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nerves, and was proud of it! On a recent visit to Seaford I failed to hear the bird when walking about the town, and after two or three days went into the shop to enquire about it. They told me it was dead--that it had been dead over a year; also that many visitors to Seaford had missed its song and had called at the shop to ask about the bird. The strangest thing about its end, they said, was its suddenness. The bird was singing its loudest one morning, and had been at it for some time, filling the whole place with its noise, when suddenly, in the middle of its song, it dropped down dead from its perch.

To drop dead while singing is not an unheard of, nor a very rare occurrence in caged birds, and it probably happens, too, in birds living their natural life. Listening to a nightingale, pouring out its powerful music continuously, as the lark sings, one sometimes wonders that something does not give way to end the vocalist's performance and life at the same instant. Some such incident was probably the origin of the old legend of the minstrel and the nightingale on which Strada based his famous poem, known in many languages. In England Crawshaw's version was by far


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the best, and is perhaps the finest bird poem in our literature.

The blackbird, like the thrush, sometimes borrows a note or a phrase, and, like the thrush again, if reared by hand he may become a nuisance by mimicking some disagreeable sound, and using it by way of song. I heard of such a case a short time ago at Sidmouth. The ground floor of the house where I lodged was occupied by a gentleman who had a fondness for bird music, and being an invalid confined to his rooms, he kept a number of birds in cages. He had, besides canaries, the thrush, chaffinch, linnet, goldfinch and cirl bunting. I remarked that he did not have the best singer of all--the blackbird. He said that he had procured one, or that some friend had sent him one, a very beautiful ouel cock in the blackest plumage and with the orange-tawniest bill, and he had anticipated great pleasure from hearing its fluting melody. But alas! no blackbird song did this unnatural blackbird sing. He had learnt to bark like a dog, and whenever the singing spirit took him he would bark once or twice or three times, and then, after an interval of silence of the proper length, about


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fifteen seconds, he would bark again, and so on until he had had his fill of music for the time. The barking got on the invalid's nerves, and he sent the bird away. "It was either that," he said, "or losing my senses altogether."