"You call this a cup of tea!" I exclaimed delightedly. The woman laughed, and he explained in an apologetic way that he had formerly suffered grievously from indigestion, so that for many years his life was a burden to him, until he discovered that if he took one big meal a day, after the work was over, he could keep perfectly well.
I was never hungrier than on this evening, and never, I think, ate a bigger or more enjoyable meal; nor have I ever ceased to remember those two with gratitude, and if I were to tell here what they told me—the history of their two lives—I think it would be a more interesting story than the one I am about to relate. I stayed a whole week in their hospitable house; a week which passed only too quickly, for never had I been in a sweeter haunt of peace than this village in a quiet, green country remote from towns and stations. It was a small rustic place, a few old houses and thatched cottages, and the ancient church with square Norman tower hard to see amid the immense old oaks and elms that grew all about it. At the end of the village were the park gates, and the park, a solitary, green place with noble trees, was my favourite haunt; for there was no one to forbid me, the squire being dead, the old red Elizabethan house empty, with only a caretaker in the gardener's lodge to mind it, and the estate for sale. Three years it had been in that condition, but nobody seemed to want it; occasionally some important person came rushing down in a motor-car, but after running over the house he would come out and, remarking that it was a "rummy old place," remount his car and vanish in a cloud of dust to be seen no more.
The dead owner, I found, was much in the village mind; and no wonder, since Norton had never been without a squire until he passed away, leaving no one to succeed him. It was as if some ancient landmark, or an immemorial oak tree on the green in whose shade the villagers had been accustomed to sit for many generations, had been removed. There was a sense of something wanting something gone out of their lives. Moreover, he had been a man of a remarkable character, and though they never loved him they yet reverenced his memory.
So much was he in their minds that I could not be in the village and not hear the story of his life—the story which, I said, interested me less than that of the good baker and his wife. On his father's death at a very advanced age he came, a comparative stranger, to Norton, the first half of his life having been spent abroad. He was then a middle-aged man, unmarried, and a bachelor he remained to the end. He was of a reticent disposition and was said to be proud; formal, almost cold, in manner; furthermore, he did not share his neighbours' love of sport of any description, nor did he care for society, and because of all this he was regarded as peculiar, not to say eccentric. But he was deeply interested in agriculture, especially in cattle and their improvement, and that object grew to be his master passion. It was a period of great depression, and as his farms fell vacant he took them into his own hands, increased his stock and built model cowhouses, and came at last to be known throughout his own country, and eventually everywhere, as one of the biggest cattle-breeders in England. But he was famous in a peculiar way. Wise breeders and buyers shook their heads and even touched their foreheads significantly, and predicted that the squire of Norton would finish by ruining himself. They were right, he ruined himself; not that he was mentally weaker than those who watched and cunningly exploited him; he was ruined because his object was a higher one than theirs. He saw clearly that the prize system is a vicious one and that better results may be obtained without it. He proved this at a heavy cost by breeding better beasts than his rivals, who were all exhibitors and prizewinners, and who by this means got their advertisements and secured the highest prices, while he, who disdained prizes and looked with disgust at the overfed and polished animals at shows, got no advertisements and was compelled to sell at unremunerative prices. The buyers, it may be mentioned, were always the breeders for shows, and they made a splendid profit out of it.
He carried on the fight for a good many years, becoming more and more involved, until his creditors took possession of the estate, sold off the stock, let the farms, and succeeded in finding a tenant for the furnished house. He went to a cottage in the village and there passed his remaining years. To the world he appeared unmoved by his reverses. The change from mansion and park to a small thatched cottage, with a labourer's wife for attendant, made no change in the man, nor did he resign his seat on the Bench of Magistrates or any other unpaid office he held. To the last he was what he had always been, formal and ceremonious, more gracious to those beneath him than to equals; strict in the performance of his duties, living with extreme frugality and giving freely to those in want, and very regular in his attendance at church, where he would sit facing the tombs and memorials of his ancestors, among the people but not of them—a man alone and apart, respected by all but loved by none.
