silken halter,—the martial proportions of the second Lord Hungerford, brought hither from the demolished Chantry erected by his wife the last Bottreaux, on the north side of the retro-choir,—next, the tomb of Bishop Beauchamp, the "Wykeham of his age" (for he superintended the building of St. George's Chapel at Windsor Castle), taken from his beautiful Chantry, that once had place opposite to Lady Hungerford's; and following him, the interesting effigies of two other early and distinguished Bishops, Roger, and Joceline, A.D. 1184, and brought from old Sarum! The face of Bishop Joceline, although so old and denuded, still exhibits the marvellous placidity of sleep, all the more so from the partial effacement of the features, but displaying an effect no modern sculpture could imitate.

But he whom we seek is not found among this long succession of departed greatness, and we carefully proceed with our investigation up the north aisle.

Here the first we meet with, is the unique and mysterious "Boy Bishop,"—lying at length and much denuded beneath his protective iron grating. Then we pass two "unappropriated" tombs, and next a mail-clad effigy said to be William Longspée, second Earl of Salisbury, son of the William on the other side,—then a fine figure of a knight in bascinet and surcoat, John de Montacute, with fortunately a considerable portion of the original tomb below him. Whom does this desolate-looking pair of brassless stones, side by side record, with indent of man and wife still apparent on them? Ah! the emblem powdered on the stone,—the harvest sickle,—unravels their story, and a feeling of sadness pervades us, as we recognize in them the memorials that once covered the dust of Walter, the first Lord Hungerford—father of Robert on the opposite side—and Katharine Peverel his wife, shifted here about a century since, as an inscription on them informs us, "by Jacob C. Radnor," when he removed the beautiful iron-work Chantry in which they originally had appropriate place, and carried it away to the east end of the choir to do duty as a 'family pew.'

There is but one more effigy, you say,—as we turn from this last memorial of the long sequence of departed and 'translated' worthies—and that must be him whom we seek. A glance at the tall armoured figure immediately assures us that he is found, Sir John Cheney, Baron of that name; and a stout adherent of the first Tudor sovereign, Henry VII.

The family of Cheney, as we have previously noted,[26] was a wide spreading one in the south of England, and, according to Burke, derived their descent from a common ancestor, Ralph de Caineto, who came to England with the Conqueror.

Sir John, of the monument before us, was of Kentish extraction. William, the son of Sir Alexander Cheney, married Margaret, daughter and heir of Sir Robert de Shurland, of Shurland in the parish of Eastchurch, in the Isle of Sheppey. He died 8 Edward III., 1333, leaving issue Robert, who left issue Sir Richard of Shurland, who married Elizabeth, daughter of Robert Cralle, of Cralle, Sussex, by whom he left two sons, William of Shurland, and Richard of Cralle.