A Crystal Age

by W. H. Hudson

I started up, turning very red in the face, for I did not wish to trouble him with questions, yet was at a loss to know what he meant by leading. I thought of several things—whist, evening prayers, dancing, etc.; but being still in doubt, I was compelled to ask him to explain.

"Will you lead the singing?" he returned, looking a little surprised.

"Oh yes, with pleasure," said I. There being no music about, and no piano, I concluded naturally that my friends amused themselves with solo songs without accompaniment of an evening, and having a good tenor voice I was not unwilling to lead off with a song. Clearing my rusty throat with a ghrr-ghrr-hram which made them all jump, I launched forth with the "Vicar of Bray"—a grand old song and a great favorite of mine. They all started when I commenced, exchanging glances, and casting astonished looks towards me; but it was getting so dusky in the room that I could not feel sure that my eyes were not deceiving me. Presently some that were near me began retiring to distant seats, and this distressed me so that it made me hoarse, and my singing became very bad indeed; but still I thought it best to go bravely on to the end. Suddenly the old gentleman, who had been staring wildly at me for some time, drew up his long yellow robe and wrapped it round his face and head. I glanced at Yoletta, sitting at some distance, and saw that she was holding her hands pressed to her ears.

I thought it about time to leave off then, and stopping abruptly in the middle of the fourth stanza I sat down, feeling extremely hot and uncomfortable. I was almost choking, and unable to utter a word. But there was no word for me to utter: it was, of course, for them to thank me for singing, or to say something; but not a word was spoken. Yoletta dropped her hands and resumed her work, while the old man slowly emerged with a somewhat frightened look from the wrappings; and then the long dead silence becoming unendurable, I remarked that I feared my singing was not to their taste. No reply was made; only the father, putting out one of his hands, touched a handle or key near him, whereupon one of the brass globes began slowly revolving. A low murmur of sound arose, and seemed to pass like a wave through the room, dying away in the distance, soon to be succeeded by another, and then another, each marked by an increase of power; and often as this solemn sound died away, faint flute-like notes were heard as if approaching, but still at a great distance, and in the ensuing wave of sound from the great globes they would cease to be distinguishable. Still the mysterious coming sounds continued at intervals to grow louder and clearer, joined by other tones as they progressed, now altogether bursting out in joyous chorus, then one purest liquid note soaring bird-like alone, but whether from voices or wind-instruments I was unable to tell, until the whole air about me was filled and palpitating with the strange, exquisite harmony, which passed onwards, the tones growing fewer and fainter by degrees until they almost died out of hearing in the opposite direction. That all were now taking part in the performance I became convinced by watching in turn different individuals, some of them having small, curiously-shaped instruments in their hands, but there was a blending of voices and a something like ventriloquism in the tones which made it impossible to distinguish the notes of any one person. Deeper, more sonorous tones now issued from the revolving globes, sometimes resembling in character the vox humana of an organ, and every time they rose to a certain pitch there were responsive sounds—not certainly from any of the performers—low, tremulous, and Aeolian in character, wandering over the entire room, as if walls and ceiling were honey-combed with sensitive musical cells, answering to the deeper vibrations. These floating aerial sounds also answered to the higher notes of some of the female singers, resembling soprano voices, brightened and spiritualized in a wonderful degree; and then the wide room would be filled with a mist, as it were, of this floating, formless melody, which seemed to come from invisible harpers hovering in the shadows above.

Lying back on my couch, listening with closed eyes to this mysterious, soul-stirring concert, I was affected to tears, and almost feared that I had been snatched away into some supra-mundane region inhabited by beings of an angelic or half-angelic order—feared, I say, for, with this new love in my heart, no elysium or starry abode could compare with this green earth for a dwellingplace. But when I remembered my own brutal bull of Bashan performance, my face, there in the dark, was on fire with shame; and I cursed the ignorant, presumptuous folly I had been guilty of in roaring out that abominable "Vicar of Bray" ballad, which had now become as hateful to me as my trousers or boots. The composer of that song, the writer of the words, and its subject, the double-faced Vicar himself, presented themselves to my mind as the three most damnable beings that had ever existed. "The devil take my luck!" I muttered, grinding my teeth with impotent anger; for it seemed such hard lines, just when I had succeeded in getting into favor, to go and spoil it all in that unhappy way. Now that I had become acquainted with their style of singing, the supposed fib, about which there had been such a pother, seemed a very venial offense compared with my attempt to lead the singing. Nevertheless, when the concert was over, not a word was said on the subject by any one, though I had quite expected to be taken at once to the magisterial chamber to hear some dreadful sentence passed on me; and when, before retiring, anxious to propitiate my host, I began to express regret for having inflicted pain on them by attempting to sing, the venerable gentleman raised his hands deprecatingly, and begged me to say no more about it, for painful subjects were best forgotten. "No doubt," he kindly added, "when you were lying there buried among the hills, you swallowed a large amount of earth and gravel in your efforts to breathe, and have not yet freed your lungs from it."

This was the most charitable view he could take of the matter, and I was thankful that no worse result followed.

Chapter 10

At length the joyful day arrived when I was to cease, in outward appearance at all events, to be an alien; for returning at noon from the fields, on entering my cell I beheld my beautiful new garments—two complete suits, besides underwear: one, the most soberly colored, intended only for working hours; but the second, which was for the house, claimed my first attention. Trembling with eagerness, I flung off the old tweeds, the cracked boots, and other vestiges of a civilization which they had perhaps survived, and soon found that I had been measured with faultless accuracy; for everything, down to the shoes, fitted to perfection. Green was the prevailing or ground tint—a soft sap green; the pattern on it, which was very beautiful, being a somewhat obscure red, inclining to purple. My delight culminated when I drew on the hose, which had, like those worn by the others, a curious design, evidently borrowed from the skin of some kind of snake. The ground color was light green, almost citron yellow, in fact, and the pattern a bright maroon red, with bronze reflections.

I had no sooner arrayed myself than, with a flushed face and palpitating heart, I flew to exhibit myself to my friends, and found them assembled and waiting to see and admire the result of their work. The pleasure I saw reflected in their transparent faces increased my happiness a hundredfold, and I quite astonished them with the torrent of eloquence in which I expressed my overflowing gratitude.

"Now, tell me one secret," I exclaimed, when the excitement began to abate a little. "Why is green the principal color in my clothes, when no other person in the house wears more than a very little of it?"