Finally he died and was buried with the others, and one more memorial with the old name, which he bore last was placed on the wall. That was the story as it was told me, and as it was all about a man who was without charm and had no love interest it did not greatly interest me, and I soon dismissed it from my thoughts. Then one day coming through a grove in the park and finding myself standing before the ancient, empty, desolate house—for on the squire's death everything had been sold and taken away—I remembered that the caretaker had begged me to let him show me over the place. I had not felt inclined to gratify him, as I had found him a young man of a too active mind whose only desire was to capture some person to talk to and unfold his original ideas and schemes, but now having come to the house I thought I would suffer him, and soon found him at work in the vast old walled garden. He joyfully threw down his spade and let me in and then up to the top floor, determined that I should see everything. By the time we got down to the ground floor I was pretty tired of empty rooms, oak panelled, and passages and oak staircases, and of talk, and impatient to get away. But no, I had not seen the housekeeper's room—I must see that!—and so into another great vacant room I was dragged, and to keep me as long as possible in that last room he began unlocking and flinging open all the old oak cupboards and presses. Glancing round at the long array of empty shelves, I noticed a small brown-paper parcel, thick with dust, in a corner, and as it was the only movable thing I had seen in that vacant house I asked him what the parcel contained. Books, he replied—they had been left as of no value when the house was cleared of furniture. As I wished to see the books he undid the parcel; it contained forty copies of a small quarto-shaped book of sonnets, with the late squire's name as author on the title page. I read a sonnet, and told him I should like to read them all. "You can have a copy, of course," he exclaimed. "Put it in your pocket and keep it." When I asked him if he had any right to give one away he laughed and said that if any one had thought the whole parcel worth twopence it would not have been left behind. He was quite right; a cracked dinner—plate or a saucepan with a hole in it or an earthenware teapot with a broken spout would not have been left, but the line was drawn at a book of sonnets by the late squire. Nobody wanted it, and so without more qualms I put it in my pocket, and have it before me now, opened at page 63, on which appears, without a headline, the sonnet I first read, and which I quote:—
How beautiful are birds, of God's sweet air
Free denizens; no ugly earthly spot
Their boundless happiness doth seem to blot.
The swallow, swiftly flying here and there,
Can it be true that dreary household care
Doth goad her to incessant flight?
If not How can it be that she doth cast her lot
Now there, now here, pursuing summer everywhere?
I sadly fear that shallow, tiny brain
Is not exempt from anxious cares and fears,
That mingled heritage of joy and pain
That for some reason everywhere appears;
And yet those birds, how beautiful they are!
Sure beauty is to happiness no bar.
This has a fault that doth offend the reader of modern verse, and there are many of the eighty sonnets in the book which do not equal it in merit. He was manifestly an amateur; he sometimes writes with labour, and he not infrequently ends with the unpardonable weak line. Nevertheless he had rightly chosen this difficult form in which to express his inner self. It suited his grave, concentrated thought, and each little imperfect poem of fourteen lines gives us a glimpse into a wise, beneficent mind. He had fought his fight and suffered defeat, and had then withdrawn himself silently from the field to die. But if he had been embittered he could have relieved himself in this little book. There is no trace of such a feeling. He only asks, in one sonnet, where can a balm be found for the heart fretted and torn with eternal cares; when we have thought and striven for some great and good purpose, when all our striving has ended in disaster? His plan, he concludes, is to go out in the quiet night-time and look at the stars.
Here let me quote two more sonnets written in contemplative mood, just to give the reader a fuller idea not of the verse, as verse, but of the spirit in the old squire. There is no title to these two:—
I like a fire of wood; there is a kind
Of artless poetry in all its ways:
When first 'tis lighted, how it roars and plays,
And sways to every breath its flames, refined
By fancy to some shape by life confined.
And then how touching are its latter days;
When, all its strength decayed, and spent the blaze
Of fiery youth, grey ash is all we find.
Perhaps we know the tree, of which the pile
Once formed a part, and oft beneath its shade
Have sported in our youth; or in quaint style
Have carved upon its rugged bark a name
Of which the memory doth alone remain
A memory doomed, alas! in turn to fade.